Bob Schwartz

Publius Speaks to Congress

Federalist Papers
Publius Valerius Publicola (“friend of the people”) was a Roman consul who helped found the Roman Republic circa 509 BCE. When James Madison, Alexander Hamilton and John Jay began publishing The Federalist Papers in 1787, they attached his name to their arguments for adoption of the Constitution.

We don’t know how many current members of Congress have read the Federalist Papers—not even all 85 papers, maybe just a few. We also don’t know how many senior members of the executive branch have done so. We can assume that all nine Supreme Court Justices have; these are, after all, an essential part of the legislative history of the Constitution.

Every time you see politicians brandishing the Constitution as a weapon, well-meaningly or just plain meanly; every time you hear a half-baked political argument or analysis that makes absolutely no sense, but is based mostly or entirely on emotion or ambition; every time you wonder whether a particular politician is taking the best interests of the country to heart or is just interested I getting ahead, the Federalist Papers are your talisman.

The Federalist Papers are a brilliant combination of careful philosophy and political realities—a balance between aspiration and actuality, between the way we want to be and the way we are.

When we hear today about “grand bargains” being struck in Congress—or often not being reached at all—you have to laugh. The very same founders who are treated as saints or even gods had to make the grandest of all bargains so that this nation could exist and endure. And in the Federalist Papers, we find the philosophical intelligence, the political courage and the candid self-awareness to expose how narrow interest and pettiness can stand in the way of solutions. If anything has changed in more than two centuries, it’s that we seem to have fewer Madisons, Hamiltons and Jays front and center in our national discourse:

A torrent of angry and malignant passions will be let loose. To judge from the conduct of the opposite parties, we shall be led to conclude that they will mutually hope to evince the justness of their opinions, and to increase the number of their converts by the loudness of their declamations and the bitterness of their invectives.

An enlightened zeal for the energy and efficiency of government will be stigmatized as the offspring of a temper fond of despotic power and hostile to the principles of liberty. An over-scrupulous jealousy of danger to the rights of the people, which is more commonly the fault of the head than of the heart, will be represented as mere pretense and artifice, the stale bait for popularity at the expense of the public good.

It will be forgotten, on the one hand, that jealousy is the usual concomitant of love, and that the noble enthusiasm of liberty is apt to be infected with a spirit of narrow and illiberal distrust. On the other hand, it will be equally forgotten that the vigor of government is essential to the security of liberty; that, in the contemplation of a sound and well-informed judgment, their interest can never be separated; and that a dangerous ambition more often lurks behind the specious mask of zeal for the rights of the people than under the forbidden appearance of zeal for the firmness and efficiency of government.

Federalist No. 1

The Great Gatsby and the Great Draper

Gatsby and Draper
At this point, the reviews of Baz Luhrmann’s The Great Gatsby are mixed, which isn’t surprising. His love of over-the-top spectacle is not to all tastes, and has a tendency to obscure story for fireworks. (His best movie may be his first, most personal and sweetest, the little and lovely 1992 romantic comedy Strictly Ballroom).

Literature to film goes in all directions. Small gets bigger as even the shortest stories are adapted. Big gets smaller, given the need to cut out sometimes huge chunks of narrative. Big gets bigger, as in Gone with the Wind. Big stays big, trying to preserve and show everything, as in Peter Jackson’s still-not-completed Tolkien opus.

The Great Gatsby is a little book. You can read it, even out loud, in a few hours. What has made it endure as one of the great novels is how much Fitzgerald packed into it. Word for word, it is one of the best fictional descriptions of a moment in history; not just that critical moment of the early 1920s either, but maybe every time the country is changing radically, as fortune swings in a blink between good fortune and bad.

Gatsby is not about the parties or the mansions. You can argue that the colorful wildness and glamour and licentiousness make the tragic end starker, so that when narrator Nick Carraway announces that the party is over, we get it. But we can miss the point.

