Bob Schwartz

Shavuot and Ruth

Chagall - Naomi and Her Beautiful Daughters

Today is the Jewish holiday of Shavuot. It is said so often that Shavuot is “lesser known” that maybe it is now better known for being lesser known.

Its low profile outside the Jewish communities doesn’t mean it is insignificant, or that a host of meanings and traditions aren’t attached.

Shavuot began as an agricultural celebration. The name literally means Festival of Weeks, one of the three pilgrimage holidays, along with Passover and Sukkot. The Bible commands the counting of the omer, the days from the second day of Passover. After seven weeks, on the fiftieth day, a grain offering is to be made at the Temple. As a harvest celebration, Shavuot is also known as the Day of the First Fruits. If you’re into borrowing food traditions, Shavuot is a dairy holiday, and cheese blintzes and cheesecake are always appropriate.

Shavuot also celebrates the giving of the Ten Commandments and the Torah, the central event in Jewish life. Some make the case that dating this event on Shavuot is biblical. But attaching this event to the holiday seems more a matter of tradition than biblical precision. After the destruction of the Temple, agricultural pilgrimages ended.  This new tradition arose, a tradition that remains at the heart of the modern Shavuot celebration. Among the observances, some people gather and stay up all night reading the Torah, along with other scripture and literature.

There is a holiday calendar mashup surrounding Shavuot. Shavuot and Christian Pentecost often fall within a few days of each other—this year Shavuot starting on the evening of May 14 and Pentecost on Sunday May 19.

There are some holidays on the Jewish and Christian calendars that based on history and theology have a real and important relationship, such as Passover and Easter. There are holidays that may coincide on the calendar but have little to do with one another. And then there are Shavuot and Pentecost, which have an usual relationship.

To begin with, the holidays share the same name, sort of. As a festival marking seven weeks, Shavuot became known as Pentecost among Greek-speaking Jews, because it marks the “fiftieth” day from the second day of Passover.

Pentecost is a major feast on the Christian liturgical calendar. It represents the descent of the Holy Spirit on the apostles and others, on the fiftieth day (Pentecost) after Easter. It is often considered the birthday of the Church.

It is relatively straightforward to deal with the nexus between the events of Holy Week and Passover. There is evidence in the Gospels, and the weight of opinion is that the Last Supper was indeed a Passover meal. But the dueling Pentecosts, and the attempts to harmonize them, have caused nothing but confusion.

It is certain that the Jews of Jesus’ time would have celebrated the agricultural holiday of Shavuot. But beyond this, we have Christians who try to make the case that Christian Pentecost is “historically and symbolically” related to Shavuot, though it isn’t clear exactly how. On the other side, there are a few Jewish writers who claim that the name Pentecost was unknown to Jews, even Greek speakers, and that the name was given to Shavuot by Christians.

Finally, there is this coincidence. In Reform Judaism, youth confirmation is often held on Shavuot, in recognition of the giving of the Torah. In many Christian denominations, youth confirmation is held on Pentecost, in recognition of the work of the Holy Spirit.

If you take a big picture view, you can probably connect the dots and come up with a relationship between Shavuot (Pentecost) and Pentecost. This is especially tempting when the two holidays coincide so closely. But they are two distinct holiday, and harmonizing is a stretch.

As far as Shavuot traditions, maybe the most heart-lifting is reading the Book of Ruth. Separate from its religious meaning, this is a great piece of literature, a short story about unyielding devotion, commitment and loyalty to family—and one of the first and most famous to affirm the family of women. It is the touching antidote to every caustic mother-in-law joke that has ever been told.

In Ruth, the mother-in-law Naomi loses her husband, as her daughters-in-law lose theirs (above, Chagall’s Naomi and Her Beautiful Daughters). Seeming to have little else in common than her sons, Naomi urges them to leave and get married again. One does leave, but Ruth refuses, in words that are sometimes used to signify the power of Ruth’s conversion of faith, but that are a much more universal expression of devotion as solid as that of any marriage:

She then decided to come back from the Plains of Moab with her daughters-in-law, having heard in the Plains of Moab that God had visited his people and given them food. So, with her daughters-in-law, she left the place where she was living and they took the road back to Judah.

