Bob Schwartz

Category: Uncategorized

Trumphenge

If you don’t know the movie Spinal Tap, a famous scene (see below) is the inspiration for the above image.

Surreal Presidency: Reassessing Trump as a performance artist

It is easy to describe the current American president and his presidency as unprecedented in a number of negative ways. His version of a special 4th of July this weekend can be seen as more glaring evidence of that.

But consider another radical possibility.

What if this president is actually a supreme political performance artist? What if his presidency is a groundbreaking art project, rather than simply a reflection of his own infirmities for the office?

Proposed here is the possibility that he is just such an artist, a surrealist. In his own terms, the greatest artist ever in history.

Could it be?

© 2026 Bob Schwartz

Cicadas are LOUD right now but the birds are still singing

This time of year, the male cicadas emerge to call out to potential mates. They are loud. Loud. So loud that the droning outside can be heard inside. The females may find this appealing. Others may not.

Early in the morning I go out to listen to the birds. Lately the birds are singing with the loud cicada drone almost overwhelming the sound. Imagine going to an orchestra concert and having the person in the next seat talking incessantly on the phone through the entire performance.

Yet the birds keep singing. I keep listening. The cicadas will stop at some time. The birds will still be singing and will keep singing. I will keep listening.

Strangers in a strange (AI) land

These are some of the oldest stories. People are exiled and journey to an unknown land. People arrive exiled into an unknown land. People are subject to catastrophe, natural or human, that fundamentally changes the land they live in, making it an unknown land. A flood inundates the earth and only a few remain to float and start again. A civilization flees across the desert to start again. The Bible includes the earliest of many stories, especially science fiction, of strangers in strange lands—even when that strange land is their once-familiar home.

There have been a few of these stories in modern times. Weapons, first atomic, then hydrogen, transformed this into a world that might disappear in an instant. A disease infected the world. A technology, artificial intelligence, seems capable of, to use the cliché, changing everything. This is now another strange land.

Our history of dealing as strangers in a strange land, starting with the Bible, is mixed. Early concerns about nuclear weapons—“Ban the bomb” rallies—gave way to dangerous proliferation. The covid pandemic led to welcome emergency scientific vaccine breakthroughs, but also to millions of unnecessary deaths, as some number of people stubbornly refused to believe it was as bad as science said, or bad at all. Arriving in the strange lands of nuclear annihilation or covid, some wanted—still want—to go back to the way things were. They just wanted to go home to a familiar land. We don’t know how we will do in the strange land of AI, though some current indicators are not promising.

In the words of Grateful Dead lyricist Robert Hunter in The Wheel:


The wheel is turning and you can’t slow down
You can’t let go and you can’t hold on
You can’t go back and you can’t stand still
If the thunder don’t get you, then the lightning will


© 2026 Bob Schwartz

Just war and the Catholic Church

“Pope Leo, his papal predecessors and his contemporary brethren are calling for returning to Christian roots, with one simple concept: War is fundamentally antithetical to the Gospel of Jesus Christ.”

More than two years ago, I posted a Gaza War reading list , which began with Michael Walzer’s Just and Unjust Wars: A Moral Argument with Historical Illustrations, Fifth Edition, the classic contemporary work on the subject.

I am adding a short opinion piece in the New York Times, It’s Time to Put This Catholic Teaching to Rest, by James Grimaldi, former executive editor of The National Catholic Reporter. The teaching referred to is just war theory. Excerpt follows:


It isn’t every day that a pope calls for an overhaul of a more than 1,000-year-old teaching of the Catholic Church, but that’s exactly what Pope Leo XIV did last month. In his inaugural encyclical, “Magnifica Humanitas,” which was mainly an exploration of how to protect human dignity in the age of artificial intelligence, Leo devoted a brief but critical passage to just war theory.

In a break with a foundational principle of Catholic thought on conflict, Leo called the theory “outdated” and made it clear that the teaching has been twisted to justify wars for decades, most recently the war in Iran. It is about time for the change.

Just war theory holds that wars must meet strict conditions: They should be in self-defense, and only if alternatives have been exhausted; the use of force should be proportional; there should be a likelihood of success and the threat should be imminent. Since World War II at least, several popes have criticized world leaders for using the theory as a fig leaf.

While Leo did not cite any specific war in the encyclical, he clearly had President Trump’s war on Iran in mind. On June 6, in remarks en route to Madrid for a visit, he was asked if a “just war” was being waged in Iran. The pontiff replied: “I believe this has already been made very clear: In Iran, the criteria for a just war are not present.” Leo wasn’t done. “The theory of the just war dates back to centuries when it was impossible to imagine the weapons and the destructive capacity available to humanity today,” he added….

In casting doubt on the usefulness of just war teaching in the modern era, Leo’s encyclical preserved “the right to self-defense in the strictest sense.” Instead of suggesting a new framework for justifying war, Leo all but rules out war’s legitimacy. “Humanity possesses far more effective and capable tools for promoting human life and resolving conflicts, such as dialogue, diplomacy and forgiveness,” Leo wrote. “The use of force, violence and weapons reflects a relational poverty that always has disastrous consequences for civilian populations.”