Gatsby is a touching little story about a lost soul in a lost time. The only two ways to tell this story on film are to keep it small, or to actually rewrite and expand the story beyond its outline, to hours and hours of film.

The expanded story is already being made, by Matthew Weiner. Mad Men is the extended, history-spanning story of a fatally charismatic and ambitious man, so ambitious that in keeping with the dynamic times he lives in, he sheds his entire early life and identity to become a successful man of mystery. But he never stops trying to fill the holes that he knows are still there.

Every man wants to be him, every woman wants to have him, nobody knows him. The only difference between James Gatz/Jay Gatsby and Dick Whitman/Don Draper is that so far Draper has managed, somehow, to outlive his younger manhood to reach his middle years without crashing—but coming close almost daily. So just in case the Baz Luhrmann Gatsby doesn’t prove satisfying, don’t worry. The murky madness and capriciousness of Gatsby’s go-and-stop American dream is on view in the epic of Mad Men.

Spring Love Thing: Slinky Spinwheels

Slinky Spinwheels
If you’re lucky enough to love somebody, and even luckier to have that somebody love you back, you’re always thinking of little things that say I love you.

The candy, the cards, the flowers, the stuffed animals are always appropriate. But if you’ve been together a while, been there, given that. Today, one of the first truly gorgeous days of an inconstant spring so far, the aisles of the local Walgreens offered the just-have-to-get-this-for-her item: the Slinky Spinwheel.

Okay, it’s just a happy-colored mylar pinwheel. But consider this. The candy gets eaten, the card gets put in a drawer, the cut flowers wilt, the live flowers need water and when they don’t get it die, the stuffed animals cutely live on a closet shelf.

The spinwheel lives. It spins prettily and magically in the spring breeze. Or in the summer, fall or even cold winter breeze. Just like the one you love and who, if you’re lucky, loves you back.

(Note: For the cynical among you who may think that this sounds like advertising for Walgreens or Slinky Spinwheels, please be assured it isn’t. There are lots of stores that have lots of pinwheels. If it is an advertisement for anything, it is for love and spring. There is never enough promotion of those.)

Pepsi and the Line between Stupid and Clever

Mountain Dew
You’ve got to love the movie Spinal Tap. Below the surface of this hilarious fake “rockumentary”, beyond the wisdom of lines such as “It’s such a fine line between stupid and, uh…clever”, is a genuine commentary about what happens when popular art meets commerce.

When the band tries to revive its fading fortunes with an album called “Smell the Glove”, the record label rejects a cover photo of a woman on a leash being forced to, well, smell a glove. Instead, the album is released with a plain black cover.

Pepsi has long looked at its Mountain Dew brand as the edgiest of its beverages, with potential youth appeal. That would explain why it hired a 22-year-old hip-hop artist and music producer known as Tyler the Creator to create a series of videos for the brand. The storyline is that a goat named Felicia, voiced by Tyler, is obsessed with Dew and angry at its being in short supply. The goat brutally attacks a white waitress. In the third video, the injured waitress is at a police station, looking over a lineup of four black men and the goat. The goat threatens her, among other things reminding her that “snitches get stitches.” She is scared off and will not “dew” it.

After complaints about its being the most racist commercial ever, PepsiCo removed it from the web (you may still be able to see it here).

PepsiCo said, “We understand how this video could be perceived by some as offensive, and we apologize to those who were offended. We have removed the video from all Mountain Dew channels and have been informed that Tyler is removing it from his channels as well.”

Tyler’s manager said:

“It was never Tyler’s intention to offend, however offense is personal and valid to anyone who is offended. Out of respect to those that were offended, the ad was taken down. For those who know and respect Tyler, he is known for pushing boundaries and challenging stereotypes thr[ough] humor. This is someone who grew up on David Chappelle. This situation is layered with context and is a discussion that Tyler would love to address in the right forum as he does have a point of view. As someone who hasn’t had the experience of being discriminated against I choose to respect the opinion of those who have. What I can speak to is Tyler, who represents much more than the current narrative this story suggests.”

