Bob Schwartz

Moses on Krypton, Superman in Egypt

Mose & Superman


The story of the Exodus and Passover is a story of freedom, faith and return from exile. It is also a story about the universal question of identity: who am I?

According to the story told in the Book of Exodus, Moses is born a lowly Hebrew, a child of slaves. Set afloat by his mother to avoid Pharaoh’s slaying of the first born, he is found and given the Egyptian name Moses. He is raised as Egyptian royalty, though as a baby he is fed at the breast of his Hebrew mother.

It is never clear in the text when or how he first finds out about his heritage. We only know that he does discover that he is a Jew. He flees to Midian and marries Zipporah, who bears him a son. The name chosen for their son tells a story, the story of Moses and of the Jewish people. The name is Gershom, meaning “I have been a stranger in a foreign land.” (Exodus 2:22)

This famous phrase leads to a question: exactly which land is Moses a stranger in? Is he a Hebrew who has been a stranger in Egypt, despite living his entire adult life as a great Egyptian? Or is he an Egyptian suddenly identified with a people he never knew as his own?

A clue is found in the stories about Moses as a speaker. Twice Moses tries to tell God that he is speech challenged. When directed to address the Jews, Moses claims to be “slow of tongue” and “heavy of mouth.” When told to speak to Pharaoh, Moses describes himself cryptically as having “uncircumcised lips.” Some interpreters attribute this to an actual speech impediment, perhaps stuttering. But a different view is that Moses is trying to tell God something sensible: Moses does not speak Hebrew very well. And why should he speak Hebrew, when he has spent his life as an Egyptian?

At this point, we leave Egypt for a trip to Cleveland in the 1930s. Jerry Siegel and Joe Shuster are a couple of nerdy Jewish teenagers with a love of science fiction and a talent for comic book art. They had grown up with the stories of the Bible, including the tales of Moses. Consciously or not, they mixed these together into a comic book creation that would become a modern cultural icon: Superman.

In the Siegel and Shuster version, there is no infant floated off in a basket to avoid his death, and no Egyptian princess to find and adopt him. Instead, the Kryptonian infant Kal-el (a version of the Hebrew phrase Kol El, “the voice of God” or “all of God”) is rocketed off in a space capsule to avoid the planet’s destruction. The capsule crashes on Earth, and he is found and adopted by the Midwestern couple, Ma and Pa Kent.

The biblical infant is raised as an Egyptian and given the Egyptian name Moses; Kal-el is raised as an earthling and given the Midwestern name Clark Kent. The time will come for both of them, Moses and Clark Kent, to reclaim their true identities in order to tap into great power, to become super-men.

But this reclaiming of identity is not without difficulties. The man born Kal-el struggles with his disguises: Is he Superman pretending to be Clark Kent, or is he Clark Kent who has a second identity as Superman?

These particular stories of exile and identity are only two of many such stories in history and in popular culture. It is a story that repeats itself again and again, not only among the Jewish people in ancient and modern times, but among all people in all times and circumstances.

Think of the Jews in the midst of their Exodus, chronically uncertain about who they were and where they belonged. As much as they wanted to follow their faith and their leader to a promised place, their adopted home for generations—even if not by choice, even under the oppressor’s thumb—had been Egypt.

Think of Moses, caught between two worlds. Yet the struggle for identity turns out to be a source of strength for him. All that he accomplished could never have happened if he had been only an Egyptian or only a Hebrew. It was through his being both, and through his trying to resolve that seeming contradiction, that the events of the Exodus transpired.

Think of ourselves. We may believe that by staying in one place and simply holding tight to an unchanging way, we can maintain an identity free of questions, and we can avoid being strangers in a foreign land. But that is impossible. Those around us are constantly changing and the world around us is constantly changing. The land we think of as familiar becomes foreign to us, and we find ourselves strangers in it.

Being a stranger is unavoidable, and it can be a good thing. Like Moses, we discover who we are only when we question who we are in the particular place and time we inhabit. Along with the divine direction that he heard, it is this burning question of identity that drove Moses to do great things. It is a valuable lesson for all of us as we retell the story of the Exodus this Passover.