Naomi said to her two daughters-in-law, ‘Go back, each of you to your mother’s house. May God show you faithful love, as you have done to those who have died and to me. God grant that you may each find happiness with a husband!’ She then kissed them, but they began weeping loudly, and said, ‘No, we shall go back with you to your people.’

‘Go home, daughters,’ Naomi replied. ‘Why come with me? Have I any more sons in my womb to make husbands for you? Go home, daughters, go, for I am now too old to marry again. Even if I said, “I still have a hope: I shall take a husband this very night and shall bear more sons,” would you be prepared to wait for them until they were grown up? Would you refuse to marry for their sake? No, daughters, I am bitterly sorry for your sakes that the hand of God should have been raised against me.’

They started weeping loudly all over again; Orpah then kissed her mother-in-law and went back to her people. But Ruth stayed with her. Naomi then said, ‘Look, your sister-in-law has gone back to her people and to her god. Go home, too; follow your sister-in-law.’

But Ruth said, ‘Do not press me to leave you and to stop going with you, for wherever you go, I shall go, wherever you live, I shall live. Your people will be my people, and your God will be my God. Where you die, I shall die and there I shall be buried. Let God bring unnameable ills on me and worse ills, too, if anything but death should part me from you!’

(Ruth 1:6-17)

Barna: You Don’t Have to Be Christian

Spiritually Homeless
If you have any interest in the state of American religion—or of American society—you must pay attention to the Barna Group. Founded by George Barna in 1984, for decades jit has been analyzing American attitudes towards and participation in religion, from the perspective of informing Christian churches. By its nature, though, this is not necessarily a denominational narrow view. Consider, by analogy, market research by General Motors. That research is not entirely, or even primarily, about consumers and GM cars. It is about consumers and all car companies and cars and transportation in general. Just so, state-of-the-art quality research on religion is valuable to anyone in the field.

Beyond this, it is valuable for anyone interested in America. For example, our public discussion includes the terms Christian, evangelical, born again, etc., being thrown around casually as if everyone knows and agrees on what they mean—except that everyone doesn’t. That lack of rigor isn’t a luxury that Barna has. It has defined these and other terms with surgical precision, so that the research itself can be precise and informative.

The just-released report on Three Spiritual Journeys of Millennials is only the latest example of how fascinating and useful the Barna research can be. When numbers of people flee from organized religion, only the most shortsighted think that this is a just a problem for Christianity or for any other religious institution. A social sea change is a sea change, and not trying to seriously assess its meaning and implications is simply foolish. Those who applaud the phenomenon as a sign of long overdue enlightenment—of people finally coming to their senses—are not thinking it through. Jew, Muslim, Buddhist, atheist, areligionist, anti-religionist, this report—and all that Barna does—can help you with that thinking.

Publius Speaks to Congress

Federalist Papers
Publius Valerius Publicola (“friend of the people”) was a Roman consul who helped found the Roman Republic circa 509 BCE. When James Madison, Alexander Hamilton and John Jay began publishing The Federalist Papers in 1787, they attached his name to their arguments for adoption of the Constitution.

We don’t know how many current members of Congress have read the Federalist Papers—not even all 85 papers, maybe just a few. We also don’t know how many senior members of the executive branch have done so. We can assume that all nine Supreme Court Justices have; these are, after all, an essential part of the legislative history of the Constitution.

Every time you see politicians brandishing the Constitution as a weapon, well-meaningly or just plain meanly; every time you hear a half-baked political argument or analysis that makes absolutely no sense, but is based mostly or entirely on emotion or ambition; every time you wonder whether a particular politician is taking the best interests of the country to heart or is just interested I getting ahead, the Federalist Papers are your talisman.

