Bob Schwartz

“Every day, in every way, EVERYBODY is getting better and better.”

Émile Coué

Émile Coué (1857 – 1926) was a French psychologist, pharmacist, and hypnotist who introduced a popular method of psychotherapy and self-improvement based on optimistic autosuggestion. Twenty times each morning and night, you are to repeat:

“Every day, in every way, I am getting better and better.”

This became the basis of the modern self-help and positive thinking movement.

Mahayana Buddhism would offer a slightly different take on this. Maxims and mantras are recommended, as ways of training our minds and liberating ourselves from suffering. It is equally important to work for the liberation of everybody else. Everybody. Avalokiteshvara, the bodhisattva of compassion, famously vowed to delay his own ultimate liberation until every single sentient being is freed from suffering.

So in addition to Coué’s mantra, we can add this:

“Every day, in every way, everybody is getting better and better.”

Don’t believe it? Then help to make it happen.

Maybe Myths Will Save Us

You can’t fight and eliminate myth. You can try. You can drive it away and banish it, but it will always turn up within the city walls. Because it is inside you and all the citizens.

When I began reading comic books, I didn’t know those stories were myths. When I first heard the stories of the Bible, I didn’t know those were myths. In the big world, something about these myths proved to be irresistibly and unstoppably popular. Comic book myths became an entertainment mega-industry. Religious myths laid the foundation for the beliefs of billions.

Enlightenment and modernism took on the task of demythologizing. That project has never been wholly successful. It is instead like whack-a-mole: bash one myth down and another will pop up. You may not recognize something as myth, but there it is. Bigger than life, embodying truths that defy everyday experience and evidence. Not only bigger, but more significant.

As the essayist Joan Didion wrote, “We tell ourselves stories in order to live.” Maybe instead of trying to stop telling ourselves stories, maybe instead of trying to loosen our embrace of myths (both impossible anyway), maybe we keep conscious of the myths, try to let go of the unhelpful ones, and try to choose better and more beneficial ones.

© 2026 Bob Schwartz

Dogen and Heschel on Time

Zen Master Dogen (1200-1253) and Abraham Joshua Heschel (1907-1972) would have understood each other, liked each other, despite the seven centuries that separate them. Brilliant, visionary and overwhelmingly articulate, they were heirs to two rich traditions, Zen Buddhism and Judaism, which they further refined into pure essence. Their inspired prose is poetry, the poetry of the thing itself.

Both wrote about time in ways that exceed our comprehension by a step or two, so we run to keep up: Dogen most astutely in his essay Uji: The Time Being; Heschel in his book The Sabbath.


When you are at this place, there is just one grass, there is just one form; there is understanding of form and beyond understanding of form; there is understanding of grass and beyond understanding of grass. Since there is nothing but just this moment, the time being is all the time there is. Grass being, form being, are both time.

Each moment is all being, each moment is the entire world. Reflect now whether any being or any world is left out of the present moment….

Mountains are time. Oceans are time. If they were not time, there would be no mountains or oceans. Do not think that mountains and oceans here and now are not time. If time is annihilated, mountains and oceans are annihilated. As time is not annihilated, mountains and oceans are not annihilated.

Zen Master Dogen, Uji: The Time Being, translated by Dan Welch and Kazuaki Tanahashi, in The Essential Dogen.


Every one of us occupies a portion of space. He takes it up exclusively. The portion of space which my body occupies is taken up by myself in exclusion of anyone else. Yet, no one possesses time. There is no moment which I possess exclusively. This very moment belongs to all living men as it belongs to me. We share time, we own space. Through my ownership of space, I am a rival of all other beings; through my living in time, I am a contemporary of all other beings. We pass through time, we occupy space. We easily succumb to the illusion that the world of space is for our sake, for man’s sake. In regard to time, we are immune to such an illusion.

Abraham Joshua Heschel, The Sabbath.


 

The meaning of Trump’s gold: He wants to refine his impurities and be better


Refining Gold

Gold refining is one of the most common metaphors in Buddhist teaching.

The Upakkilesa Sutta (Defilements, Corruptions, Impurities) names five metals that contaminate gold: iron, copper, tin, lead, and silver. Contaminated gold is brittle and dull. These are matched to the five hindrances: sensual desire, ill will, sloth and torpor, restlessness and worry, and doubt. Once they are removed, the mind becomes pliant and radiant.


Some might say that Trump appears to have an unhealthy obsession with gold.

Maybe it is not unhealthy. Maybe it is not what it appears to be. Maybe Trump is aware, maybe unconsciously, of his impurities and corruption. Maybe, as Buddhism teaches, he is looking for a way to remove those impurities. Maybe the gold is a constant reminder to him of his need for refining so that his mind will become pliant, radiant and compassionate.

The People, Yes: Where to? what next?

