Bob Schwartz

What Democrats can learn from Bobby Kennedy

The column below is from the Economist in 2023. Joe Biden was president. Robert F. Kennedy Jr. was emerging on the national scene, planning to oppose Biden for the Democratic nomination. We are now living in the future, where Kennedy Jr., who appears to have serious problems, is the chief health policy maker of America. He works for the chief executive of America, who also appears to have serious problems.

This column is about the late Robert F. Kennedy. I have included Bobby Kennedy in at least a dozen posts over the years. He deserves as much attention as ever in 2026. Maybe we can and should use every appearance of his namesake son as a reminder to consider the worth of the father.

The point of the Economist column is as valid today as it was three years ago. If Democrats are lost—they are—and willing to admit they need models—they do—the simple suggestion is that they have one. Whether 2026 is a worse time than 1968 doesn’t matter. What matters is that when you are in such times, leaders may come along who are what we need. We will never know whether Bobby Kennedy was fully the one to elevate us above 1968, since he was assassinated in June of that year. Is there a Democrat out there who can elevate us above 2026? One who truly, not just superficially, is like Bobby Kennedy?


What Democrats can learn from Bobby Kennedy
The father—not the son—was the party’s last great populist

The Economist
Sep 7th 2023

Of all the what-ifs of post-war American politics, none is more haunting than the vision in which an assassin did not shoot down Robert Kennedy while he was running for president in 1968. Had Kennedy lived, runs this counterfactual history, he would have become president, and America would have left Vietnam years earlier. There would have been no Nixon administration, no Watergate scandal to sharpen cynicism and no successful Republican “southern strategy” to deepen racial division. The Democrats would have become the party of the multiracial working class, rather than of the multiracial professional elite.

Now, as his father challenged President Lyndon Johnson for the Democratic nomination, Robert Kennedy junior is challenging President Joe Biden. You might hear echoes of the father’s politics, as when the son inveighs against “the warfare machine that is bankrupting our country” or against the Democratic Party for “inviting Wall Street to strip-mine the American public”.

But unlike his father, this Kennedy has little chance of the nomination. Rather than falling in love with him, leftish journalists are tearing him apart for his opposition to vaccination and his yen for conspiracy theories, including about the murders of his father and his uncle, John Kennedy. Having supplied the tragedy in 1968, history is offering up the farce.

And yet an unflattering comparison could also be made with most other modern Democratic campaigns, even allowing for mythmaking: they all seem a bit pallid beside Kennedy’s blazing, tragic 82-day race. A mix of idealism and pragmatism led him to try to reassemble the Democrats’ New Deal coalition, fractured by the Vietnam war and the civil-rights movement. He got in late, after the New Hampshire primary. Another Democratic challenger, Eugene McCarthy, a cerebral senator from Minnesota, had claimed the hearts of affluent, educated opponents of the war.

Kennedy set out to build on his support among black voters by showing working-class white Americans they had common interests. His policies were heterodox, aimed at holding families and communities together, to nurture civic pride and a spirit of mutual obligation. For decades liberals had linked the growth of the federal government to the expansion of rights and freedom, but Kennedy sensed Americans felt they were losing control to a distant government with giant, one-size-fits-all programmes. He argued that people wanted the dignity of work rather than welfare, and he favoured local, public-private jobs schemes. “He sensed and managed to articulate that feeling of disempowerment experienced by ordinary Americans, including the white working class, black and Hispanic voters and other groups excluded from the mainstream of American prosperity and respect,” says Michael Sandel, a political philosopher and author of “Democracy’s Discontent”.

As riots tore inner cities apart, Kennedy called for “law and order”, courting the disdain of some liberals who, then as now, heard that as racist code. But he always twinned his call for law enforcement with demands for racial justice, saying white Americans bore responsibility for black violence.

To housewives in Terre Haute, Indiana, he cited Camus, urging empathy with the hopelessness of destitute families. In Indianapolis, on the night Martin Luther King was killed, Kennedy defused the anger in a crowd primed to riot. He quoted Aeschylus on the wisdom that comes with despair and added, “Let us dedicate ourselves to what the Greeks wrote so many years ago: to tame the savageness of man and make gentle the life of this world.”

He often said what voters did not want to hear. “You sit here as white medical students, while black people carry the burden of fighting in Vietnam,” he scolded students at Indiana University, saying he wanted to take their draft deferments away. “He sort of respects our intelligence,” a farmer told a reporter in Nebraska, where Kennedy freely admitted he had no idea how to milk a cow.