© 2026 by Bob Schwartz

The Apprentice (2024): The Trump movie you forgot about, which is what they wanted

The Trump people tried hard to keep The Apprentice movie from being seen in America in 2024, an election year.

The Apprentice is a candid, devastating and entertaining look at how a fledgling Donald Trump came under the diabolical wing of the notorious and unscrupulous lawyer and fixer Roy Cohn. Cohn’s tactic, beginning with his role in the McCarthy era hearings, was the Big Lie. Cohn’s strategy was winning at all costs, caring about nothing and nobody.

The movie won awards and finally ended up available in the U.S.—in 2025. It is currently streaming on Prime, though it is anybody’s guess when Amazon will pull it if too many people remember it’s there and start watching.

You did remember it, didn’t you? Or maybe you forget, dazzled by the Melania movie, also on Prime, or maybe you are numbed by the daily assault on our humanity by the man the movie is about.

Watch it while you still can. More and more media are likely to disappear, including The Apprentice, if the censorship and reeducation juggernaut isn’t stopped.

Only one commandment: Be a good boy or girl


How many commandments are there in the Decalogue? Do you know them by number? That’s a trick question, because different religious traditions divide and number the Hebrew text differently.

This will make it easy. There is only one commandment, even though it doesn’t appear in the “official” list.

To explain, I turn to the movie A Serious Man (2009) (playlist of clips) by Joel and Ethan Coen, nominated for two major Academy Awards, Best Picture and Best Original Screenplay.

Larry Gopnick, a physics professor in the 1960s, is up for tenure. Even as he lectures on Heisenberg’s Uncertainty Principle, there is a sense that he really doesn’t understand uncertainty at all. His professional and personal life seem to be falling apart. A student tries to bribe him for a passing grade. His wife is having an affair with his friend, his dentist espouses weird mystical tooth theories, and there is a question whether Larry may have a serious health problem. Larry looks for answers in Judaism. His attempts to see Rabbi Marshak, elder spiritual head of the congregation, fail.

Larry’s son Danny is about the be bar mitzvah. At Hebrew School, the transistor radio Danny was listening to in class is taken away by the teacher. Danny is sent to see Rabbi Marshak. Rabbi Marshak proceeds to discuss the situation through the lyrics of the Jefferson Airplane’s song Somebody to Love and with a simple piece of advice:


Rabbi Marshak stares at Danny from behind a bare desktop. His look, eyes magnified by thick glasses, is impossible to read.

Danny creeps to the chair facing the desk. He gingerly sits on the squeaking leather upholstery, self-conscious under Marshak’s stare.

Marshak’s slow rmouth-breathing is the only sound in the room. The two stare at each other.

Marshak smacks his lips a couple of times, wetting surfaces in preparation for speech.

Finally:

MARSHAK
When the truth is found. To be lies.

He pauses. He clears his throat.

. . . And all the hope. Within you dies.

Another beat. Danny waits. Marshak stares. He smacks his lips again. He thinks.

. . . Then what?

Danny doesn’t answer. It is unclear whether answer is expected. Quiet.

Marshak clears his throat with a loud and thorough hawking. The hawking abates. Marshak sniffs.

. . . Grace Slick. Marty Balin. Paul Kanta. Jorma. . .somethin.
These are the members of the Airplane.

He nods a couple of times.

. . . Interesting.

He reaches up and slowly opens his desk drawer. He withdraws something. He lays it on the bare desk and pushes it across.

. . . Here.

It is Danny’s radio.

. . . Be a good boy.


And that is the one commandment. Be a good boy or girl. Thousands of years of wisdom have developed directives, guidelines and practices to get us there. There is even a concise list of ten. But if you forget or ignore them, as we do sometimes, this will be your quick reminder.

The Ides of March (March 15)

Julius Caesar - Mercury Theater


Today is the Ides of March, the 15th of March on the Roman calendar. (The Ides are a monthly mid-point, between the Nones early in the month and the Kalends on the first day.)

It is the day of Julius Caesar’s assassination in 44 BCE, made forever famous by Shakespeare’s play Julius Caesar, where the Soothsayer warns him (twice) to “beware the ides of March”. It did turn out to be a bad day.