The Federalist Papers are a brilliant combination of careful philosophy and political realities—a balance between aspiration and actuality, between the way we want to be and the way we are.

When we hear today about “grand bargains” being struck in Congress—or often not being reached at all—you have to laugh. The very same founders who are treated as saints or even gods had to make the grandest of all bargains so that this nation could exist and endure. And in the Federalist Papers, we find the philosophical intelligence, the political courage and the candid self-awareness to expose how narrow interest and pettiness can stand in the way of solutions. If anything has changed in more than two centuries, it’s that we seem to have fewer Madisons, Hamiltons and Jays front and center in our national discourse:

A torrent of angry and malignant passions will be let loose. To judge from the conduct of the opposite parties, we shall be led to conclude that they will mutually hope to evince the justness of their opinions, and to increase the number of their converts by the loudness of their declamations and the bitterness of their invectives.

An enlightened zeal for the energy and efficiency of government will be stigmatized as the offspring of a temper fond of despotic power and hostile to the principles of liberty. An over-scrupulous jealousy of danger to the rights of the people, which is more commonly the fault of the head than of the heart, will be represented as mere pretense and artifice, the stale bait for popularity at the expense of the public good.

It will be forgotten, on the one hand, that jealousy is the usual concomitant of love, and that the noble enthusiasm of liberty is apt to be infected with a spirit of narrow and illiberal distrust. On the other hand, it will be equally forgotten that the vigor of government is essential to the security of liberty; that, in the contemplation of a sound and well-informed judgment, their interest can never be separated; and that a dangerous ambition more often lurks behind the specious mask of zeal for the rights of the people than under the forbidden appearance of zeal for the firmness and efficiency of government.

Federalist No. 1

The Great Gatsby and the Great Draper

Gatsby and Draper
At this point, the reviews of Baz Luhrmann’s The Great Gatsby are mixed, which isn’t surprising. His love of over-the-top spectacle is not to all tastes, and has a tendency to obscure story for fireworks. (His best movie may be his first, most personal and sweetest, the little and lovely 1992 romantic comedy Strictly Ballroom).

Literature to film goes in all directions. Small gets bigger as even the shortest stories are adapted. Big gets smaller, given the need to cut out sometimes huge chunks of narrative. Big gets bigger, as in Gone with the Wind. Big stays big, trying to preserve and show everything, as in Peter Jackson’s still-not-completed Tolkien opus.

The Great Gatsby is a little book. You can read it, even out loud, in a few hours. What has made it endure as one of the great novels is how much Fitzgerald packed into it. Word for word, it is one of the best fictional descriptions of a moment in history; not just that critical moment of the early 1920s either, but maybe every time the country is changing radically, as fortune swings in a blink between good fortune and bad.

Gatsby is not about the parties or the mansions. You can argue that the colorful wildness and glamour and licentiousness make the tragic end starker, so that when narrator Nick Carraway announces that the party is over, we get it. But we can miss the point.

Gatsby is a touching little story about a lost soul in a lost time. The only two ways to tell this story on film are to keep it small, or to actually rewrite and expand the story beyond its outline, to hours and hours of film.

The expanded story is already being made, by Matthew Weiner. Mad Men is the extended, history-spanning story of a fatally charismatic and ambitious man, so ambitious that in keeping with the dynamic times he lives in, he sheds his entire early life and identity to become a successful man of mystery. But he never stops trying to fill the holes that he knows are still there.

Every man wants to be him, every woman wants to have him, nobody knows him. The only difference between James Gatz/Jay Gatsby and Dick Whitman/Don Draper is that so far Draper has managed, somehow, to outlive his younger manhood to reach his middle years without crashing—but coming close almost daily. So just in case the Baz Luhrmann Gatsby doesn’t prove satisfying, don’t worry. The murky madness and capriciousness of Gatsby’s go-and-stop American dream is on view in the epic of Mad Men.

