Bob Schwartz

The Year America Gets Politically Sober (from February 2016)

Note: When I reread this post ten years later, I am trying to remember precisely what “mess” and “political chaos” it refers to. We were still a long way from the political conventions of summer and the election in November. Thinking about it now, Trump was already in the mix (his rivals seemed to hate him, though that changed), Hillary was promised the nomination (Bernie had something to say about that, and thankfully he’s still talking), along with a whole lot of other bad signs. It closes with a thought of hope, probably left over from an Obama poster. But as the post said, “maybe as we near bottom, or hit bottom, we will change our ways.”


There are endless stories about people whose wild and self-destructive behaviors, addictions and obsessions careen out of control. Some of those stories are in books and movies. A lot more of them, millions of them, are in real life.

The stories sometimes end very badly. But sometimes, after a lost weekend, or a lost year, or a lost decade, something happens. Nearing bottom, or hitting bottom, people wake up. They realize that the path they are on—or the lack of a path—can only lead to bad times getting worse. And so they ask for help. Or they find the help within themselves. They recover. They get sober.

All the talking heads have explanations of how “we” got into this political chaos, with many people not particularly pleased with the choices they have, many people appalled at the choices other people are making, and a government—which is after all the point of politics—basically frozen and irrational.

“We” are not the victims. “We” created this mess ourselves. The forms of behaviors, addictions and obsessions are too many to list here. Let’s just say that if we choose not to be broadly informed, choose not to vote, choose to leave it up to other people, choose to be more interested in style than in substance, choose to be selfish, choose to divide by identity, choose to overlook serious problems, and make many other questionable choices, what do you expect?

All hope is not lost.

Just as with addicts and others who find themselves out of control, maybe this is our lost election, and maybe we are going to have to suffer its consequences, but maybe as we near bottom, or hit bottom, we will change our ways.

That’s a happy thought.

Cult of Personality by Living Colour (1988)

Neon lights, a Nobel prize
When a mirror speaks, the reflection lies

In 1988 the band Living Colour released their first album Vivid and the hit single Cult of Personality, which went on to win a Grammy.

It isn’t often that a track remains so relevant so many years later. But cults of personality have been around as long as leaders have been around, which is forever. Like now. Besides being a great song and performance (incendiary guitar by Vernon Reid), it is eerily notable that it specifically includes reference to “Neon lights, a Nobel prize”.

Living Colour is still playing, and was featured on Jimmy Kimmel last October.


Cult of Personality

And during the few moments that we have left
We want to talk right down to earth
In a language that everybody here can easily understand

Look in my eyes
What do you see?
The cult of personality

I know your anger, I know your dreams
I’ve been everything you want to be
Oh, I’m the cult of personality

Like Mussolini and Kennedy
I’m the cult of personality
The cult of personality
The cult of personality

Neon lights, a Nobel prize
When a mirror speaks, the reflection lies
You won’t have to follow me
Only you can set me free

I sell the things you need to be
I’m the smiling face on your TV
Oh, I’m the cult of personality

I exploit you, still you love me
I tell you, one and one makes three
Oh, I’m the cult of personality

Like Joseph Stalin and Gandhi
I’m the cult of personality
The cult of personality
The cult of personality

Neon lights, a Nobel prize
When a leader speaks, that leader dies
You won’t have to follow me
Only you can set you free

You gave me fortune, you gave me fame
You gave me power in your god’s name
I’m every person you need to be
Oh, I’m the cult of personality

If you buy the premise, you’ll buy the bit

“If you buy the premise, you’ll buy the bit” is a maxim of humor and joke telling. “A guy goes to a psychiatrist and says…” or “A priest, a minister, and a rabbi are sitting at a bar…” are setups for a joke. Someone who doesn’t buy that premise (someone of limited imagination, because it’s just a joke) will never get the joke.

This extends to logical argument in general. Without believing in a premise, the rest of the argument, like the rest of the joke, goes nowhere.

Sometimes the premise is hidden, incidentally or intentionally, and sometimes it is assumed without analysis and investigation. This is a reminder to find the premise, consider it carefully, and decide whether to buy it.

To close less seriously, with a ridiculous premise, one of my favorite jokes.


A guy goes to a psychiatrist.

Guy says, “Doc, my brother thinks he’s a chicken.”

Psychiatrist says, “Bring him in and I’ll examine him.”

Guy says, “I would, but we need the eggs.”


“ICE thwarted from entering Ecuador’s consulate in Minneapolis by employee”


ICE thwarted from entering Ecuador’s consulate in Minneapolis by employee

An Immigration and Customs Enforcement (ICE) agent attempted to enter Ecuador’s consulate in Minneapolis, but was turned back by an employee, prompting an official complaint to the US embassy in Quito, the country’s foreign ministry said….

Video of the incident verified by Reuters showed an employee at the consulate telling the agent: “This is the consulate of Ecuador, you are not allowed to enter.”

“Relax, relax, I didn’t enter,” the agent replies, before telling the staffer: “If you touch me, I will grab you.” The agent leaves shortly after.

The Guardian


Consulates, like embassies, are inviolable. They are literally extensions of their respective nations on foreign soil. On a small scale, entering without permission is an invasion.

