Bob Schwartz

Category: Poetry

The Weight of Light

You catch me
Head cradled gently in my hands
As if in pain.
You might even ask:
Are you okay?
Is something wrong?

When I release my hands
Raise my head
And you look closely
You are not so sure.

No lines of worry
No clenched brow.
No smile, it’s true,
Instead a convoluted calmness.

The light is in tiny pieces
Arriving and out of reach.
Visions, memories, hopes
That neither burden nor comfort.

I hold my head
As I see and stretch.
Nothing else but an exercise
In near sweetness
Lifting my way
To the rest of the day
To the rest of the days.

Morning Star

Morning Star 2

Morning Star

There is so much to learn.
Continue to learn that
There is nothing to learn.
But this.

Haiku: Morning Anyway

Morning Anyway

Sleeping fitfully.
Dreaming ridiculously.
Morning anyway.

A Room by the River

A room sits
Alone by the river
Windows open.
Wind flows through
Water flows by.
I wake and sleep
To the wonder of
Water and wind.
The sounds of wonder
The words of wonder
No words of wind and water
For
Sleeping
Waking.

The Quantum Physics of You

You are quantum physics.
Deeply important and essential.
Deeply complex and puzzling.
There is no sense, no rhyme or reason
To be angry with quantum physics
Even if it is sometimes frustrating to fathom.
The only appropriate response
Is fascination and appreciation
And thanks for making the universe possible.

A Blue Blanket

A Blue Blanket

A million items
Flood the closet.
Stacks and shelves
Hangers and boxes
Haphazard cascading
Valued and worthless
Detritus of a life.
In their company
A blue blanket
Carefully folded.
Any night
It may take its place in a dimmed room.
Cover for a middle hours half sleeper.
Blue cloud in a black sky,
Warm soft comfort
Caught between memories and dreams.
The way to sleep and then,
Morning through the blinds,
Folded and away again,
Until another restless night.

One Breath

One breath is the wind
Leveling mountains,
Raising mountains,
Emptying rivers,
Filling rivers.

The Sandokai: You Don’t Have To Be Zenish

Branching Streams

You don’t have to be a Zen person to read and appreciate the Sandokai (Harmony of Difference and Equality). You don’t have to be any particular person at all.

The Sandokai is a poem by eighth-century Chinese Zen Ancestor Sekito Kisen. It is a core text that is recited daily by many Zen practitioners.

It is often described as “difficult” the same way that oceans are described as “deep.” The depth is valuable and explorable, and yet ships of all kinds from all nations seem to float and travel on its surface beneficially, without regard to the depths below.

It is read as a challenge to even the most practiced reader. But a first reading by a beginner (and we are all beginners) can be surprisingly lightening.

The unsurpassed modern overview of the Sandokai is by Shunryu Suzuki Roshi. His talks from 1970 at the Tassajara Zen Mountain Center are collected in Branching Streams Flow in the Darkness: Zen Talks on the Sandokai. (You can also read the unedited transcripts and hear the talks themselves by visiting the San Francisco Zen Center archives.)

If you have any interest in the nature of things, just read. Don’t worry about what else you’ve studied or about what perspective or tradition you are coming from, or not studied or are not coming from. Just read, and if any of the verses strike you—or strike you over the head—all for the good. And if not, well, it’s still an interesting and lyrical poem.

 

Harmony of Difference and Equality (Sandokai)

The mind of the great sage of India
is intimately transmitted from west to east.

While human faculties are sharp or dull,
the Way has no northern or southern ancestors.

The spiritual source shines clear in the light;
the branching streams flow on in the dark.

Grasping at things is surely delusion,
according with sameness is still not enlightenment.

All the objects of the senses
transpose and do not transpose.

Transposing, they are linked together;
not transposing, each keeps its place.

Sights vary in quality and form;
sounds differ as pleasing or harsh.

Darkness merges refined and common words;
brightness distinguishes clear and murky phrases.

The four elements return to their natures,
Just as a child turns to its mother.

Fire heats, wind moves,
water wets, earth is solid.

Eye and sights, ear and sounds,
nose and smells, tongue and tastes;

Thus for each and every thing,
according to the roots, the leaves spread forth.

Trunk and branches share the essence;
revered and common, each has its speech.

In the light there is darkness,
but don’t take it as darkness;

In the dark there is light,
but don’t see it as light.

Light and dark oppose one another
like the front and back foot in walking.

Each of the myriad things has its merit,
expressed according to function and place.

Existing phenomenally like box and cover joining;
according with principle like arrow points meeting.

Hearing the words, understand the meaning;
don’t establish standards of your own.

Not understanding the Way before your eyes,
how do you know the path you walk?

Walking forward is not a matter of far or near,
but if you are confused, mountains and rivers block your way.

I respectfully urge you who study the mystery,
don’t pass your days and nights in vain.

Translation from the Soto Zen Text Project.

