
As previously noted, Trump will not be the Republican presidential nominee, no matter what. Trump decided not to attend tonight’s Republican Party debate. This means that the next Republican presidential candidate will be on stage.
Debate host Fox News, concerned that Trump’s absence will hurt its viewership, will be showing the debate participants videos of Trump talking and ask these debaters to respond—as if he was actually there. This wacky scheme reflects the mess that Fox News and the Republican Party are.
There are a million better things to do than watch this debate. All of these are more enlightening, informative, entertaining, fun, etc. So do one of those other things. Yes, it is possible that one of the participants will say something so outrageous and ridiculous that it will be laughable. You can see that video moment later. Just remember that it is unlikely but possible that the particular amusing clown might actually turn out to be the party candidate or…president?
© 2023 by Bob Schwartz

Rock and roll was bad enough for millions of American racists. Music that evolved from black sources (“race music” as it was called) infected young people, becoming the dominant sound of pop culture by the 1960s. (For a picture of this, see John Waters’ Hairspray). The haters eventually mostly gave in, at least expressly, as rock melded into other genres. Rock was everybody’s and anybody’s music, color deaf and blind.
But early on, black artists tried to reclaim the music, as messages started to creep in. In 1971, Marvin Gaye defied the Motown get-along ethos with the album What’s Going On. It was filled with protest tracks, epitomized by the cry “Make me wanna holler/throw up both my hands”. Just a few years later came the musical explosion.
This month marks the 50th year of the birth of hip-hop in 1973. By 1982 the message became The Message by Grandmaster Flash: “Don’t push me ’cause I’m close to the edge/I’m trying not to lose my head”. Today hip-hop is the dominant musical genre and style in the world. It not only took over culture. It made millionaires and billionaires out of black artists and entrepreneurs.
In 1990 Public Enemy released Fear of a Black Planet, including Fight the Power:
Elvis was a hero to most, but he
Never meant shit to me, you see,
straight outRacist—that sucker was simple and plain
Motherfuck him and John Wayne!
‘Cause I’m Black and I’m proud,
I’m ready, I’m hyped, plus I’m amped
Most of my heroes don’t appear on no stamps
Sample a look back; you look and find nothing
But rednecks for 400 years, if you check
“Don’t Worry Be Happy” was a number-one jam
Damn, if I say it, you can slap me right here
Get it—let’s get this party
Started right, right on, c’mon!
What we got to say?
Power to the people, no delay
Make everybody see, in order to
Fight the powers that be
Fear of a black planet. Fear. Hip-hop disturbed millions of Americans in 1990. It disturbs millions of Americans even more in 2023. While there are areas that have little to do with black culture, listening to contemporary music—just as with rock and roll—this is a black planet.
Makes racists wanna holler, throw up both their hands.
© 2023 by Bob Schwartz

By the time of the Republican National Convention in July 2024, Trump will have been multiply indicted, tried at least once, and very possibly convicted at least once. By the time of the election in November, more trials will have happened, along with more possible convictions.
Two scenarios for the Republican nomination, assuming that Trump has managed to win the requisite delegates by the time of the convention:
Experts will say that scenario #1 is easier and lower risk and it is the choice the party will make. Who knows? Trump may yet pull it off, as he has before (except in 2020 and 2022).
I predict scenario #2. It does involve a level of party mechanics that, as noted, the lawyers and operatives are secretly conjuring. How exactly do you tell someone who has the requisite delegates that, party rules be damned, you can’t be our nominee? But enough hard-headed Republicans, so far willing to wear the Trump brand, don’t want the party known for generations as the one that put forward an authoritarian coup leader—essentially a traitor—as their standard bearer. Anyway, if Trump couldn’t win as an incumbent in 2020, before his criminal character was glaringly spotlighted, how could he win in 2024? If the party is going to lose the presidency anyway, wouldn’t they like to go down with dignity and decency intact—or at least on the way to being recovered?
© 2023 by Bob Schwartz

All I want is the truth now
Just gimme some truth now
Gimme Some Truth
I’m sick and tired of hearing things
From uptight, short-sighted, narrow-minded hypocrites
All I want is the truth
Just gimme some truth
I’ve had enough of reading things
By neurotic, psychotic, pig-headed politicians
All I want is the truth
Just gimme some truth
No short-haired, yellow-bellied, son of tricky dicky
Is gonna Mother Hubbard soft soap me
With just a pocketful of hope
Money for dope
Money for rope
I’m sick to death of seeing things
From tight-lipped, condescending, mama’s little chauvinists
All I want is the truth
Just gimme some truth now
I’ve had enough of watching scenes
Of schizophrenic, egocentric, paranoiac, prima donnas
All I want is the truth now
Just gimme some truth
All I want is the truth now
Just gimme some truth now
—John Lennon
https://www.youtube.com/watch?v=UaiGABTj0aA

What’s all the fuss about AI?
I’ve used it for years. Above is a picture of my robot at the keyboard. It/he/she has written so many pieces. Like this one. Maybe.
© 2023 by Bob Schwartz & ?

