Bob Schwartz

Category: Poetry

Something is happening here but you don’t know what it is, do you, Mister Jones?

Ballad of a Thin Man

When I look at the current political scene, or listen to analysis and prognostication by dozens of clueless paid or partisan political “experts”, I keep hearing a song from Bob Dylan.

Poetic word salad? Sure. Fitting message? Absolutely.

Ballad Of A Thin Man

You walk into the room
With your pencil in your hand
You see somebody naked
And you say, “Who is that man?”
You try so hard
But you don’t understand
Just what you’ll say
When you get home

Because something is happening here
But you don’t know what it is
Do you, Mister Jones?

You raise up your head
And you ask, “Is this where it is?”
And somebody points to you and says
“It’s his”
And you say, “What’s mine?”
And somebody else says, “Where what is?”
And you say, “Oh my God
Am I here all alone?”

Because something is happening here
But you don’t know what it is
Do you, Mister Jones?

You hand in your ticket
And you go watch the geek
Who immediately walks up to you
When he hears you speak
And says, “How does it feel
To be such a freak?”
And you say, “Impossible”
As he hands you a bone

Because something is happening here
But you don’t know what it is
Do you, Mister Jones?

You have many contacts
Among the lumberjacks
To get you facts
When someone attacks your imagination
But nobody has any respect
Anyway they already expect you
To just give a check
To tax-deductible charity organizations

You’ve been with the professors
And they’ve all liked your looks
With great lawyers you have
Discussed lepers and crooks

You’ve been through all of
F. Scott Fitzgerald’s books
You’re very well read
It’s well known

Because something is happening here
But you don’t know what it is
Do you, Mister Jones?

Well, the sword swallower, he comes up to you
And then he kneels
He crosses himself
And then he clicks his high heels
And without further notice
He asks you how it feels
And he says, “Here is your throat back
Thanks for the loan”

Because something is happening here
But you don’t know what it is
Do you, Mister Jones?

Now you see this one-eyed midget
Shouting the word “NOW”
And you say, “For what reason?”
And he says, “How?”
And you say, “What does this mean?”
And he screams back, “You’re a cow
Give me some milk
Or else go home”

Because something is happening here
But you don’t know what it is
Do you, Mister Jones?

Well, you walk into the room
Like a camel and then you frown
You put your eyes in your pocket
And your nose on the ground
There ought to be a law
Against you comin’ around
You should be made
To wear earphones

Because something is happening here
But you don’t know what it is
Do you, Mister Jones?

Mirror

Mirror

What is heavier
Than the weight
Of a mirror?

Valentine’s Day

Love is
The boldest embrace
A stroke of the brow
A symphony
A single note
Distance in miles
As close as skin to skin.
Yesterday remembered
Tomorrow imagined
Meeting here now.
Confusion and clarity.
Intoxicated and sober.
Treasure found
Never found
Misvalued or lost.
Glad to sleep
To awake knowing
Or hoping.

Match

Match

A bit of paper
A sliver of wood
Tipped in red.
A flick of a wrist
Against a strip of grit.
A stick of incense.
A candle
Lighting the dark
Sparking romance
Marking a birth
Calling to heaven.
Fire igniting
The bed
The room
The house
The world
The next world.
What miracle
Do you have
To match it?

Round Trip to Heaven or Hell

If you had a round trip ticket
To heaven or hell,
Bliss or madness,
Sure you would return,
Would have to,
Which would you choose?
Tour over,
Now the common surroundings
Might seem shabby and disappointing or
Simple comfort and sanity a relief.
Conscripted for travel
Or volunteering,
This is what you learned
Gladly or sadly
For the next inevitable journey.

Babel On

Babel On

What is the point and price of
The tower of words and thoughts?

High and fine
To reach higher and finer.

Was God protective,
Jealous even,
Of the secret word
That would reveal all
And make him redundant,
Obsolete, inferior?

Or was it a sign
We couldn’t read
That in the clouds,
On the moon,
Mars, the stars
We would find nothing but ourselves
Still babbling
Traveling
Going nowhere?

Approximately Analog Time

Approximately Analog Time

The digital clock is too precise
Four numbers and two dots.
What does it tell me?
What if it’s wrong?
Better the circle
Studded with the dozen
Swept by two lines,
Leaving a little to the imagination,
Not subject to the rule
Of the atomic heartbeat.
Best is the unadorned circle,
Just two hands pointing
Roughly and unevenly
To an approximation.
Admitting that it knows a little
But not much.

Making Your Mind

When you wake up
What is there to do
With your rumpled bed
Sheets twisted
Pillows tossed?
Do you make it immediately,
So orderly that it appears
Never to have been slept in?
Do you casually throw
The pieces in place?
Or do you leave it
As a recording
To be resumed and remixed
Yet again
The next night?

Breaths

Breaths

The pain then and now
The troubles then and now
Are so many
That all the breaths
Past present and future
Won’t blow them away.
Yet in the death
Between breaths
Where are they now?

Hermitage

Thomas Merton hermitage

Four Walls

Four walls
Three doors
One window
One ceiling
One floor.
How simple
How deep.
Walls layered
And filled.
Behind two doors
Filled too.
One door
Is different.
Goes out
Comes in.
Out there
The same.
In here
The same.
But not.

Hermitage has been in and on my mind. While not exactly a hermitage, the poem above describes the room in which I write.

When I first started reading Thomas Merton, I learned about his building a hermitage on the grounds of the Kentucky abbey where he lived. Merton was a sublime conundrum, who committed himself to relative silence and disciplined orthodoxy as a monk, yet whose spirit (the Spirit) would not allow him to be quiet and stop exploring. So he wrote and discovered. Thank goodness for us.

Sandokai is a famous poem by the Chinese Ch’an (Zen) Master Shitou Xiqian (700-790), who is known in Japanese as Sekito Kisen. I have long been reading and studying this, as have many Zen students. Of all the essential texts available, there are few more concisely powerful than Sandokai.

There is another poem by Sekito that is a little less known, but equally compelling. It is a description of his hermitage, a grass hut. There, he tells us, is nothing and everything.

Song of the Grass Roof Hermitage
by Shitou Xiqian

I’ve built a grass hut where there’s nothing of value.
After eating, I relax and enjoy a nap.
When it was completed, fresh weeds appeared.
Now it’s been lived in – covered by weeds.

The person in the hut lives here calmly,
Not stuck to inside, outside, or in between.
Places worldly people live, he doesn’t live.
Realms worldly people love, he doesn’t love.

Though the hut is small, it includes the entire world.
In ten square feet, an old man illumines forms and their nature.
A Great Vehicle bodhisattva trusts without doubt.
The middling or lowly can’t help wondering;
Will this hut perish or not?

Perishable or not, the original master is present,
not dwelling south or north, east or west.
Firmly based on steadiness, it can’t be surpassed.
A shining window below the green pines –
Jade palaces or vermilion towers can’t compare with it.

Just sitting with head covered, all things are at rest.
Thus, this mountain monk doesn’t understand at all.
Living here he no longer works to get free.
Who would proudly arrange seats, trying to entice guests?

Turn around the light to shine within, then just return.
The vast inconceivable source can’t be faced or turned away from.
Meet the ancestral teachers, be familiar with their instruction,
Bind grasses to build a hut, and don’t give up.

Let go of hundreds of years and relax completely.
Open your hands and walk, innocent.
Thousands of words, myriad interpretations,
Are only to free you from obstructions.
If you want to know the undying person in the hut,
Don’t separate from this skin bag here and now.

(from Taigen Daniel Leighton, Cultivating the Empty Field)