Bob Schwartz

Tag: Literature

Baseball Poetry: Joy and Tragedy in Mudville

Oh, somewhere in this favored land the sun is shining bright…

Baseball has inspired more literature, novels, stories, essays, poems, than all other sports combined. It isn’t that those other sports haven’t inspired some great works. It’s just that the volume of baseball writing is so huge.

I’ve mentioned Bart Giamatti before: Yale University President, baseball commissioner, writer of exquisite baseball elegies. Also the recently deceased W.P. Kinsella, author of the ultimate novel about baseball magic, Shoeless Joe, and many other baseball stories. For other classic baseball novels among the hundreds published, see The Natural by Bernard Malamud and Bang the Drum Slowly by Mark Harris, to name a few.

And then there are thousands of baseball poems, by professional and amateur writers/baseball fans. Poems about baseball in general, about particular teams, about particular seasons, about particular players. Multiple volumes of baseball haiku.

Here is a favorite baseball poem:

The Pitcher
by Robert Francis

His art is eccentricity, his aim
How not to hit the mark he seems to aim at,
His passion how to avoid the obvious,
His technique how to vary the avoidance.
The others throw to be comprehended. He
Throws to be a moment misunderstood.
Yet not too much. Not errant, arrant, wild,
But every seeming aberration willed.

And then there’s the most famous baseball poem ever, Casey at the Bat by Ernest Thayer. Note well: This poem, published in 1888, has been popular for more than a century. And it is a tragedy. Casey battles a nameless pitcher in the ninth inning, with two out, men on second and third. Casey strikes out. Any game that inspires such a poem, and any fans who embrace such a poem, understand something about something that goes beyond the simple and conventional. They understand baseball.

The outlook wasn’t brilliant for the Mudville nine that day:
The score stood four to two, with but one inning more to play,
And then when Cooney died at first, and Barrows did the same,
A pall-like silence fell upon the patrons of the game.

A straggling few got up to go in deep despair. The rest
Clung to the hope which springs eternal in the human breast;
They thought, “If only Casey could but get a whack at that—
We’d put up even money now, with Casey at the bat.”

But Flynn preceded Casey, as did also Jimmy Blake,
And the former was a hoodoo, while the latter was a cake;
So upon that stricken multitude grim melancholy sat,
For there seemed but little chance of Casey getting to the bat.

But Flynn let drive a single, to the wonderment of all,
And Blake, the much despised, tore the cover off the ball;
And when the dust had lifted, and men saw what had occurred,
There was Jimmy safe at second and Flynn a-hugging third.

Then from five thousand throats and more there rose a lusty yell;
It rumbled through the valley, it rattled in the dell;
It pounded on the mountain and recoiled upon the flat,
For Casey, mighty Casey, was advancing to the bat.

There was ease in Casey’s manner as he stepped into his place;
There was pride in Casey’s bearing and a smile lit Casey’s face.
And when, responding to the cheers, he lightly doffed his hat,
No stranger in the crowd could doubt ‘twas Casey at the bat.

Ten thousand eyes were on him as he rubbed his hands with dirt;
Five thousand tongues applauded when he wiped them on his
shirt;
Then while the writhing pitcher ground the ball into his hip,
Defiance flashed in Casey’s eye, a sneer curled Casey’s lip.

And now the leather-covered sphere came hurtling through the
air,
And Casey stood a-watching it in haughty grandeur there.
Close by the sturdy batsman the ball unheeded sped—
“That ain’t my style,” said Casey. “Strike one!” the umpire said.

From the benches, black with people, there went up a muffled
roar,
Like the beating of the storm-waves on a stern and distant shore;
“Kill him! Kill the umpire!” shouted someone on the stand;
And it’s likely they’d have killed him had not Casey raised his
hand.

With a smile of Christian charity great Casey’s visage shone;
He stilled the rising tumult; he bade the game go on;
He signaled to the pitcher, and once more the dun sphere flew;
But Casey still ignored it and the umpire said, “Strike two!”

“Fraud!” cried the maddened thousands, and echo answered
“Fraud!”
But one scornful look from Casey and the audience was awed.
They saw his face grow stern and cold, they saw his muscles
strain,
And they knew that Casey wouldn’t let that ball go by again.

The sneer is gone from Casey’s lip, his teeth are clenched in hate,
He pounds with cruel violence his bat upon the plate;
And now the pitcher holds the ball, and now he lets it go,
And now the air is shattered by the force of Casey’s blow.

Oh, somewhere in this favored land the sun is shining bright,
The band is playing somewhere, and somewhere hearts are light;
And somewhere men are laughing, and somewhere children
shout,
But there is no joy in Mudville—mighty Casey has struck out.