Mandatory Campaign Esperanto and Poetry

The First Amendment forbids the government from controlling how political candidates campaign. Which seems a shame, since the abuse of language, logic, and truth that goes on often seems criminal, a form of citizen abuse.

But if we could make some changes, it might be fun and even enlightening. So instead of having to endure candidates pandering with their (sometimes questionable) fluency in Spanish, we could require all of them to campaign in Esperanto.

Jeb Bush might then have launched his campaign this way, almost certainly capturing the Esperanto vote:

En ajna lingvo, mia mesaĝo estos optimisma ĉar mi estas certa ke ni povos fari la jardekoj tuj antaŭ la plej granda tempo iam esti viva en tiu mondo.

Ke hazardo, ke espero postulas pli bona kiu estas en ni, kaj Mi gxin donos mian ĉiuj.

Mi kampanji kiel mi utilus, irante ĉie , parolante al ĉiuj, observante Miajn vorto, alfrontante la demandoj sen flinching, kaj restante fidela al kion mi kredas.

Mi prenos nenio kaj neniu por sentado. Mi kuras kun koro.

Mi kuras por gajni.

Ĝi komencas tie kaj nun.

Kaj mi petas vian voĉdonon.

Dankon. Dio benu vin.

In any language, my message will be an optimistic one because I am certain that we can make the decades just ahead the greatest time ever to be alive in this world.

That chance, that hope requires the best that is in us, and I will give it my all.

I will campaign as I would serve, going everywhere, speaking to everyone, keeping my word, facing the issues without flinching, and staying true to what I believe.

I will take nothing and no one for granted. I will run with heart.

I will run to win.

It begins here and now.

And I’m asking for your vote.

Thank you. God Bless You.

Even better, let us require all candidates to campaign in poetry, rather than in their often overextended, useless, uninspired, and uninspiring prose.

They could choose any genre or form that suited them and their message. Rhyming or free verse. Classic or experimental. Long or short. Of course, we would be thrilled if they would go with haiku or some other sort of micro poetry. Imagine a campaign speech only 17 syllables long. It would be blissfully over as quickly as it began. By the time they got through “God bless you and God bless the United States of America,” they would have exactly one syllable left. Which given the nonsense that we have to endure, may still be one syllable too many.

Winnie-the-Pooh

winnie-the-pooh

Winnie-the-Pooh is not only a children’s book, not exactly, though it should be read to and by every child. It wasn’t read to or by me as a child, but I found it later anyway, and have never let go of it since.

Pooh, as you know or might have heard, is a bear formally known as Edward Bear, but nicknamed by his friend Christopher Robin. He lives with his other friends Rabbit, Piglet, Eeyore, Kanga and her baby Roo in the Hundred Acre Wood.

In this bit from Chapter 7, Pooh and friends are trying to distract Kanga so that they can capture her baby. Pooh recites some spontaneous poetry:

“Talking of Poetry,” said Pooh, “I made up a little piece as I was coming along. It went like this. Er–now let me see–“

“Fancy!” said Kanga. “Now Roo, dear–“

“You’ll like this piece of poetry,” said Rabbit

“You’ll love it,” said Piglet.

“You must listen very carefully,” said Rabbit.

“So as not to miss any of it,” said Piglet.

“Oh, yes,” said Kanga, but she still looked at Baby Roo.

“How did it go, Pooh?” said Rabbit.

Pooh gave a little cough and began.

LINES WRITTEN BY A BEAR OF VERY LITTLE BRAIN

On Monday, when the sun is hot
I wonder to myself a lot:
“Now is it true, or is it not,”
“That what is which and which is what?”

On Tuesday, when it hails and snows,
The feeling on me grows and grows
That hardly anybody knows
If those are these or these are those.

On Wednesday, when the sky is blue,
And I have nothing else to do,
I sometimes wonder if it’s true
That who is what and what is who.

On Thursday, when it starts to freeze
And hoar-frost twinkles on the trees,
How very readily one sees
That these are whose–but whose are these?

On Friday—-

“Yes, it is, isn’t it?” said Kanga, not waiting to hear what happened on Friday. “Just one more jump, Roo, dear, and then we really must be going.”

Note to English and philosophy professors: Shakespeare is great, but if you are not including A.A. Milne and his Pooh books in your syllabus, you are shortchanging your students. As for philosophy, “what is which and which is what?” and “who is what and what is who?” are questions that could take up a full semester, if not a lifetime.

Note to parents and children of all ages: If you are not reading Pooh to your kids or you haven’t read the book yourself, just do it.

Note to lovers: This may not seem like very romantic literature. But it contains the sort of sweet nonsensical silliness that love, stripped down to its unserious basics, is all about.

WARNING TO ALL: The Disney version of Pooh is known and beloved by many, maybe including you. Sweet Christopher Robin and Pooh would never say unkind or harsh things, such as saying that the Disney version completely misses everything wonderful about the Pooh books and characters, and that it might be deemed a creative desecration. They would never say anything like that.