Time is a great teacher.
Who can live without hope?
–Carl Sandburg, The People, Yes


“The People, Yes, an epic prose-poem, is in many ways the culmination of Carl Sandburg’s work as a poet and is believed by Lilian Sandburg to be his favorite work. He crafted it over an eight-year period, fusing the American vernacular with the details of history and contemporary events….Believing that economic inequity lay at the root of all social injustice, from labor conflict to racial and civil strife, he responded to the economic and social upheavals of the 1930s with The People, Yes.”
–Carl Sandburg Home, National Parks Service

“Sandburg had a subject—and the subject was belief in man.”
–Archibald MacLeish at the Carl Sandburg Memorial


The People, Yes

107

The people will live on.
The learning and blundering people will live on.
They will be tricked and sold and again sold
And go back to the nourishing earth for rootholds,
The people so peculiar in renewal and comeback.
You can’t laugh off their capacity to take it.
The mammoth rests between his cyclonic dramas.

The people so often sleepy, weary, enigmatic,
is a vast huddle with many units saying:
“I earn my living.
I make enough to get by
and it takes all my time.
If I had more time
I could do more for myself
and maybe for others.
I could read and study
and talk things over
and find out about things.
It takes time.
I wish I had the time.”

The people is a tragic and comic two-face:
hero and hoodlum: phantom and gorilla twisting
to moan with a gargoyle mouth: “They
buy me and sell me . . . it’s a game . . .
sometime I’ll break loose . . .”
Once having marched
Over the margins of animal necessity,
Over the grim line of sheer subsistence
Then man came
To the deeper rituals of his bones,
To the lights lighter than any bones,
To the time for thinking things over,
To the dance, the song, the story,
Or the hours given over to dreaming,
Once having so marched

Between the finite limitations of the five senses
and the endless yearnings of man for the beyond
the people hold to the humdrum bidding of work and food
while reaching out when it comes their way
for lights beyond the prisms of the five senses,
for keepsakes lasting beyond any hunger or death.
This reaching is alive.
The panderers and liars have violated and smutted it.
Yet this reaching is alive yet
for lights and keepsakes.

The people know the salt of the sea
and the strength of the winds
lashing the corners of the earth.
The people take the earth
as a tomb of rest and a cradle of hope.
Who else speaks for the Family of Man?
They are in tune and step
with constellations of universal law.
The people is a polychrome,
spectrum and a prism
held in a moving monolith,
a console organ of changing themes,
a clavilux of color poems
wherein the sea offers fog
and the fog moves off in rain
and the labrador sunset shortens
to a nocturne of clear stars
serene over the shot spray
of northern lights.

The steel mill sky is alive.
The fire breaks white and zigzag
shot on a gun-metal gloaming.
Man is a long time coming.
Man will yet win.
Brother may yet line up with brother:

This old anvil laughs at many broken hammers.
There are men who can’t be bought.
The fireborn are at home in fire.
The stars make no noise.
You can’t hinder the wind from blowing.
Time is a great teacher.
Who can live without hope?

In the darkness with a great bundle of grief
the people march.
In the night, and overhead a shovel of stars for
keeps, the people march:
“Where to? what next?”

The People, Yes
–Carl Sandburg (1878-1967)


“Macklemore announces Free Palestine tour to benefit humanitarian aid organisations”


Macklemore announces Free Palestine tour to benefit humanitarian aid organisations
Macklemore has announced a “Free Palestine” tour, a series of live shows that will feature the US rapper performing alongside musicians and friends to raise funds for humanitarian causes in Palestine.
—Guardian, 24 Sep 2026


If these last couple of weeks have shown us anything, it’s that something has shifted over the last three years. There has been a collective awakening around Palestinian liberation, the power of billionaires that try to censor that call, and what we expect from artists right now.

It’s 2026. Being apolitical during a genocide doesn’t work anymore. People are asking artists to show up, educate themselves and be in community. To use the stage for more than entertainment. To push back when the call for a Free Palestine is met with attempts to silence it.

What happened to me is bigger than one artist or one stage. When the billionaire class can decide which voices are allowed on stage and which ones are too dangerous to hear, everyone should be paying attention.

Because of how quickly all of this has come together, a lot of the conversations, schedules and details are still being worked out. But this is a moment of momentum, and there is work to be done.

–Macklemore announcing the Free Palestine Tour


Macklemore’s tour will begin in Dublin on 26 October. Further dates in Paris (29 October) and London (30 October) have been announced, with North American dates to follow. Fans hoping to get tickets are encouraged to sign up for presale access at macklemore.com.

Trump’s Scorched-America Strategy (2018)

I am not, it goes without saying but saying anyway, a prophet. But we sometimes confuse prophets with those who predict the future, which they sometimes do. Mostly they just observe what is happening and say what they see. This post from eight years ago observes that “Trump recognizes that anything or anyone that cannot help him or that might harm him must be destroyed.” Same person, same power, same scorched America. This time bigger flames.


scorched-earth: relating to or being a military strategy involving deliberate and usually widespread destruction of property and resources (such as housing and factories) so that an invading enemy cannot use them.

Trump knows nothing about history or about military strategy. He is, as his closest advisers have said, an idiot. But instinctively, he recognizes that anything or anyone that cannot help him or that might harm him must be destroyed.

A scorched-earth strategy has been used throughout history. In America, this has happened a number of times, including most famously during the Civil War. General Sherman’s March to the Sea, including the burning of Atlanta, caused $100 million (1863 dollars) in damage to Georgia.