Above is a scene from the Mercury Theater’s legendary 1937 presentation of the play in modern dress and sensibility, set by director Orson Welles in Fascist Italy. The theater company was organized by Welles and John Houseman, and this was their first play. In the photo above, Marc Antony (George Coulouris) kneels over the lifeless body of Julius Caesar (Joseph Holland).

Welles was only 22 at the time, but already a rising star. The Mercury Theater, intended as an independent answer to the restrictions placed on Welles by the Federal Theater Project, was really the launch pad for his fame and infamy as a world class artistic genius and iconoclast.

Richard Linklater’s Me and Orson Welles (2008) takes place during that production. The movie is underrated and did very poorly at the box office–as did most Welles films. It is a charming fictionalization of a real cultural milestone, including recreated scenes from the Julius Caesar production

There is no special Roman designation for the 16th of March, so enjoy the ides while you can.

The Financier (2012) by Theodore Dreiser. Creatures of the new Gilded Age.

You cannot look at it [Black Grouper fish] long without feeling that you are witnessing something spectral and unnatural, so brilliant is its power to deceive. From being black it can become instantly white; from being an earth-colored brown it can fade into a delightful water-colored green. Its markings change as the clouds of the sky. One marvels at the variety and subtlety of its power.
–The Financier by Theodore Dreiser

 
The Financier (2012) is a novel about a creature of the Gilded Age, the first book in Theodore Dreiser’s Trilogy of Desire.

In it, Frank Cowperwood, a ruthless Philadelphia businessman, rises from a modest background to become a powerful financier in the mid-19th century. He manipulates city funds, builds a street railway empire, and ultimately faces financial ruin and imprisonment after a market crash that exposes his misuse of public money. Cowperwood is based on real-life robber baron Charles Yerkes.

Dreiser compares Cowperwood to the Black Grouper, a fish remarkable for its ability to blend in and adopt any appearance necessary to survive:


Concerning Mycteroperca Bonaci

There is a certain fish, the scientific name of which is Mycteroperca Bonaci, its common name Black Grouper, which is of considerable value as an afterthought in this connection, and which deserves to be better known. It is a healthy creature, growing quite regularly to a weight of two hundred and fifty pounds, and lives a comfortable, lengthy existence because of its very remarkable ability to adapt itself to conditions. That very subtle thing which we call the creative power, and which we endow with the spirit of the beatitudes, is supposed to build this mortal life in such fashion that only honesty and virtue shall prevail. Witness, then, the significant manner in which it has fashioned the black grouper. One might go far afield and gather less forceful indictments—the horrific spider spinning his trap for the unthinking fly; the lovely Drosera (Sundew) using its crimson calyx for a smothering-pit in which to seal and devour the victim of its beauty; the rainbow-colored jellyfish that spreads its prismed tentacles like streamers of great beauty, only to sting and torture all that falls within their radiant folds. Man himself is busy digging the pit and fashioning the snare, but he will not believe it. His feet are in the trap of circumstance; his eyes are on an illusion.

Mycteroperca moving in its dark world of green waters is as fine an illustration of the constructive genius of nature, which is not beatific, as any which the mind of man may discover. Its great superiority lies in an almost unbelievable power of simulation, which relates solely to the pigmentation of its skin. In electrical mechanics we pride ourselves on our ability to make over one brilliant scene into another in the twinkling of an eye, and flash before the gaze of an onlooker picture after picture, which appear and disappear as we look. The directive control of Mycteroperca over its appearance is much more significant. You cannot look at it long without feeling that you are witnessing something spectral and unnatural, so brilliant is its power to deceive. From being black it can become instantly white; from being an earth-colored brown it can fade into a delightful water-colored green. Its markings change as the clouds of the sky. One marvels at the variety and subtlety of its power.

Lying at the bottom of a bay, it can simulate the mud by which it is surrounded. Hidden in the folds of glorious leaves, it is of the same markings. Lurking in a flaw of light, it is like the light itself shining dimly in water. Its power to elude or strike unseen is of the greatest.