The honesty and intensity of Kennedy’s campaign—along with his decision to visit Native American reservations, where presidential candidates seldom bother to go, to draw attention to their wretchedness—may have resulted in part from the sense of doom suffusing it. Like the reporters covering him, the candidate feared he would eventually be shot.

From George Wallace to Donald Trump

Yet Kennedy insisted on so exposing himself that supporters would make off with his jacket and even his shoes. He ended his campaign in Indiana with a nine-hour ride in an open car inching through black and white communities. The reporter Jules Witcover described an “unbroken display of adulation and support” as he rode through neighbourhoods “that ran smack against one another, and you read their racial or ethnic composition in the faces that looked up at him, in the colour of the hands that stretched out to him, in the accents that shouted out at him”. Kennedy did not succeed with well-off white voters. Instead, he won the Indiana primary by carrying 86% of black voters along with working-class white Democrats, including many who had defected to the segregationist George Wallace four years earlier.

Kennedy would go on to lose the primary in Oregon, an affluent white state, but he won Nebraska, South Dakota and California. There, after his victory speech at the Ambassador Hotel, he broke one of his own rules. Instead of wading through the crowd he left through the kitchen, where his assassin waited.

It is impossible to know what Kennedy might have achieved. Yet it is also hard to believe Donald Trump would have achieved so much had the Democrats modelled themselves less on McCarthy and more on Kennedy. He was, in short, the last great Democratic populist. Kennedy loved to paraphrase George Bernard Shaw: “Some people see things as they are and say, ‘Why?’ I dream of things that never were and say, ‘Why not?’” These days both questions seem worth asking.


Pete Hegseth is envious of Mark Kelly, but we can fix that with some fighter missions and time in space.

Whatever we say about Pete Hegseth—and we say a lot—he did serve honorably in the military. So why does he keep picking fights with Mark Kelly, a decorated Navy flyer and astronaut?

Pete is envious. Even the most ardent Trumpists may believe that Kelly deserves some credit for flying 39 combat missions in Desert Storm and for his 54 days in space during four NASA missions.

Pete can level the playing field.

First, he has to take part in combat flights, 39 of them. He doesn’t have to pilot the attack aircraft, just ride along.

Second, he can go to space. Let’s not be facetious and say he should stay there. He only needs to stay up there for 54 days.

We might add that to truly level the playing field, he should also be elected a United States Senator, but that may be asking too much.

Pete would then be (sort of) Mark Kelly’s equal, qualified to criticize and indict Kelly as much as he chooses. But until then, he should pick fights, as bullies do, with those he is sure he can beat.

© 2026 Bob Schwartz

First time

First time

The first time
Is this time
Is the last time


What are your constant practices? Ones performed from the earliest time, maybe before memory, maybe every day, maybe every moment. Each time the same, each time different.

Breathing, for example. You may not think of it as a practice, though you know and hope it is constant. You don’t remember the first breath, though somebody else will. You will not remember your final breath, though somebody else may. That previous breath, this breath and that next breath, you know them.

© 2026 Bob Schwartz

In the Beginning

Genesis Illustrated Cover

In the beginning….Well, you probably know how it goes. But don’t be jaded by familiarity. And don’t avoid it or be put off by belief that this and all the Genesis stories that follow are neither history nor science. So what? These are big stories and we need big stories. Not to be used as clubs to beat us up (though there is that), but as invitations and portals to bigger things.

Instead of learned discourse, here is something much more fun. R. Crumb, one of the great comic artists (beginning with his classic underground comics in the 1960s—Mr. Natural, etc.), published his Book of Genesis Illustrated in 2010.

Genesis Illustrated Back Cover

(If you don’t like pictures or Crumb’s illustrations, you might just try the excellent translation of Genesis that Crumb used, by Robert Alter)

Take a moment, whatever your inclinations, and allow yourself to be awed. Whatever you think is awesome, the sudden appearance of everything is more awesome than that, however you explain it. And for those who are waiting to see the Big Guy with the long beard–you know you’ve just gotta have it–here it is.

Genesis Illustrated Page 1

Will Trump reactivate the $10,000 bill with his portrait on it?

The U.S. $10,000 bill was discontinued in 1969 and was last printed in 1945.

This may be the year it is printed again. Will Trump order the Treasury to resume printing the $10,000 bill, this time with his portrait instead of Salmon P. Chase? Chase was Abraham Lincoln’s Secretary of the Treasury.

Stranger things have happened and are still happening.

America can divorce itself from Trump in Florida. No fault when the marriage is irretrievably broken.

Impeachment won’t be happening. Twenty-fifth Amendment won’t be happening.