Literary people associate the title “The Bonfire of the Vanities” with a 1987 bestselling novel by Tom Wolfe, as movie mavens associate it with the 1990 box office bomb based on the book.
Michael Dirda wrote in the Washington Post about Savanarola and the original bonfire in 1497:
For approximately four years, from 1494 to 1498, a Dominican monk and preacher was first the conscience, then the virtual king of Florence. His admirers, indeed followers, included the Neoplatonic philosopher Pico della Mirandola, the young Machiavelli and the painter Botticelli. His two greatest enemies were just as eminent: Piero de’ Medici, that feckless son of Lorenzo the Magnificent and heir to his father’s dictatorship of the city, and that charming arch-sensualist Pope Alexander VI, among the most notorious of the notorious Borgias. The simple monk himself would pass into legend as the scourge of the rich and corrupt, a fanatical moralist, an accused heretic and, finally, a martyr.
Nowadays, though, people tend to recognize the name Girolamo Savonarola (1452-1498) chiefly because he instituted the original “bonfire of the vanities.” In 1497, this crusading prior of San Marco (blessed with paintings by Fra Angelico) berated the Florentines over the fripperies they wore, the salacious books they read, the provocative paintings they hung on their walls, the gold and silver jewelry that flashed even in the half-light of the sacred cathedral, all the gaudiness, luxury and lasciviousness of their sinful lives. Away with these snares of the devil! And so, rather than celebrate the last day before Lent with a lewd carnival, Savonarola called for the faithful to cast their “vanities” onto a great pyramid of holy fire. And they did.
I am looking at my bookshelves, thinking of the books and other media I have collected, read, watched, listened to, studied, and I am considering (safely) torching them. I don’t earnestly mean that. But maybe I do.
The Book of Ecclesiastes (aka Kohelet) is a favorite of mine in the Hebrew Bible, up there with Genesis and Job. In Hebrew it begins:
Hevel, hevel, amar kohelet, hacol havelim.
The famous King James translation:
Vanity, vanity, says the preacher, all is vanity.
But the Hebrew hevel is a mystery and challenge to translators, who have tried a number of English words, including:
Absurdity
Utter futility
Senselessness
Meaninglessness
Breath
Vapor
So what exactly would a bonfire of the vain, absurd, futile, senseless, meaningless look like for me?
If Savanarola reminds you of some of the current high-profile figures trying to claw us back to a less enlightened time, you’ve got that right. With some appropriate conditions, people as a whole should be able to share in whatever is on offer. (Did Boticelli really not want us to see The Birth of Venus more than five hundred years later?)
But as individuals, even the best of it may not be the best for us at any given time. I don’t have to actually set fire to these books as long as I watch my use of and attachment to them. Discern.
© 2023 by Bob Schwartz

When the mat cushion and me
Were less worn
I might think the man who sat
Breathing sweet sandalwood
Would arise different better.
Now the man sitting legs folded
Is the man who stands legs straight
The man who sleeps
Is the man who wakes
No more or less.
© 2023 by Bob Schwartz