Spring Love Thing: Slinky Spinwheels

Slinky Spinwheels
If you’re lucky enough to love somebody, and even luckier to have that somebody love you back, you’re always thinking of little things that say I love you.

The candy, the cards, the flowers, the stuffed animals are always appropriate. But if you’ve been together a while, been there, given that. Today, one of the first truly gorgeous days of an inconstant spring so far, the aisles of the local Walgreens offered the just-have-to-get-this-for-her item: the Slinky Spinwheel.

Okay, it’s just a happy-colored mylar pinwheel. But consider this. The candy gets eaten, the card gets put in a drawer, the cut flowers wilt, the live flowers need water and when they don’t get it die, the stuffed animals cutely live on a closet shelf.

The spinwheel lives. It spins prettily and magically in the spring breeze. Or in the summer, fall or even cold winter breeze. Just like the one you love and who, if you’re lucky, loves you back.

(Note: For the cynical among you who may think that this sounds like advertising for Walgreens or Slinky Spinwheels, please be assured it isn’t. There are lots of stores that have lots of pinwheels. If it is an advertisement for anything, it is for love and spring. There is never enough promotion of those.)

Pepsi and the Line between Stupid and Clever

Mountain Dew
You’ve got to love the movie Spinal Tap. Below the surface of this hilarious fake “rockumentary”, beyond the wisdom of lines such as “It’s such a fine line between stupid and, uh…clever”, is a genuine commentary about what happens when popular art meets commerce.

When the band tries to revive its fading fortunes with an album called “Smell the Glove”, the record label rejects a cover photo of a woman on a leash being forced to, well, smell a glove. Instead, the album is released with a plain black cover.

Pepsi has long looked at its Mountain Dew brand as the edgiest of its beverages, with potential youth appeal. That would explain why it hired a 22-year-old hip-hop artist and music producer known as Tyler the Creator to create a series of videos for the brand. The storyline is that a goat named Felicia, voiced by Tyler, is obsessed with Dew and angry at its being in short supply. The goat brutally attacks a white waitress. In the third video, the injured waitress is at a police station, looking over a lineup of four black men and the goat. The goat threatens her, among other things reminding her that “snitches get stitches.” She is scared off and will not “dew” it.

After complaints about its being the most racist commercial ever, PepsiCo removed it from the web (you may still be able to see it here).

PepsiCo said, “We understand how this video could be perceived by some as offensive, and we apologize to those who were offended. We have removed the video from all Mountain Dew channels and have been informed that Tyler is removing it from his channels as well.”

Tyler’s manager said:

“It was never Tyler’s intention to offend, however offense is personal and valid to anyone who is offended. Out of respect to those that were offended, the ad was taken down. For those who know and respect Tyler, he is known for pushing boundaries and challenging stereotypes thr[ough] humor. This is someone who grew up on David Chappelle. This situation is layered with context and is a discussion that Tyler would love to address in the right forum as he does have a point of view. As someone who hasn’t had the experience of being discriminated against I choose to respect the opinion of those who have. What I can speak to is Tyler, who represents much more than the current narrative this story suggests.”

“Contrary to what many may discern from this, Tyler is the embodiment of not judging others, his delivery may not be for everyone (which is true for anyone who pushes boundaries) but his voice is nonetheless important to the conversation since his demographic understands what he ultimately stands for and sees the irony of it all. Context may or not help those who are offended and I wholly respect that, but for those who are interested, I can offer the following and leave the rest to Tyler.

“1. This spot was part of an overall admittedly absurd storyline about a crazy goat who becomes obsessed with Mountain Dew, 2. The lady in front of the line-up is the waitress from the first spot, 3. The line-up consists of Tyler’s friends and Odd Future members who were available that day. (L-Boy, Left Brain, Garret from Trash Talk and Errol) 4. He absolutely never intended to spark a controversy about race. It was simply an…admittedly absurd story that was never meant to be taken seriously. Again, we apologize if this was taken out of context and would never trivialize racism, especially now in America where voting and civil rights are being challenged at the highest level. I can however stand firmly by someone I have believed in since we met, only because I know him and I know all of this was never his intent.”