 

Dragon Poems (About a Plant)

Madagascar Dragon

The Dragon at the Wall

The dragon guards the wall
I sit before.
A fine pair we are.
I breathe in the oxygen
He breathes out.
He asks for water and light
I ask to learn to sit
As naturally as he does.

The Dragon Awakes

The dragon wakes up
When I open the blinds
Long green scales
Gracefully still
In the morning light.

These poems are about a plant. A dracaena marginata, which means “Madagascar dragon.” Whether or not it is a real dragon is a question.

In his Treasury of the True Dharma Eye (Shobo Genzo), Dogen Zenji also writes about a dragon and a plant. Actually, a tree. Fascicle 65, Dragon Song, includes the question “Is there a dragon singing in a withered tree?” Is there?

Touzi, Great Master Ciji of Shu Region, was once asked by a monk, “Is there a dragon singing in a withered tree?”

Touzi replied, “I say there is a lion roaring in a skull.”

Discussions about a withered tree and dead ash [composure in stillness] are originally teachings outside the way. But the withered tree spoken of by those outside the way and that spoken of by buddha ancestors are far apart. Those outside the way talk about a withered tree, but they don’t authentically know it; how can they hear the dragon singing? They think that a withered tree is a dead tree which does not grow leaves in spring.

The withered tree spoken of by buddha ancestors is the understanding of the ocean drying up. The ocean drying up is the tree withering. The tree withering encounters spring. The immovability of the tree is its witheredness. The mountain trees, ocean trees, and sky trees right now are all withered trees. That which sprouts buds is a dragon singing in a withered tree. Those who embrace it one hundredfold, one thousand-fold, and one myriadfold are descendants of the withered tree.

Books: W.P. Kinsella

The Essential W.P. Kinsella

The writer W.P. Kinsella has died at the age of 81. He is most famous as the author of the novel Shoeless Joe, which was turned into the beloved baseball movie Field of Dreams. (The book is infinitely better.)

That was only a small part of his work. He wrote many other books and stories, some about baseball, some about indigenous Canadians on the reserve (reservation), and others. All his work was by parts unique and charming and funny, filled with a lot of magic, because Kinsella was such a gifted literary magician.

I looked for an obituary to quote that didn’t spend most of its time talking about Field of Dreams. Not many of those. I also looked for an obituary that didn’t mention his personal life, which seems to have been untidy and ragged in some ways, as he apparently could be a difficult person, as talented artists are wont to be. He may have been difficult, but reading his work is easy, so what does it matter, at least to readers?

Many of his books appear to be out of print, as interest in his work has faded. His death has brought him more attention than he had for years, which is the way it goes. The good news is that last year a collection of his stories was published. Here is the publisher’s description of The Essential W.P. Kinsella:

This career retrospective celebrates the 80th birthday of baseball’s greatest scribe, W. P. Kinsella (Shoeless Joe), as well as the 25th anniversary of Field of Dreams, the film that he inspired.

In addition to his classic baseball tales, W. P. Kinsella is also a critically-acclaimed short fiction writer. His satiric wit has been celebrated with numerous honors, including the Order of British Columbia.

Here are his notorious First Nation narratives of indigenous Canadians, and a literary homage to J. D. Salinger. Alongside the “real” story of the 1951 Giants and the afterlife of Roberto Clemente, are the legends of a pirated radio station and a hockey game rigged by tribal magic.

Eclectic, dark, and comedic by turns, The Essential W. P. Kinsella is a living tribute to an extraordinary raconteur.

And from a starred review in Publishers Weekly:

The career of the incomparable Kinsella is beautifully represented by these 31 short stories, including, of course, “Shoeless Joe Jackson Comes to Iowa,” the haunting tale of a baseball fan’s obsession with a long-dead star that was developed into a bestselling novel and then the film Field of Dreams. Other charming baseball fantasies include “The Night Manny Mota Tied the Record,” in which a fan agrees to sacrifice himself to bring back the recently dead Yankees star Thurman Munson, and “Searching for January,” which concerns an encounter with the deceased Roberto Clemente. Alongside these stories are several more realistic and mostly gentle satires, such as “The Fog,” that present the escapades of several indefatigable members of Canada’s First Nations. “The Grecian Urn” concerns a couple who can inhabit the interior worlds of great works of art. “K Mart” is the touching tale of three boys who use baseball to escape from their unhappy lives. Kinsella is a masterly writer of short fiction.

If you love good writing, please give W.P. Kinsella a read.

Aesop’s Fables: Defending a Demagogue

Aesop's Fables

I just began reading Laura Gibb’s excellent and highly recommended Aesop’s Fables. With almost 600 fables, beautifully translated, that’s less than a penny a fable. Please read it for fun, education and enlightenment.