Trump’s March includes the attempted destruction of government institutions, public servants, the free press, the rule of law, truthfulness, core American and moral principles, and more. In this, he has been aided and abetted by numerous Republican enablers, who either don’t realize that this is a scorched-America strategy, or who do recognize it and want to be part of the victorious army.

In war, it must be devastating beyond description to watch the land you love, live in, and have developed be totally destroyed. In America, we are learning how that feels.

“I would never disrespect you because you will all become buddhas.”

The Lotus Sutra—aka The King of Sutras, The Lotus Blossom of the Wonderful Dharma, The Discourse on the White Lotus of the True Doctrine—is one of the best-known and best-loved discourses attributed to the Buddha.

A bodhisattva is one who takes up the way of the Buddha for the benefit of others. The Buddha speaks of various characters of bodhisattvas in the Lotus Sutra. In Chapter 20 we find Sadāparibhūta Bodhisattva—the Never Disrespectful, Never Disparaging, Never Belittling Bodhisattva.

The Never Disrespectful Bodhisattva was mocked and cursed by people, including those who were “attached to the Dharma superficially”, for his absolute refusal to disrespect others, no matter their behavior. His simple explanation was “I would never disrespect you because you will all become buddhas.” Ultimately, after a long while, the others learned and came around to his way.

How easy, even irresistible, it can be to disrespect, disparage and belittle others, especially when it seems to us so clearly appropriate and deserved. How cleverly cutting we can be. At those times, recall the Never Disrespectful Bodhisattva:


Then the World-Honored One, wanting to restate this teaching, spoke in verse:

There was a bodhisattva
Whose name was Never Disrespectful.

At that time the four groups
Were attached to the Dharma superficially.

Never Disrespectful Bodhisattva would go to them
And say: “I would never disrespect you,
For you are following the Way
And surely will all become buddhas.”

When people heard this
They made light of him or cursed him.
Never Disrespectful Bodhisattva
Withstood it all patiently…

At the end of his life
Never Disrespectful met countless buddhas,
And through teaching this sutra
Gained immeasurable happiness.

Gradually developing his blessings,
He quickly attained the Buddha way.
The Never Disrespectful of that time
Was really me.

–Lotus Sutra, Chapter 20, translated by Gene Reeves


Music: Was (Not Was)


It would be hard to name a band more willfully strange that managed to score two Top 20 hits in the 1980s than Was (Not Was). Pairing bent but danceable funk/disco rhythms with surreal lyrics that found the humor in everything from accidentally strangling a friend to a quickie wedding in Las Vegas, the group also had a knack for lining up unusual collaborators; throughout their discography, one can find guest appearances from Leonard Cohen, Ozzy Osbourne, Doug Feiger, Mel Torme, Kris Kristofferson, Wayne Kramer, and Frank Sinatra, Jr., among many others.

Was (Not Was) was masterminded by Don Was (born Don Fagenson) and David Was (born David Weiss), longtime friends who grew up in the Detroit suburb of Oak Park, Michigan. Was (Was Not) used a constantly shifting cast of musicians on their recordings, though vocalists Sweet Pea Atkinson and Sir Harry Bowens were in many ways the public face of the group, giving a personality and continuity to their body of work. The group earned a rabid cult following and great reviews with the off-kilter dance tracks of their self-titled 1981 debut, and their second LP, 1983’s Born to Laugh at Tornadoes, gave them the opportunity to work out their ideas and ambitions on a major-label budget. But it was 1988’s What Up, Dog? that briefly made them stars with the singles “Walk the Dinosaur” and “Spy in the House of Love,” whose grooves finally caught the ears of the radio audience.

–Mark Deming, AllMusic


Was (Not Was) continued on and off for years after What Up, Dog?. The record industry didn’t know exactly what to do with them. Don Was has gone on to be a producer for major artists.

Videos for their two biggest hits are below. Also is a video from 1992, Shake Your Head (Let’s Go to Bed), notable for the singing of Ozzy Osbourne and the presence of Kim Basinger. Once you’ve seen these, seek out more Was (Not Was), starting with the albums What Up, Dog? and Are You Okay? Talented musical misfits are perfect for those who love a groove or a sweet melody and have smart and misfit ears.

Today it is Autumn! (Autumnal Equinox)

It seems that the official start of each season used to be a bigger deal. There wasn’t even a Google Doodle for it today.

Maybe we just have so much going on and so much on our minds that this thin divider is too insignificant, compared to all the “important” stuff. Is it really that remarkable that in the Northern Hemisphere, days have been getting shorter and nights have been getting longer for three months, and that on this day the earth has more or less equalized its orientation to the sun. (In the Southern Hemisphere, it’s all reversed, this is the start of Spring (Vernal Equinox), and we wonder 1) how can Christmas arrive in Summer? and 2) why don’t all those people down there just “fall” off the earth? Oh yeah, gravity.)

The first thing listened to this morning was Vivaldi’s Autumn from The Four Seasons. Thank goodness at least Vivaldi paid attention.

Today it is Autumn. Enjoy.