It’s not clear who this “David Chappelle” that the manager mentions is, but Dave Chappelle is one of the funniest, strangest, most boundary-pushing comic artists of recent times. Chappelle created one great piece after another, including a bit where a blind black man is a vicious anti-black racist, because he thinks he is white. That’s brilliant, so let’s start with the fact that Tyler has a long way to go.

Artists are supposed to do whatever their vision tells them, and we shouldn’t be stopping them. Sometimes it works, sometimes it doesn’t, and sometimes the art is behind or ahead of its times.

But that doesn’t mean that those who pay for the work have to go along with everything that artists conceive and produce. There is actually a bit of cleverness here, but it is plagued by so much troubling text, context and subtext that it could not possibly have passed any feasibility test that any mainstream corporate advertiser might apply.

One thing that makes this even a little more troubling is PepsiCo’s quasi-apology. We are supposed to have gotten used to cleverly crafted statements that are meant to sound like apologies but aren’t quite. That is now the norm. We are not that stupid. “We apologize to those who were offended” is a defensive or even condescending posture: if you are among those who don’t get it (or as Tyler’s manager says, not part of “his demographic [that] understands what he ultimately stands for and sees the irony of it all”), then we are sorry. Mass media have mass audiences, and if you want to put something out there that is likely to cause trouble but you believe will help you, either stand behind it or don’t. Apologize or don’t. It may turn out to be commercially smart or stupid. But at least you’re brave.

The Most Important Document In History

CERN W3
The Magna Carta. The Declaration of Independence. The Constitution. The Emancipation Proclamation. The number of essential documentary moments goes on and on, both here and globally, each one of them a significant next step in progress.

Twenty years ago, what may turn out to be the most important document in history (above) was issued. The website of the European Laboratory for Particle Physics (CERN) explains the event:

On 30 April 1993 CERN published a statement that made World Wide Web (“W3”, or simply “the web”) technology available on a royalty-free basis. By making the software required to run a web server freely available, along with a basic browser and a library of code, the web was allowed to flourish.

British physicist Tim Berners-Lee invented the web at CERN in 1989. The project, which Berners-Lee named “World Wide Web”, was originally conceived and developed to meet the demand for information sharing between physicists in universities and institutes around the world.

Consider what the web would be like if it was a toll road and not a freeway. That was a possibility, had Berners-Lee and CERN decided to leverage and exploit the technology. But the web was born free and continues to resist chronic attempts to control and monopolize it.

One of the strangest ironies about the freedom of the web is that it was born on a NEXT computer. If you know digital history, you will recognize that NEXT was the company that Steve Jobs founded, in between his first stint at Apple, from which he was bizarrely let go, and his second stint, when he turned Apple into the richest technology company in the world.

Sir Tim Berners-Lee did not get as rich as Jobs. But he did get a knighthood, and recognition as an unsurpassed visionary, and the thanks of billions for shaping the world as few before or after did or ever will.

Richie Havens

Richie Havens
Every artist wants their spirit to be a presence, and to stay a presence. Every artist would love to be so recognizable that with just one note sung a listener would be certain—and would instantly want to hear more.

Since Richie Havens released his album Mixed Bag, and since his legendary performance at Woodstock, he grew older but never changed. Decades where peace, love and freedom looked like something radical, then something hip, then something imminent, then something commercial, then something distant and quaint, he did just what artists do. He stayed true to himself, true to his ideals, true to his craft as a unique troubadour. He was irresistible and his music still is.

Richie Havens died yesterday at the age of 72.