“Contrary to what many may discern from this, Tyler is the embodiment of not judging others, his delivery may not be for everyone (which is true for anyone who pushes boundaries) but his voice is nonetheless important to the conversation since his demographic understands what he ultimately stands for and sees the irony of it all. Context may or not help those who are offended and I wholly respect that, but for those who are interested, I can offer the following and leave the rest to Tyler.

“1. This spot was part of an overall admittedly absurd storyline about a crazy goat who becomes obsessed with Mountain Dew, 2. The lady in front of the line-up is the waitress from the first spot, 3. The line-up consists of Tyler’s friends and Odd Future members who were available that day. (L-Boy, Left Brain, Garret from Trash Talk and Errol) 4. He absolutely never intended to spark a controversy about race. It was simply an…admittedly absurd story that was never meant to be taken seriously. Again, we apologize if this was taken out of context and would never trivialize racism, especially now in America where voting and civil rights are being challenged at the highest level. I can however stand firmly by someone I have believed in since we met, only because I know him and I know all of this was never his intent.”

It’s not clear who this “David Chappelle” that the manager mentions is, but Dave Chappelle is one of the funniest, strangest, most boundary-pushing comic artists of recent times. Chappelle created one great piece after another, including a bit where a blind black man is a vicious anti-black racist, because he thinks he is white. That’s brilliant, so let’s start with the fact that Tyler has a long way to go.

Artists are supposed to do whatever their vision tells them, and we shouldn’t be stopping them. Sometimes it works, sometimes it doesn’t, and sometimes the art is behind or ahead of its times.

But that doesn’t mean that those who pay for the work have to go along with everything that artists conceive and produce. There is actually a bit of cleverness here, but it is plagued by so much troubling text, context and subtext that it could not possibly have passed any feasibility test that any mainstream corporate advertiser might apply.

One thing that makes this even a little more troubling is PepsiCo’s quasi-apology. We are supposed to have gotten used to cleverly crafted statements that are meant to sound like apologies but aren’t quite. That is now the norm. We are not that stupid. “We apologize to those who were offended” is a defensive or even condescending posture: if you are among those who don’t get it (or as Tyler’s manager says, not part of “his demographic [that] understands what he ultimately stands for and sees the irony of it all”), then we are sorry. Mass media have mass audiences, and if you want to put something out there that is likely to cause trouble but you believe will help you, either stand behind it or don’t. Apologize or don’t. It may turn out to be commercially smart or stupid. But at least you’re brave.

The Most Important Document In History

CERN W3
The Magna Carta. The Declaration of Independence. The Constitution. The Emancipation Proclamation. The number of essential documentary moments goes on and on, both here and globally, each one of them a significant next step in progress.

Twenty years ago, what may turn out to be the most important document in history (above) was issued. The website of the European Laboratory for Particle Physics (CERN) explains the event:

On 30 April 1993 CERN published a statement that made World Wide Web (“W3”, or simply “the web”) technology available on a royalty-free basis. By making the software required to run a web server freely available, along with a basic browser and a library of code, the web was allowed to flourish.

British physicist Tim Berners-Lee invented the web at CERN in 1989. The project, which Berners-Lee named “World Wide Web”, was originally conceived and developed to meet the demand for information sharing between physicists in universities and institutes around the world.

Consider what the web would be like if it was a toll road and not a freeway. That was a possibility, had Berners-Lee and CERN decided to leverage and exploit the technology. But the web was born free and continues to resist chronic attempts to control and monopolize it.

One of the strangest ironies about the freedom of the web is that it was born on a NEXT computer. If you know digital history, you will recognize that NEXT was the company that Steve Jobs founded, in between his first stint at Apple, from which he was bizarrely let go, and his second stint, when he turned Apple into the richest technology company in the world.