You may or may not have grown up on these tiny tales from this famous real or apocryphal Greek storyteller, but they have been streaming through civilization for millennia. You certainly know some of them from our common culture: the tortoise and the hare, the ant and the grasshopper. Each includes a moral (e.g., slow but steady wins the race), which is how they came to be seen as lessons for children, but they were originally for adults, and you might look to their value as teaching stories for everyone. Also, if you are a writer or other creative, they can provide instant inspirational spark.

When I read this fable of the fox and the hedgehog (Fable 29 in the Gibbs numbering), I couldn’t help thinking of current events:

Aesop was defending a demagogue at Samos who was on trial for his life, when he told this story: ‘A fox was crossing a river but she got swept by the current into a gully. A long time passed and she couldn’t get out. Meanwhile, there were ticks swarming all over the fox’s body, making her quite miserable. A hedgehog wandered by and happened to see the fox. He took pity on her and asked if he should remove the ticks, but the fox refused. The hedgehog asked the reason why, and the fox replied, “These ticks have taken their fill of me and are barely sucking my blood at this point, but if you take these ticks away, others will come and those hungry new ticks will drink up all the blood I have left!” And the same is true for you, people of Samos: this man will do you no harm since he is already wealthy, but if you condemn him to death, others will come who do not have any money, and they will rob you blind!’

Baseball: The Green Fields of the Mind

The Major League Baseball season begins this weekend.

I’ve read, written and talked about baseball almost as passionately as about anything else in my life. Baseball people understand. Others may not.

Looking for something else to say besides what I’ve said before, including in this blog, I’ve decided instead to repeat myself. Or, to be precise, to repeat my repeating what somebody else said.

The fifth post on this blog was four years ago, just as that baseball season was beginning. The post, replicated here, speaks for itself. Even if you’re just a fan of life and not of baseball, there is something for you here.


A. Bartlett Giamatti was the president of Yale University and, for a brief time until his untimely death in 1989, the Commissioner of Major League Baseball.

Besides his commitment to baseball, Giamatti was a man of letters who left behind some remarkable writing about the game. None is more moving and famous than his short essay The Green Fields of the Mind.

On the occasion of a new baseball season, here is an excerpt. Whoever you root for, whatever the season or the game – baseball, politics, art, religion, business, love, life – it offers hard to accept wisdom and the semi-sweet opposite of comfort:

It breaks your heart. It is designed to break your heart. The game begins in the spring, when everything else begins again, and it blossoms in the summer, filling the afternoons and evenings, and then as soon as the chill rains come, it stops and leaves you to face the fall alone. You count on it, rely on it to buffer the passage of time, to keep the memory of sunshine and high skies alive, and then just when the days are all twilight, when you need it most, it stops…

It breaks my heart because it was meant to, because it was meant to foster in me again the illusion that there was something abiding, some pattern and some impulse that could come together to make a reality that would resist the corrosion; and because, after it had fostered again that most hungered-for illusion, the game was meant to stop, and betray precisely what it promised…

And there are others who were born with the wisdom to know that nothing lasts. These are the truly tough among us, the ones who can live without illusion, or without even the hope of illusion. I am not that grown-up or up-to-date. I am a simpler creature, tied to more primitive patterns and cycles. I need to think something lasts forever, and it might as well be that state of being that is a game; it might as well be that, in a green field, in the sun.

Translators May Be Traitors

If you read important books that are written in a language other than your own, you are at a disadvantage. You are depending on the kindness or brilliance of strangers. On translators.

That is doubly complicated if the original text is ancient, and the original language itself is a mystery, even for those who are expert.

The Bible, both First and Second Testaments, not to mention collatral ancient scriptural books and fragments, are a well-known example. The same problem arises with Asian texts such as the Tao Te Ching, the I Ching, or early Buddhist discourses.

So you see the challenge. Jesus or the Buddha said great things in their native language. Nobody transcribed them when spoken. The thoughts and words were remembered and kept accurately alive, as accurately as possible, in oral transmission and storage. Then they were set down in writing, in a language related to the original speech, maybe, but later in entirely different languages. And as the words migrated, the texts were overlaid and transformed, even as there was a sincere attempt to preserve the original.

Finally, they come to you, in the language you speak, read and understand. Which is far removed from the original.

When the French had the audacity to translate Dante into their own language, the Italians came up with a harsh accusation: Traduttore, traditore. Translator, traitor.

Consider that when you read translations, you are someone who cannot read yourself, or even see. You are in the dark. You depend on those who read to you. And hope that they are good and true readers themselves.