Bob Schwartz

Tag: surrealism

The surrealism of the presidential artist known as ‘‘⓿

Marcel Duchamp, Fountain (1917)

Dada and Surrealism were significant art movements in the early 20th century. One of the most famous works is Marcel Duchamp’s Fountain* (above), though Duchamp refused to be classified with any of the movements he informed and inspired. These movements also included performances, many of which made no sense then—or now. It was art.

Trying to make sense of the action, speech and thought of the current president defies understanding. Perhaps we have been looking at him through the wrong lens. We think of him as a businessman and currently as the most powerful leader in the world. This has left us shaking our heads. But maybe we are looking at it all wrong.

We may say to ourselves, “This can’t be real!”

Maybe it isn’t real. Maybe it is surreal. Maybe it is the work of an artist so supremely talented that his work and performances go right over our heads.

A beautiful Rose Garden buried in concrete. A giant Reflecting Pool covered with green algae. Every wall in a stately historic mansion decorated in ugly and gaudy gold. Historic texts, a Declaration and a Constitution, burned in front of our eyes. Just a few of the extraordinary works that are still being made.

If all that isn’t cutting edge art, deserving of multiple prizes, I don’t know what is.

* The original Fountain from 1917 is no longer available. Replicas of the original are worth between $2.5 and $5 million. Something for a presidential artist to think about.

Surrealism: An Appropriate Response to Now

Sometime during the news today, the word surreal came to mind. Again.

Andre Breton, one of the founders of the Surrealist art movement in the 1920s, defined it this way:

SURREALISM, n. Pure psychic automatism, by which it is intended to express, verbally, in writing, or by other means, the real process of thought. Thought’s dictation, in the absence of all control exercised by the reason and outside all aesthetic or moral preoccupations.

I think that now and then I may be turning to surrealist art and literature—not to explain things, just because it seems like an appropriate response to now. To things that turn up in the news, for example.

Anyway, surrealism may find its way into these posts once in a while. A work of art, a bit of literature.

Above you will see Juan Miro’s Potato (1928). When you recognize that as possibly/certainly a potato/the potato/no potato/one potato/many potatoes/the idea of potato, you will be on your way to understanding what is going on. In the news, for example. Probably better than me.