Sir Tim Berners-Lee did not get as rich as Jobs. But he did get a knighthood, and recognition as an unsurpassed visionary, and the thanks of billions for shaping the world as few before or after did or ever will.

Richie Havens

Richie Havens
Every artist wants their spirit to be a presence, and to stay a presence. Every artist would love to be so recognizable that with just one note sung a listener would be certain—and would instantly want to hear more.

Since Richie Havens released his album Mixed Bag, and since his legendary performance at Woodstock, he grew older but never changed. Decades where peace, love and freedom looked like something radical, then something hip, then something imminent, then something commercial, then something distant and quaint, he did just what artists do. He stayed true to himself, true to his ideals, true to his craft as a unique troubadour. He was irresistible and his music still is.

Richie Havens died yesterday at the age of 72.

And close your eyes, child, and look at what I’ll show you;
Let your mind go reeling out and let the breezes blow you,
And maybe when we meet then suddenly I will know you.
If all the things you see ain’t what they seem,
Then don’t mind me cause I ain’t nothing but a dream,
And you can follow…

Tsarnaev and Miranda

Miranda Warning
Dzhokhar Tsarnaev, suspect in the Boston Marathon bombings, is now in custody and in hospital recovering from gunshot wounds. The Justice Department has announced that it will not be giving him a Miranda warning before initially questioning him, under the public safety exception to the need for such warning.

In Miranda v. Arizona (1966), the Supreme Court established guidelines for the taking and use of statements by suspects in custody. In very brief summary, if a suspect is in custody and being interrogated, statements made will be admitted into evidence only if he has been properly warned about his right not to talk, about the potential use of his statements for self-incrimination, and about his right to have an attorney. The various versions of the Miranda warning reflect this decision, and embody the protections of the Fifth and Sixth Amendments.

A narrow exception to Miranda was established in New York v. Quarles (1984)  . In an age of terrorism and the prosecution of terrorists, this so-called “public safety exception” has become the focus of intensive analysis and application—along with a push for its expansion.

In Quarles, a victim of rape pointed police officers toward her armed assailant. The police pursued him into a supermarket:

Respondent ran toward the rear of the store, and Officer Kraft pursued him with a drawn gun but lost sight of him for several seconds. Upon regaining sight of respondent, Officer Kraft ordered him to stop and put his hands over his head; frisked him and discovered that he was wearing an empty shoulder holster; and, after handcuffing him, asked him where the gun was. Respondent nodded toward some empty cartons and responded that “the gun is over there.” Officer Kraft then retrieved the gun from one of the cartons, formally arrested respondent, and read him his rights under Miranda v. Arizona. Respondent indicated that he would answer questions without an attorney being present and admitted that he owned the gun and had purchased it in Florida. The trial court excluded respondent’s initial statement and the gun because the respondent had not yet been given the Miranda warnings, and also excluded respondent’s other statements as evidence tainted by the Miranda violation. Both the Appellate Division of the New York Supreme Court and the New York Court of Appeals affirmed.

The Supreme Court reversed the New York courts and created an exception to Miranda, when the interrogation was aimed at preventing further harm and enhancing public safety:

Procedural safeguards that deter a suspect from responding, and increase the possibility of fewer convictions, were deemed acceptable in Miranda in order to protect the Fifth Amendment privilege against compulsory self-incrimination. However, if Miranda warnings had deterred responses to Officer Kraft’s question about the whereabouts of the gun, the cost would have been something more than merely the failure to obtain evidence useful in convicting respondent. An answer was needed to insure that future danger to the public did not result from the concealment of the gun in a public area.

The narrow exception to the Miranda rule recognized here will to some degree lessen the desirable clarity of that rule. However, the exception will not be difficult for police officers to apply because in each case it will be circumscribed by the exigency which justifies it. Police officers can and will distinguish almost instinctively between questions necessary to secure their own safety or the safety of the public and questions designed solely to elicit testimonial evidence from a suspect.