What would you say was the intention of the overruling, intelligent, constructive force which gives to Mycteroperca this ability? To fit it to be truthful? To permit it to present an unvarying appearance which all honest life-seeking fish may know? Or would you say that subtlety, chicanery, trickery, were here at work? An implement of illusion one might readily suspect it to be, a living lie, a creature whose business it is to appear what it is not, to simulate that with which it has nothing in common, to get its living by great subtlety, the power of its enemies to forefend against which is little. The indictment is fair.

Would you say, in the face of this, that a beatific, beneficent creative, overruling power never wills that which is either tricky or deceptive? Or would you say that this material seeming in which we dwell is itself an illusion? If not, whence then the Ten Commandments and the illusion of justice? Why were the Beatitudes dreamed of and how do they avail?


Why all this talk about stagflation?


Stagflation is the simultaneous occurrence of high inflation, high unemployment, and slow (or negative) economic growth. It defies classical economic theory, which held that inflation and unemployment move in opposite directions (the Phillips Curve trade-off) — meaning policymakers can’t use standard tools without making one problem worse.

Raising interest rates curbs inflation but deepens unemployment. Stimulus spending reduces unemployment but worsens inflation. Policymakers face a genuine dilemma with no clean solution.

The defining American stagflation episode ran roughly 1973–1982. Unemployment hit 9% in 1975 while inflation ran above 10% — numbers once considered theoretically impossible together.

Fed Chairman Paul Volcker deliberately induced a severe recession (1981–82) by pushing the federal funds rate above 20%, breaking inflationary expectations. Unemployment peaked near 11%, but inflation was crushed from 13% to 3% by 1983.


A couple of Americans generations have no experience of stagflation. If they pay attention to the possibility at all (as noted, once considered a theoretical impossibility), it is an arcane matter of economic history.

Hints of stagflation have been showing up over the past year, and more so in recent months. Inflation has been stubborn, though not stratospheric, while employment has been shrinking and the economy less than robust.

The previous stagflation began in 1973 with the OPEC oil embargo. Then as now, despite attempts to promote alternatives, oil is a primary driver of the economy. The current serious oil disruption, with concomitant inflation not only at the gas pump but in many sectors, might not be enough by itself. But despite what you might be hearing from some sources, the economy is less strong than it has been in a while. So even if there is a quick wrap up of this war on Iran, with relief on the shipping of oil, there are other areas of concern.

Could we again see ever higher inflation and ever higher unemployment? Do we have the best and the brightest economic minds leading the nation, able to respond effectively to the not theoretical scourge and suffering of stagflation? Only when the best and the brightest return to American leadership do we have a chance.

President Trump: Officially Worst American Administration

Historians generally wait until the end of a presidency to evaluate an administration and where it ranks historically.

As low as the first Trump administration already ranks, at or near the bottom, this second term, even after one year with three more to go, is incontrovertibly the worst.

Which is why it is not too early to award him the prize for Worst American Administration.

Is this an “actual” award? It is no more or less “actual” than the FIFA Peace Prize.

Is it “official”? Not to repeat, but it is no more or less “official” than the FIFA Peace Prize.

Am I claiming the authority to offer a prize? Repeating again, I have as much authority to offer a historical assessment of a presidential administration as an international football association has to offer an assessment of contributions to peace or war. Probably more.

Finally, a funny story about this award. It was created by Nano Banana. All I asked for was an award with the text shown above. But on the first try, it added a little text of its own to the plaque, shown below, “Awarded by popular consensus”. AI with attitude.

God’s Political Will

 

This post was originally published on October 25, 2012, a week before the general election in which Republican Richard Mourdock was running to win a Senate seat. Indiana was and remains solidly Republican, yet he lost to Democrat Joe Donnelly. It was attributed to a debate in which Mourdock said “life is that gift from God that I think even when life begins in that horrible situation of rape, that it is something that God intended to happen.”


In the history of Christian theology, philosophy has sometimes been seen as a natural complement to theological reflection, whereas at other times practitioners of the two disciplines have regarded each other as mortal enemies….