The certitude that everything has been written negates us or turns us into phantoms.
Jorge Luis Borges, The Library of Babel
The Library of Babel by Jorge Luis Borges is an illuminating insight into AI. That may not be (probably isn’t) immediately obvious. The story is by no means didactic or directly germane to the topic, as are the proliferating texts about the specific applications, opportunities and implications of AI. Consider it obliquely but brightly enlightening about the meaning of AI. That may be a reach, but worth reaching for.
Below is a brief excerpt from the story. Any excerpt does disservice to the genius of Borges, maybe here more than most. This is meant to offer a taste; please read the whole in one of his collections, such as Labyrinths.
The universe (which others call the Library) is composed of an indefinite and perhaps infinite number of hexagonal galleries, with vast air shafts between, surrounded by very low railings. From any of the hexagons one can see, interminably, the upper and lower floors. The distribution of the galleries is invariable. Twenty shelves, five long shelves per side, cover all the sides except two; their height, which is the distance from floor to ceiling, scarcely exceeds that of a normal bookcase….
There are five shelves for each of the hexagon’s walls; each shelf contains thirty-five books of uniform format; each book is of four hundred and ten pages; each page, of forty lines, each line, of some eighty letters which are black in color. There are also letters on the spine of each book; these letters do not indicate or prefigure what the pages will say….
This much is already known: for every sensible line of straightforward statement, there are leagues of senseless cacophonies, verbal jumbles and incoherences. (I know of an uncouth region whose librarians repudiate the vain and superstitious custom of finding a meaning in books and equate it with that of finding a meaning in dreams or in the chaotic lines of one’s palm. . . They admit that the inventors of this writing imitated the twenty-five natural symbols, but maintain that this application is accidental and that the books signify nothing in themselves….
Five hundred years ago, the chief of an upper hexagon came upon a book as confusing as the others, but which had nearly two pages of homogeneous lines. He showed his find to a wandering decoder who told him the lines were written in Portuguese; others said they were Yiddish. Within a century, the language was established: a Samoyedic Lithuanian dialect of Guarani, with classical Arabian inflections. The content was also deciphered: some notions of combinative analysis, illustrated with examples of variation with unlimited repetition. These examples made it possible for a librarian of genius to discover the fundamental law of the Library. This thinker observed that all the books, no matter how diverse they might be, are made up of the same elements: the space, the period, the comma, the twenty-two letters of the alphabet. He also alleged a fact which travelers have confirmed: In the vast Library there are no two identical books. From these two incontrovertible premises he deduced that the Library is total and that its shelves register all the possible combinations of the twenty-odd orthographical symbols (a number which, though extremely vast, is not infinite): in other words, all that it is given to express, in all languages. Everything: the minutely detailed history of the future, the archangels’ autobiographies, the faithful catalogue of the Library, thousands and thousands of false catalogues, the demonstration of the fallacy of those catalogues, the demonstration of the fallacy of the true catalogue, the Gnostic gospel of Basilides, the commentary on that gospel, the commentary on the commentary on that gospel, the true story of your death, the translation of every book in all languages, the interpolations of every book in all books.
When it was proclaimed that the Library contained all books, the first impression was one of extravagant happiness. All men felt themselves to be the masters of an intact and secret treasure. There was no personal or world problem whose eloquent solution did not exist in some hexagon. The universe was justified, the universe suddenly usurped the unlimited dimensions of hope. At that time a great deal was said about the Vindications: books of apology and prophecy which vindicated for all time the acts of every man in the universe and retained prodigious arcana for his future. Thousands of the greedy abandoned their sweet native hexagons and rushed up the stairways, urged on by the vain intention of finding their Vindication. These pilgrims disputed in the narrow corridors, proffered dark curses, strangled each other on the divine stairways, flung the deceptive books into the air shafts, met their death cast down in a similar fashion by the inhabitants of remote regions. Others went mad. . . The Vindications exist (I have seen two which refer to persons of the future, to persons who perhaps are not imaginary) but the searchers did not remember that the possibility of a man’s finding his Vindication, or some treacherous variation thereof, can be computed as zero….
The methodical task of writing distracts me from the present state of men. The certitude that everything has been written negates us or turns us into phantoms. I know of districts in which the young men prostrate themselves before books and kiss their pages in a barbarous manner, but they do not know how to decipher a single letter. Epidemics, heretical conflicts, peregrinations which inevitably degenerate into banditry, have decimated the population. I believe I have mentioned the suicides, more and more frequent with the years. Perhaps my old age and fearfulness deceive me, but I suspect that the human species — the unique species — is about to be extinguished, but the Library will endure: illuminated, solitary, infinite, perfectly motionless, equipped with precious volumes, useless, incorruptible, secret. I have just written the word “infinite.” I have not interpolated this adjective out of rhetorical habit; I say that it is not illogical to think that the world is infinite. Those who judge it to be limited postulate that in remote places the corridors and stairways and hexagons can conceivably come to an end — which is absurd. Those who imagine it to be without limit forget that the possible number of books does have such a limit. I venture to suggest this solution to the ancient problem: The Library is unlimited and cyclical. If an eternal traveler were to cross it in any direction, after centuries he would see that the same volumes were repeated in the same disorder (which, thus repeated, would be an order: the Order). My solitude is gladdened by this elegant hope.
From The Library of Babel by Jorge Luis Borges

God respects me when I work
But he loves me when I sing
Headstone, Mississippi Delta