It is useful and enlightening to read the dissent by Justice Thurgood Marshall, joined by Justices William Brennan and John Paul Stevens. Justice Marshall, whose practical understanding of constitutional rights was second to none (see Brown v. Board of Education), had difficulty with the trading away of such a fundamental right, even for something as paramount as public safety. He had an elegant solution: Please do interrogate without a Miranda warning—just don’t expect to introduce the answers at trial:

The irony of the majority’s decision is that the public’s safety can be perfectly well protected without abridging the Fifth Amendment. If a bomb is about to explode or the public is otherwise imminently imperiled, the police are free to interrogate suspects without advising them of their constitutional rights. Such unconsented questioning may take place not only when police officers act on instinct but also when higher faculties lead them to believe that advising a suspect of his constitutional rights might decrease the likelihood that the suspect would reveal life-saving information. If trickery is necessary to protect the public, then the police may trick a suspect into confessing. While the Fourteenth Amendment sets limits on such behavior, nothing in the Fifth Amendment or our decision in Miranda v. Arizona proscribes this sort of emergency questioning. All the Fifth Amendment forbids is the introduction of coerced statements at trial.

There is one thing that in the early aftermath of this dynamic story can be missed: Whatever he did, whatever we believe about what he did, however vital his knowledge is, Tsarnaev is under no legal obligation to say anything and has the constitutional right not to say anything that could be used against him.

The Justice Department has invoked the public safety exception: it will not yet Mirandize Tsarnaev. In part, they may be trying to reserve the right to use at trial any of the statements he makes in response to questions such as “Are there more IEDs? Who else is currently involved and dangerous?”. Maybe more significantly, they simply don’t want him—as they don’t want any other suspect—to prematurely stop talking. They won’t be telling him yet that he has the right to remain silent or to have an attorney.

But…not telling him he has these rights doesn’t mean that he doesn’t already have them. He does. A Miranda warning does not magically grant a suspect those rights. The much more magical Constitution and Bill of Rights do.

It is not clear that Tsarnaev needs a reminder of those rights. He is by all accounts a smart and educated young man, even if by recent actions a horribly misguided and tragic one. Almost all television viewers are expert on Miranda warnings anyway; even the most law-abiding American has heard them hundreds of times. But if he should decide to say nothing, other than his desire for a lawyer, in America there is nothing police or prosecutors can do. What we may justifiably feel and believe about him and what he and his brother perpetrated won’t change that, and shouldn’t. We didn’t write these self-imposed limitations for easy cases. We put them in place as a test, to see just how deliberate and fair we could be, when all we want is swift and hot-blooded justice. We wrote them to remind ourselves that we are better than that—even when we for a moment and for good reason don’t want to be.

Happy Record Store Day: I Like It Like That

I Like It LIke That
To celebrate International Record Store Day on April 20, Ambassador Jack White might have visited I Like It Like That Records & Tapes on Main Street in Newark, Delaware.

The problem is that the second most important record store in my life is no longer around. Hasn’t been for years. And even if it was, I’m not sure Jack White would be there, though he would have been welcome.

(The first most important record store? A hole in the wall in New Jersey, which soaked up every bit of available adolescent cash, like a dealer peddling stuff to an underage junkie. A gateway drug.)

For the record, Newark has a number of musical distinctions.

The Stone Balloon, also on Main Street, was the site of some epic performances by not-quite-yet-superstars like Bruce Springsteen. That The Balloon is now a “Winehouse” says something about civic and commercial evolution, though there’s too much loud laughter to tell that story.

The Deer Park, also on Main Street, is even more important musically than The Balloon. George Thorogood and the Destroyers began as George Thorogood and the Delaware Destroyers, and back then George could be found some Thursday nights at the Park, finishing off the destruction of masses of Newark townies with his guitar.