Philosophy takes as its data the deliverances of our natural mental faculties: what we see, hear, taste, touch, and smell. These data can be accepted on the basis of the reliability of our natural faculties with respect to the natural world. Theology, on the other hand takes as its starting point the divine revelations contained in the Bible. These data can be accepted on the basis of divine authority, in a way analogous to the way in which we accept, for example, the claims made by a physics professor about the basic facts of physics.

 On this way of seeing the two disciplines, if at least one of the premises of an argument is derived from revelation, the argument falls in the domain of theology; otherwise it falls into philosophy’s domain.

Stanford Encyclopedia of Philosophy


Current American politics includes little study and application of philosophy. Some of our founders were steeped in philosophy, being educated sons of the Enlightenment. But even then, the struggling rebel nation was marked by pragmatism: there may be no atheists in foxholes, but there aren’t many philosophers either. Today, even when ideologues throw around the names of Mill or Burke, that is a rarity. Most of our politicians don’t know, can’t practice and don’t care about philosophy.

Theology is another story. Our government and the campaign trail seem to be overflowing with those who consider themselves theologians, whether they call themselves that or not. But even though the ground of theology is distinct from philosophy, the rigor and discipline required is exactly the same. The simplistic adoption of an isolated theological premise is no more sturdy than an isolated philosophical one. A solid theological conclusion must be supported from start to finish. If you can’t answer all (or at least most) of the consequent questions, you can’t be trusted to answer any.

And so when Indiana Senate candidate Richard Mourdock announced that when a woman becomes pregnant through rape, the pregnancy is “God’s will,” the question isn’t whether that is true. The question is: assuming it is true, what else is God’s will?

Mr. Mourdock, and every other politician who claims to know God’s will, owes us a comprehensive list of those things that are and are not God’s will. In the case of Mr. Mourdock, if he is schooled in the fine points of Christian theology, that should be a straightforward matter.

For example: Are the outcomes of elections God’s will? If Mr. Mourdock’s opponent wins, will that be God’s will? If President Obama beats Mitt Romney, will that be God’s will?

There are a raft of sub-questions for the theologian. If God wills an election winner, how does it happen? Are some potential voters kept away from the polls by stormy weather or traffic jams? And how exactly does God decide who the winner should be? Is there a scorecard based on the Ten Commandments or the Seven Deadly Sins? Does a high score on “bearing false witness” or “greed,” for example, make it difficult to get an endorsement?

In the event Mr. Mourdock does not win, it may be God’s will after all. Just a few miles from his home in Darmstadt, Indiana is an excellent school, Trinity College of the Bible and Theological Seminary. Trinity offers a number of degree programs and dozens of courses on theology. If his keen interest in theology continues, that could be just the way to spend his time.

The Rubicon and the Pillar: If We Pass This Little Bridge

 


The Lives of the Twelve Caesars
By Suetonius

XXXI.

…The lights going out, he [Julius Caesar] lost his way, and wandered about a long time, until at length, by the help of a guide, whom he found towards daybreak, he proceeded on foot through some narrow paths, and again reached the road. Coming up with his troops on the banks of the Rubicon, which was the boundary of his province, he halted for a while, and, revolving in his mind the importance of the step he was on the point of taking, he turned to those about him, and said: “We may still retreat; but if we pass this little bridge, nothing is left for us but to fight it out in arms.”

XXXII.

While he was thus hesitating, the following incident occurred. A person remarkable for his noble mien and graceful aspect, appeared close at hand, sitting and playing upon a pipe. When, not only the shepherds, but a number of soldiers also flocked from their posts to listen to him, and some trumpeters among them, he snatched a trumpet from one of them, ran to the river with it, and sounding the advance with a piercing blast, crossed to the other side. Upon this, Caesar exclaimed, “Let us go whither the omens of the Gods and the iniquity of our enemies call us. The die is now cast.”

Writing Advice From Coco Chanel


Legendary fashion designer Coco Chanel had a famous piece of advice for dressing with accessories.

It is also the single best piece of advice for writers or for any creative people. If you practice writing or any of the creative arts or crafts, or if you teach writing or any of the creative arts or crafts, this is a mantra that is guaranteed to improve any work:

Look in the mirror and take one thing off.