No worries. Trump is a Florida resident and Florida allows no-fault divorce. Following is an excerpt from the statute:


FLORIDA STATUTES

TITLE VI
CIVIL PRACTICE AND PROCEDURE

CHAPTER 61

DISSOLUTION OF MARRIAGE

61.052 Dissolution of marriage.—

(1) No judgment of dissolution of marriage shall be granted unless one of the following facts appears, which shall be pleaded generally:
(a) The marriage is irretrievably broken.
(b) Mental incapacity of one of the parties.

(2) Based on the evidence at the hearing, which evidence need not be corroborated except to establish that the residence requirements of s. 61.021 are met which may be corroborated by a valid Florida driver license, a Florida voter’s registration card, a valid Florida identification card issued under s. 322.051, or the testimony or affidavit of a third party, the court shall dispose of the petition for dissolution of marriage when the petition is based on the allegation that the marriage is irretrievably broken.

If, at any time, the court finds that the marriage is irretrievably broken, the court shall enter a judgment of dissolution of the marriage.


Is the marriage between America and Trump irretrievably broken? The evidence is overwhelming. No recriminations, no bitter accusations. No need to resort to mental incapacity (61.052(1)(b)). Just an end to a relationship that does not work.

Can we find a judge in Florida who will dissolve this marriage? It may be hard, but it is worth a try.

Koyaanisqatsi

It is tempting to say that Koyaanisqatsi (1983) is THE film to envision 2026 and this modern world. To adapt the cliché “this changes everything”, this changes how you see everything. These days there is a lot to see.

You may find the people and technology pictured outdated and old school. You may find the visual and cinematic techniques unamazing, since these have advanced more than forty years. Not only is the creativity here timeless, but the Hopi, whose word for “life out of balance” gave the film its title, have been here for 2,000 years, perhaps more. The essential never ages.

Koyaanisqatsi is widely available to stream for free.


Koyaanisqatsi

An unconventional work in every way, Godfrey Reggio’s Koyaanisqatsi was nevertheless a sensation when it was released in 1983. This first work of The Qatsi Trilogy wordlessly surveys the rapidly changing environments of the Northern Hemisphere, in an astonishing collage created by the director, cinematographer Ron Fricke, and composer Philip Glass. It shuttles viewers from one jaw-dropping vision to the next, moving from images of untouched nature to others depicting human beings’ increasing dependence on technology. Koyaanisqatsi’s heterodox methods (including hypnotic time-lapse photography) make it a look at our world from a truly unique angle.
–Criterion Collection


Koyaanisqatsi

In Arizona, the wall of a canyon is adorned with artwork created by Hopi Indians. Clouds travel across a mountain range, followed by aerial views of a waterfall and a calm ocean. Elsewhere, the land is marred by strip mining, land movers, oil pipelines, electrical towers, factories, dams, oil derricks, and nuclear weapons tests. On the California coast, tourists sunbathe in the shadow of an oil refinery. Automobiles crowd freeways, and appear as if they are traveling alongside a large airliner. Fighter planes drop bombs, a missile is launched from a silo, a fleet of aircraft carriers sail the ocean, and explosions occur around various machines of war. In New York City, modern skyscrapers contrast with decaying apartment buildings, which are ultimately demolished. A cloud of polluted air covers the city. People clutter the streets, hemmed in by enormous structures and surrounded by advertising. A fighter pilot stands proudly next to his jet plane, and a group of waitresses pose in front of the Las Vegas, Nevada, casino where they are employed. Automobile and foot traffic move rapidly through cityscapes. At an Oscar Meyer processing plant, thousands of wieners roll off an assembly line. People play video games, go bowling, and file in and out of a diner. Inside an automobile assembly plant, humans work alongside machines as cars are built in rapid succession. At a department store, a mother and her two children stand in front of a display of television sets. Elsewhere, a performance artist detonates an explosive charge underneath a pile of old televisions. Dancers in a discotheque are juxtaposed with high-speed traffic. In various American cities, people go about their lives as police and firemen attend to victims of crime and disaster. In Florida, a rocket explodes shortly after lift-off, and the burning nosecone falls slowly toward earth. Back in Arizona, the Hopi artwork still adorns the canyon wall.
–American Film Institute


James Baldwin—My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation

For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what America must become….You know, and I know, that the country is celebrating one hundred years of freedom one hundred years too soon. We cannot be free until they are free.
James Baldwin, My Dungeon Shook (1962)

James Baldwin’s The Fire Next Time is one of the great works by one of America’s greatest writers. The book includes a brief essay entitled My Dungeon Shook: Letter to My Nephew on the One Hundredth Anniversary of the Emancipation. Written in 1962, before the Civil Rights Act and the forward but fitful evolution of American society, its power is undiminished in the face of unfinished business.