But this is about I Like It Like That. Main Street had a number of worthwhile places to simultaneously be enlightened and spend/kill lots of time. Two in the pantheon were the world’s greatest and most significant bookstore and I Like It Like That.

Somewhere in space, the sounds of I Like It Like That are still reverbing, though those alien rockers will be missing the feeling of walking through that door into another world (though, technically, they are in another world).

To celebrate, one thing would be a marathon playing of Frampton Comes Alive—the most overbought and traded-in album of all time, at least by ILILT standards. Wah-wah-wah-wah-wah-wah-wah-wah-wah.

Better yet, the name of the store is I Like It Like That. So let’s sing:

They got a little place
Across the track
The name of the place is
I Like It Like That
Now, you take Sally
And I’ll take Sue
And we are gonna rock away
All our blues

Now, the last time I was down there
I lost my shoes
They had some cat
Shoutin’ the blues
The people was yellin’
Out for more
And all they were sayin’
Was, ‘Go man go’

Come on, let me show you where it’s at
Come on, let me show you where it’s at
Come on, let me show you where it’s at
The name of the place is
I Like It Like That

Every record store, past, present and future, is where it’s at. BJL, JG and DC—thanks and rock on.

Crime and Punishment

Crime and Punishment
It is just like a movie, some are saying.

No, like a novel.

Two brothers. The older one dead, run over by the younger. The younger on the run—maybe caught or even dead by the time this is read.

In the media, fragments of information are spun into explanations, like Rumplestiltskin’s straw into gold. It is the job of experts to provide answers, and when pieces are missing, to speculate. Can they be blamed?

Writers are the real experts at helping us on this. In 1962, when Truman Capote applied his considerable skill as storyteller to a pair of real-life cold-blooded killers, the book In Cold Blood became something new: the non-fiction novel. Critics celebrated, but others complained that the humanizing of evil made the author an accomplice.

A century earlier, Fyodor Dostoyevsky took an even deeper look at the mind of the killer, a fictional one, in Crime and Punishment. He did not minimize the horror of the crime or humanize the killer for purposes of sympathy, empathy or excuse. He instead set the standard for psychological depth and ambiguity that is the hallmark of modern literature since.

Standard or simplistic explanations and labels fit many needs, including the need of broadcasters to fill dead air while an extended manhunt and its aftermath proceed. But Dostoevsky demanded a trip on the subtle dark seas of family, society and the mind. That’s not just a way we understand the bad actors. It’s how we understand ourselves, even when our own seas are not nearly so dark.

From Crime and Punishment, as Rodion Raskolnikoff  pursues his plan to kill the moneylender Alena Ivanovna. He walks down the street, when someone remarks about his unusual hat:

“I knew it,” he muttered in confusion, “I thought so! That’s the worst of all! Why, a stupid thing like this, the most trivial detail might spoil the whole plan. Yes, my hat is too noticeable…. It looks absurd and that makes it noticeable….With my rags I ought to wear a cap, any sort of old pancake, but not this grotesque thing. Nobody wears such a hat, it would be noticed a mile off, it would be remembered…. What matters is that people would remember it, and that would
give them a clue. For this business one should be as little conspicuous as possible….Trifles, trifles are what matter! Why, it’s just such trifles that always ruin everything….”

He had not far to go; he knew indeed how many steps it was from the gate of his lodging house: exactly seven hundred and thirty. He had counted them once when he had been lost in dreams. At the time he had put no faith in those dreams and was only tantalizing himself by their hideous but daring recklessness. Now, a month later, he had begun to look upon them differently, and, in spite of the monologues in which he jeered at his own impotence and indecision, he had involuntarily come to regard this “hideous” dream as an exploit to be attempted, although he still did not realize this himself. He was positively going now for a “rehearsal” of his project, and at every step his excitement grew more and more violent.

Forget the Senators, Love the Mayors

Mayor Annise Parker

If you are one of those angered and ashamed of members of the U.S. Senate today, you are not alone.