And close your eyes, child, and look at what I’ll show you;
Let your mind go reeling out and let the breezes blow you,
And maybe when we meet then suddenly I will know you.
If all the things you see ain’t what they seem,
Then don’t mind me cause I ain’t nothing but a dream,
And you can follow…

Tsarnaev and Miranda

Miranda Warning
Dzhokhar Tsarnaev, suspect in the Boston Marathon bombings, is now in custody and in hospital recovering from gunshot wounds. The Justice Department has announced that it will not be giving him a Miranda warning before initially questioning him, under the public safety exception to the need for such warning.

In Miranda v. Arizona (1966), the Supreme Court established guidelines for the taking and use of statements by suspects in custody. In very brief summary, if a suspect is in custody and being interrogated, statements made will be admitted into evidence only if he has been properly warned about his right not to talk, about the potential use of his statements for self-incrimination, and about his right to have an attorney. The various versions of the Miranda warning reflect this decision, and embody the protections of the Fifth and Sixth Amendments.

A narrow exception to Miranda was established in New York v. Quarles (1984)  . In an age of terrorism and the prosecution of terrorists, this so-called “public safety exception” has become the focus of intensive analysis and application—along with a push for its expansion.

In Quarles, a victim of rape pointed police officers toward her armed assailant. The police pursued him into a supermarket:

Respondent ran toward the rear of the store, and Officer Kraft pursued him with a drawn gun but lost sight of him for several seconds. Upon regaining sight of respondent, Officer Kraft ordered him to stop and put his hands over his head; frisked him and discovered that he was wearing an empty shoulder holster; and, after handcuffing him, asked him where the gun was. Respondent nodded toward some empty cartons and responded that “the gun is over there.” Officer Kraft then retrieved the gun from one of the cartons, formally arrested respondent, and read him his rights under Miranda v. Arizona. Respondent indicated that he would answer questions without an attorney being present and admitted that he owned the gun and had purchased it in Florida. The trial court excluded respondent’s initial statement and the gun because the respondent had not yet been given the Miranda warnings, and also excluded respondent’s other statements as evidence tainted by the Miranda violation. Both the Appellate Division of the New York Supreme Court and the New York Court of Appeals affirmed.

The Supreme Court reversed the New York courts and created an exception to Miranda, when the interrogation was aimed at preventing further harm and enhancing public safety:

Procedural safeguards that deter a suspect from responding, and increase the possibility of fewer convictions, were deemed acceptable in Miranda in order to protect the Fifth Amendment privilege against compulsory self-incrimination. However, if Miranda warnings had deterred responses to Officer Kraft’s question about the whereabouts of the gun, the cost would have been something more than merely the failure to obtain evidence useful in convicting respondent. An answer was needed to insure that future danger to the public did not result from the concealment of the gun in a public area.

The narrow exception to the Miranda rule recognized here will to some degree lessen the desirable clarity of that rule. However, the exception will not be difficult for police officers to apply because in each case it will be circumscribed by the exigency which justifies it. Police officers can and will distinguish almost instinctively between questions necessary to secure their own safety or the safety of the public and questions designed solely to elicit testimonial evidence from a suspect.

It is useful and enlightening to read the dissent by Justice Thurgood Marshall, joined by Justices William Brennan and John Paul Stevens. Justice Marshall, whose practical understanding of constitutional rights was second to none (see Brown v. Board of Education), had difficulty with the trading away of such a fundamental right, even for something as paramount as public safety. He had an elegant solution: Please do interrogate without a Miranda warning—just don’t expect to introduce the answers at trial:

The irony of the majority’s decision is that the public’s safety can be perfectly well protected without abridging the Fifth Amendment. If a bomb is about to explode or the public is otherwise imminently imperiled, the police are free to interrogate suspects without advising them of their constitutional rights. Such unconsented questioning may take place not only when police officers act on instinct but also when higher faculties lead them to believe that advising a suspect of his constitutional rights might decrease the likelihood that the suspect would reveal life-saving information. If trickery is necessary to protect the public, then the police may trick a suspect into confessing. While the Fourteenth Amendment sets limits on such behavior, nothing in the Fifth Amendment or our decision in Miranda v. Arizona proscribes this sort of emergency questioning. All the Fifth Amendment forbids is the introduction of coerced statements at trial.