Excerpt:


Dear James:

I have begun this letter five times and torn it up five times. I keep seeing your face, which is also the face of your father and my brother. Like him, you are tough, dark, vulnerable, moody—with a very definite tendency to sound truculent because you want no one to think you are soft. You may be like your grandfather in this, I don’t know, but certainly both you and your father resemble him very much physically. Well, he is dead, he never saw you, and he had a terrible life; he was defeated long before he died because, at the bottom of his heart, he really believed what white people said about him….

I know what the world has done to my brother and how narrowly he has survived it. And I know, which is much worse, and this is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it. One can be, indeed one must strive to become, tough and philosophical concerning destruction and death, for this is what most of mankind has been best at since we have heard of man. (But remember: most of mankind is not all of mankind.) But it is not permissible that the authors of devastation should also be innocent. It is the innocence which constitutes the crime….

This innocent country set you down in a ghetto in which, in fact, it intended that you should perish. Let me spell out precisely what I mean by that, for the heart of the matter is here, and the root of my dispute with my country. You were born where you were born and faced the future that you faced because you were black and for no other reason. The limits of your ambition were, thus, expected to be set forever. You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence: you were expected to make peace with mediocrity. Wherever you have turned, James, in your short time on this earth, you have been told where you could go and what you could do (and how you could do it) and where you could live and whom you could marry. I know your countrymen do not agree with me about this, and I hear them saying, “You exaggerate.” They do not know Harlem, and I do. So do you. Take no one’s word for anything, including mine—but trust your experience. Know whence you came. If you know whence you came, there is really no limit to where you can go. The details and symbols of your life have been deliberately constructed to make you believe what white people say about you. Please try to remember that what they believe, as well as what they do and cause you to endure, does not testify to your inferiority but to their inhumanity and fear….

For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what America must become. It will be hard, James, but you come from sturdy, peasant stock, men who picked cotton and dammed rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets, some of the greatest poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off.

You know, and I know, that the country is celebrating one hundred years of freedom one hundred years too soon. We cannot be free until they are free. God bless you, James, and Godspeed.

Your uncle,
James


Met Gala? Birds are better costumed and better for us…and they can all sing.

Nicobar Pigeon

The media madness about the Met Gala has mostly passed. The over-covered event is meant to support the art of costumes and fashion. It is actually an opportunity for celebrities and rich people to show off the expensive creations of designers, one costume more outrageous than another. It is colorful and it does involve celebrities and rich people, so the media are as naturally attracted to it as hummingbirds to flowers.

Speaking of birds, if you are not a fan of the Met Gala and the costumed celebrities and rich people, here is a thought. It is not certain that the Met Gala is good for us. It is certain that birds, more abundant and splendid than the participants in the Met Gala, are better costumed and better for us. Plus, while only a few of the Met Gala people can sing, all of the birds can.

© 2026 Bob Schwartz

Xul Solar

Visit Museo Xul Solar online (or in person if you visit Buenos Aires)


Alejandro Xul Solar (Oscar Agustín Alejandro Schulz Solari, 1887-1963) is one of the most singular representatives of the vanguard in Latin America. In 1912 he went to Europe where he stayed until 1924, living in Italy and in Germany and making frequent trips to London and Paris. At his return he participated actively in the esthetic renovation proposed by the editorial group of the Martín Fierro journal (1924-1927).

Friend of Jorge Luis Borges, he illustrated several of his books and collaborated in various of his editorial enterprises such as the Revista Multicolor de los Sábados y Destiempo. With a vast culture, his interests took him to the study of Astrology, Kabbalah, I Ching, Philosophy, religions and beliefs of the Ancient East, of India, and the Pre-Colombian world, besides Theosophy, Anthroposophy, among many other branches of knowledge.

He remained busy as well with the creation of two artificial languages, the “neocriollo” and the “panlengua”, and the “pan-chess”; he proposed a modification of the musical notation and the piano keyboard, and conceived the idea of a puppet theatre for grown ups, among many other things.


You can sense from the above description that any sampling of his life and work is inadequate. The collection provides a bigger picture, and even that is not enough.

As noted, Xul Solar was a friend and collaborator of Borges. A 2026 class that included only Xul Solar and Borges might be enough to get us through these times. More than through, with that unique unprecedented perspective, we might come out of this even better than before.