Forty-six U.S. Senators voted against the Manchin Amendment to the Safe Communities, Safe Schools Act of 2013. This amendment to the gun violence bill was crafted by Senator Joe Manchin (D-West Virginia) and Senator Pat Toomey (R-Pennsylvania) to be the mildest, least objectionable expansion of background checks conceivable. They tried.

The amendment was rejected. The vote was 54 Yeas to 46 Nays, less than the 60 votes needed under the Senate rules. All the other amendments attempting to enhance regulation also failed.

Three Republicans voted for the amendment, including Toomey, Susan Collins of Maine and John McCain of Arizona. McCain deserves special mention. From the year 2000 on, including the 2008 Presidential election, his “maverick” and “straight talk” credentials have been an on-again, off-again affair. At least for this amendment (though he did not support any other regulation), he took a stand.

Here are the Senators who voted against any expansion of background checks, no matter how small:

Alexander (R-TN)
Ayotte (R-NH)
Barrasso (R-WY)
Baucus (D-MT)
Begich (D-AK)
Blunt (R-MO)
Boozman (R-AR)
Burr (R-NC)
Chambliss (R-GA)
Coats (R-IN)
Coburn (R-OK)
Cochran (R-MS)
Corker (R-TN)
Cornyn (R-TX)
Crapo (R-ID)
Cruz (R-TX)
Enzi (R-WY)
Fischer (R-NE)
Flake (R-AZ)
Graham (R-SC)
Grassley (R-IA)
Hatch (R-UT)
Heitkamp (D-ND)
Heller (R-NV)
Hoeven (R-ND)
Inhofe (R-OK)
Isakson (R-GA)
Johanns (R-NE)
Johnson (R-WI)
Lee (R-UT)
McConnell (R-KY)
Moran (R-KS)
Murkowski (R-AK)
Paul (R-KY)
Portman (R-OH)
Pryor (D-AR)
Reid (D-NV)
Risch (R-ID)
Roberts (R-KS)
Rubio (R-FL)
Scott (R-SC)
Sessions (R-AL)
Shelby (R-AL)
Thune (R-SD)
Vitter (R-LA)
Wicker (R-MS)

For a change, we have a post-partisan moment, where some Democrats and Republicans can agree on something: the status quo of guns in America is just fine.

Forget the Senators. Whether they believe it or not, a political steamroller is on its way that, no matter how they calculate home state interests or expect the NRA to protect them, will flatten them like Wile E. Coyote in a Roadrunner cartoon. Too wily by half.

Let’s talk about mayors, the politicians who can’t distance themselves from the harsh realities of American life, politicians who, unlike others, have to actually work for a living and try, as best they can, to do a little something to make things better.

Mayors Against Illegal Guns is a coalition of over 900 mayors from big cities and small towns across the country:

As mayors, our highest responsibility is to enforce the law and to protect the people we serve. One of the most difficult challenges we face in meeting this responsibility is preventing criminals from illegally obtaining guns and using them. The issue of illegal guns is not conservative or liberal; it is an issue of law and order — and life or death.…

[W]hat binds us together is a determination to fight crime, and a belief that we can do more to stop criminals from getting guns while also protecting the rights of citizens to freely own them.  We have seen how the polarizing rhetoric of gun politics on all sides only obscures the tragic reality we see every day on our streets: violent criminals with easy access to illegal guns.

Above is a photo of Mayor Annise Parker of Houston. She is shown as a representative mayor against illegal guns because Houston is also the home of Senator Ted Cruz, one of the most vocal opponents of any gun legislation.

Maybe what we need to do is replace these Senators at the next available opportunity with almost any of these mayors. These mayors aren’t all angels, but they don’t have time to be blowhards or ideological purists. They know how to get the job done, know what it is to tackle difficult issues, and know what it’s like to do the dirty work of cleaning up messes—and most of all figuring out how to avoid some of those messes in the first place. They could do better, in part because nobody could do worse.