This current crop of ICE agents appears to be either poorly trained, or incompetent, or overzealous, or violent, or unstable, or ignorant, or believe they are invulnerable and unaccountable, or some combination. Their bosses appear to be either poorly trained, or incompetent, or overzealous, or violent, or unstable, or ignorant, or believe they are invulnerable and unaccountable, or some combination.

The recent murders by ICE in Minneapolis are explosive high-profile examples of where things are and where they are going. So the attempted forced entry into a foreign nation’s consulate may seem less significant. It is not.

None other than the capo di tutti capi, the big chief, the head man, told the world that the only guardrail and restriction on his actions and orders was his own morality. That tells us all we have to know about the next three years—or more.

American Triple Play: A Change Is Gonna Come (Sam Cooke), Willin’ (Little Feat), This Land Is Your Land (Woody Guthrie)

Nobody living can ever stop me,
As I go walking that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me.
Woody Guthrie, This Land Is Your Land

Each morning is an opportunity to string together a brief soundtrack before the news takes over.

Understanding and responding to this American moment is a challenge. What does it all mean?

A Change Is Gonna Come by Sam Cooke is regarded as the most lyrical theme song of the Civil Rights movement.


Then I go to my brother
And I say brother help me please
But he winds up knockin’ me
Back down on my knees.

There been times that I thought I couldn’t last for long
But now I think I’m able to carry on
It’s been a long, a long time coming
But I know a change gonna come, oh yes it will.


Willin’ by Little Feat is an irresistible song of perseverance.


Well, I’ve been kicked by the wind, robbed by the sleet
Had my head stoved in, but I’m still on my feet
And I’m still willin’


This Land Is Your Land by Woody Guthrie is the actual national anthem of the United States of America.


As I went walking I saw a sign there,
And on the sign it said “No Trespassing.”
But on the other side it didn’t say nothing.
That side was made for you and me.

In the shadow of the steeple I saw my people,
By the relief office I seen my people;
As they stood there hungry, I stood there asking
Is this land made for you and me?

Nobody living can ever stop me,
As I go walking that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me.


Under Trump federal judicial contempt is hollow punishment

“Minnesota’s top federal judge has summoned the acting head of Immigration and Customs Enforcement (ICE) to appear before him on Friday, warning he may be held in contempt for allegedly defying court orders.”

Many in the Trump administration, including phony U.S. Attorneys like Alina Habba and Lindsey Halligan, have defied federal judicial orders and been threatened with contempt of court.

There is an overwhelming problem with enforcing such contempt, which is issued at the discretion of a federal judge.

Look closely at the seal above. Federal contempt is enforced by the U.S. Marshals Service. The U.S. Marshals Service is a division of the Department of Justice. Marshals work for Pam Bondi at the Department of Justice, who works slavishly for Trump.

Meaning: From Trump down to the lowest official in the federal government, anyone who defies a court order and is found in contempt has no worries, since the U.S. Marshals Service can be ordered to stand down by Pam Bondi and not enforce those orders.

I would include this as a footnote to any coverage that includes possible contempt of an administration official or worker for defying a federal court order.

Fascists begin with thugs: Mussolini’s Blackshirts and Hitler’s Brownshirts

Hitler’s SA

“Hitler’s SA beat up Jews, vandalized Jewish businesses, and intimidated voters and political opponents. This violence helped suppress opposition while the Nazis maintained a veneer of legality.”

Both Mussolini (the inventor of modern fascism) and Hitler began their rise to power with the help of organized thugs. Mussolini had his Blackshirts and Hitler had his Brownshirts (officially the SA, Sturmabteilung, “Storm Detachment).

These are not the only authoritarians, dictators and fascists to enlist thugs to help them. Above is a picture of Hitler’s thugs beating up German citizens in the streets.

Overview:


The Blackshirts (or Squadristi) were paramilitary fascist groups that emerged in Italy after World War I and became essential to Mussolini’s rise to power.

Origins and composition:
The Blackshirts formed around 1919-1920, initially as loosely organized squads of war veterans, unemployed workers, and disaffected young men. They wore black shirts as their uniform, which became their identifying symbol. Many members were ex-soldiers who felt betrayed by Italy’s treatment after WWI despite being on the winning side.

Their role in Mussolini’s rise:
The Blackshirts served as Mussolini’s instrument of violent intimidation and political control:

  • Strike-breaking and anti-socialist violence: They attacked socialist organizations, labor unions, and leftist politicians, beating opponents and burning down socialist newspapers, meeting halls, and cooperatives. This earned them support from landowners and industrialists who feared socialist revolution.
  • Creating chaos and positioning fascism as the solution: By generating political violence and instability, they helped create conditions where Mussolini could present himself and his fascist movement as the force that could restore order.
  • The March on Rome (1922): Tens of thousands of Blackshirts marched on Rome in October 1922 in a show of force. Though it was more political theater than military coup, the threat of violence pressured King Victor Emmanuel III to appoint Mussolini as Prime Minister rather than risk civil war.

The Blackshirts essentially functioned as Mussolini’s private army, using systematic violence to eliminate opposition and intimidate the political establishment into accepting fascist rule.