There is one thing that in the early aftermath of this dynamic story can be missed: Whatever he did, whatever we believe about what he did, however vital his knowledge is, Tsarnaev is under no legal obligation to say anything and has the constitutional right not to say anything that could be used against him.

The Justice Department has invoked the public safety exception: it will not yet Mirandize Tsarnaev. In part, they may be trying to reserve the right to use at trial any of the statements he makes in response to questions such as “Are there more IEDs? Who else is currently involved and dangerous?”. Maybe more significantly, they simply don’t want him—as they don’t want any other suspect—to prematurely stop talking. They won’t be telling him yet that he has the right to remain silent or to have an attorney.

But…not telling him he has these rights doesn’t mean that he doesn’t already have them. He does. A Miranda warning does not magically grant a suspect those rights. The much more magical Constitution and Bill of Rights do.

It is not clear that Tsarnaev needs a reminder of those rights. He is by all accounts a smart and educated young man, even if by recent actions a horribly misguided and tragic one. Almost all television viewers are expert on Miranda warnings anyway; even the most law-abiding American has heard them hundreds of times. But if he should decide to say nothing, other than his desire for a lawyer, in America there is nothing police or prosecutors can do. What we may justifiably feel and believe about him and what he and his brother perpetrated won’t change that, and shouldn’t. We didn’t write these self-imposed limitations for easy cases. We put them in place as a test, to see just how deliberate and fair we could be, when all we want is swift and hot-blooded justice. We wrote them to remind ourselves that we are better than that—even when we for a moment and for good reason don’t want to be.

Happy Record Store Day: I Like It Like That

I Like It LIke That
To celebrate International Record Store Day on April 20, Ambassador Jack White might have visited I Like It Like That Records & Tapes on Main Street in Newark, Delaware.

The problem is that the second most important record store in my life is no longer around. Hasn’t been for years. And even if it was, I’m not sure Jack White would be there, though he would have been welcome.

(The first most important record store? A hole in the wall in New Jersey, which soaked up every bit of available adolescent cash, like a dealer peddling stuff to an underage junkie. A gateway drug.)

For the record, Newark has a number of musical distinctions.

The Stone Balloon, also on Main Street, was the site of some epic performances by not-quite-yet-superstars like Bruce Springsteen. That The Balloon is now a “Winehouse” says something about civic and commercial evolution, though there’s too much loud laughter to tell that story.

The Deer Park, also on Main Street, is even more important musically than The Balloon. George Thorogood and the Destroyers began as George Thorogood and the Delaware Destroyers, and back then George could be found some Thursday nights at the Park, finishing off the destruction of masses of Newark townies with his guitar.

But this is about I Like It Like That. Main Street had a number of worthwhile places to simultaneously be enlightened and spend/kill lots of time. Two in the pantheon were the world’s greatest and most significant bookstore and I Like It Like That.

Somewhere in space, the sounds of I Like It Like That are still reverbing, though those alien rockers will be missing the feeling of walking through that door into another world (though, technically, they are in another world).

To celebrate, one thing would be a marathon playing of Frampton Comes Alive—the most overbought and traded-in album of all time, at least by ILILT standards. Wah-wah-wah-wah-wah-wah-wah-wah-wah.

Better yet, the name of the store is I Like It Like That. So let’s sing:

They got a little place
Across the track
The name of the place is
I Like It Like That
Now, you take Sally
And I’ll take Sue
And we are gonna rock away
All our blues

Now, the last time I was down there
I lost my shoes
They had some cat
Shoutin’ the blues
The people was yellin’
Out for more
And all they were sayin’
Was, ‘Go man go’

Come on, let me show you where it’s at
Come on, let me show you where it’s at
Come on, let me show you where it’s at
The name of the place is
I Like It Like That

Every record store, past, present and future, is where it’s at. BJL, JG and DC—thanks and rock on.