The Brownshirts, officially called the Sturmabteilung (SA, meaning “Storm Detachment”), were the Nazi Party’s paramilitary organization that played a crucial role in Hitler’s rise to power through street violence and intimidation.

Origins and composition:
Founded in 1921, the SA initially served as security for Nazi rallies. They wore brown uniforms (hence “Brownshirts”) and attracted war veterans, unemployed young men, and working-class Germans during the economic turmoil of the Weimar Republic. Led by Ernst Röhm, the SA grew rapidly during the late 1920s and early 1930s, eventually numbering in the hundreds of thousands.

Their role in Hitler’s rise:

  • Street violence and intimidation**: The SA engaged in brutal street fights with communists and socialists, attacked political opponents, and disrupted rival parties’ meetings. They created an atmosphere of chaos and civil conflict that undermined confidence in the Weimar government.
  • Projecting strength and inevitability: Through massive rallies, marches, and their visible presence in brown uniforms, the SA made the Nazi movement appear powerful and unstoppable, attracting supporters who wanted to be on the “winning side.”
  • Terror tactics: They beat up Jews, vandalized Jewish businesses, and intimidated voters and political opponents. This violence helped suppress opposition while the Nazis maintained a veneer of legality.
  • Electoral intimidation: During elections in the early 1930s, the SA’s presence at polling places and their attacks on opponents helped create conditions favorable to Nazi electoral success.

After Hitler became Chancellor in 1933, the SA helped eliminate remaining opposition. However, Hitler later purged the SA leadership in the “Night of the Long Knives” (1934) when they became a political liability.


SA flag

Psych-Out (1968)

Dick Clark is known as an entertainment impresario, from American Bandstand to Rockin’ New Year’s Eve. Less known is his brief career as an actor and movie producer. One of the three movies he produced in 1968 is Psych-Out.

Psych-Out is a great dramatized on-location non-documentary about the last days of love in San Francisco. The plot is ridiculous, and ridiculously complex and fevered. It begins with Jenny (Susan Strasberg), a deaf runaway, who comes to Haight-Ashbury looking for her brother The Seeker (Bruce Dern), falls in love with musician Stoney (Jack Nicholson), and ends up standing in traffic on the Golden Gate Bridge, her hearing miraculously restored.

Following is the trailer and the entire movie online.

Note: As outrageously over-the-top as this is, know that in countercultural moments aiming for better, which many times fall down and flat, this kind of mockery and ridicule is a standard weapon. Like accusing well-meaning people you hate of eating pets. So many things went wrong so fast with the Summer of Love phenomenon. But like the song goes, What’s So Funny ‘Bout Peace, Love and Understanding?

Dean Chamberlain: Light Paintings of Elder Psychedelic Pioneers

Timothy Leary © Dean Chamberlain

Dean Chamberlain is an extraordinary photographic artist. He works in a technique known as light painting, using hand-held lights to illuminate and color a scene photographed in long exposure. While versions of the technique have been known and used since the early days of photography, Dean was the first artist to work exclusively in the medium.

From Light Painting Photography:

Dean Chamberlain is the father of light painting photography and has been capturing photographs since 1967. It was his passion for photography that led him to the Rochester Institute of Technology in 1974 to pursue a fine art degree. During Dean’s time at Rochester in 1977 he discovered light painting photography. Dean was the first person to coin the term “Light Painting” for his open shutter long exposure photographic technique. He has worked with his unique art form ever since in his various works. Dean has created stunning portraits of well-known individuals such as David Bowie and Paul McCartney. He has also directed numerous music videos. Chamberlain’s work has appeared in publications such as Esquire, Vanity Fair and the Washington Post. He has received an MTV breakthrough award for directing music videos for Arcadia (Missing), Paul McCartney (This One) and Duran Duran (All She Wants Is).

Along with light painting rock stars, landscapes and other subjects, Dean created a unique series called Elder Psychedelic Pioneers. This includes Timothy Leary, Albert Hofmann, Alexander Shulgin, and others—many of whom have now passed on.

Albert Hofmann © Dean Chamberlain

 

Alexander and Ann Shulgin © Dean Chamberlain

 

Laura Huxley © Dean Chamberlain

Covid was our training ground. How did we do then with a damaging and deadly virus? How are we doing now with a different kind of virus?

Coronavirus in N.Y.: Toll Soars to Nearly 3,000 as State Pleads for Aid, April 3, 2020

Covid was a virulent virus—and still with us—that spread across America and the world.

In America, the response was mixed. Scientists worked tirelessly to develop an effective vaccine, though some questioned the science. Some citizens responded by changing their behavior and taking the vaccine. Other citizens refused to change behavior and rejected the vaccine. As a result, we got through it, but millions died, many needlessly, and millions were left with lasting Covid effects, many needlessly.

If today we are subject to a damaging and deadly virus of a different kind, how are Americans responding? Acting as if there is no virus, not acting vigorously against it, questioning science and rationality, hoping it will “just go away eventually” is not a plan. As with Covid, that is a path to millions suffering or dying, and our ways of life being changed forever.