Overhauling just war teaching will be among the top issues to be discussed on Friday and Saturday at a consistory, or meeting of the pope’s cardinals, at the Vatican, according to Vatican News, the Holy See’s official outlet. The cardinals should not pull their punches. The moment urgently calls for new guidance, not just discussion. In reformulating the church’s view of war, the stakes for Catholicism, the United States and the world are high, and the Vatican needs to get this right. The universal church, with millenniums of moral reasoning and clergy on the ground in virtually every conflict zone, is uniquely situated to articulate a new intellectual framework on just war theory — especially as A.I. increasingly automates decisions on the battlefield.

The answer is deceptively simple. Leo, his papal predecessors and his contemporary brethren are calling for returning to Christian roots, with one simple concept: War is fundamentally antithetical to the Gospel of Jesus Christ.

James Grimaldi, It’s Time to Put This Catholic Teaching to Rest, New York Times, June 26, 2026


Democratic Party: In boldness there is genius, in timidity there is losing

The Democratic Party is now loudly concerned that insurgent progressives running under the Democratic Socialist banner are hurting the party. As if the party isn’t hurting itself just fine.

Where to begin? Two years ago, instead of intervening, telling Biden he shouldn’t/couldn’t run for the nomination, holding a real nominating contest, and selecting a strong and charismatic candidate to defeat Trump…we know what happened. And then, as Trump set out on a mission to demolish democracy—and the White House East Wing—the Democratic Party tried to figure out what it was and how to respond. One-and-a-half years later, it is still dithering, trying to decide. When newer and younger leaders emerged, with ideas the party found too bold and risky, the party could not suppress them fast enough.

Leading to two things. One, Democrats, that is the remaining people still willing to be included in that group, are disaffected beyond disappointment, and are showing their lack of enthusiasm in a way the party understands, as donor support is cratering. Two, those newer and younger leaders are catching fire, no matter how much the party tries to put that fire out.

America desperately needs an effective opposition party in this existential crisis. The Democratic Party, as now established, is not it.

© 2026 Bob Schwartz

Another call to philosophers: Come out and come forward

Philosophy is embedded in all that we do, believe, and is done to us. It often goes unrecognized and unattended. Among other places, it appears in our religious traditions, though we receive the philosophies of God, the founders and the wise people as givens which we follow and practice. The same goes for calls to patriotism, nationalism and war.

There are those whose lives and careers are devoted, in whole or in part, to philosophy. Some are in the academy, some are outside. If philosophy is important, and it is, it should be front and center. If media reports regularly included philosophical notes or discussions with philosophers, events and issues could go far and deep beyond “He said, he said, this country attacked, this country fought back, these children were killed, the killing is unfortunate but excusable.” Like that.

Philosophers don’t come more forward, or out at all, for many reasons. Some philosophers, brilliant and insightful as they are, are not easily comprehensible to ordinary people—including other philosophers. This lack of communicative clarity keeps media from regularly including philosophers in their interviews and round-tables. When issues are hot and controversial, as they are now, it is risky for philosophers to offer any insights, especially when the very higher ed institutions they work for are under investigation and assault.

Nevertheless, we need to dig deeper into war and the death of democracy, or the dozens of other issues we face, beyond black and white, good guys and bad guys. Philosophers can do that, as they have always done, when they are given a platform and can make themselves understood.

Philosophers: Come out and come forward.

© 2026 Bob Schwartz

Too much of nothing and everything

“If the doors of perception were cleansed every thing would appear to man as it is: Infinite.”
–William Blake, The Marriage of Heaven and Hell

Aldous Huxley used this quote for the title of his 1954 essay, The Doors of Perception, about his experiences with mescaline.

It is commonly, if simplistically, thought that psychedelic experiences open the floodgates of perception and cognition, control valves that in everyday life are regulated and closed down to allow our lives to go on in a relatively orderly and productive way. The response to those experiences may be happy delirium (Oh wow!) to scary delirium (Oh shit!), and levels in between and with variously lasting impact. One might conclude, as Blake, Huxley and others have, that one will have experienced infinity—whatever that might be.

It is mentioned here to suggest what may be one of the biggest overall problems we now face—and it is not psychedelics, though strangely related.

We are living in a time when in some ways the floodgates of perception and cognition are wide open 24/7. Just as most people, despite their confidence in their balance and stability, are not ready or able to handle 24/7 psychedelic experiences, or at all, so are most not ready or able to handle the flood of everything we seek or is thrown at us. This is not to say that most people are walking around tripping, though that imagined scene is intriguing. This is to say that with those floodgates of perception and cognition open, keeping balance is an overwhelming challenge.

Immediately some will point out that this analysis fails, because so many are still engaged in productive and constructive activities. That would be impossible if, as is posited, everyone is going around, doors cleansed, experiencing infinity all the time.

That misses the point. We can find a way to handle this flood, which for the moment seems inevitable and unavoidable. Just as, from the earliest days of psychedelics, there are those able to manage the flood beneficially, so that they become or remain balanced, stable and sane.

Since we are now drowning in media and thinking, this is not going to be easy. So much stuff. If we want to extend this possibly tortured metaphor, we need to pay attention to our dosage. Whether or not is good for us, here it is, not going away, just growing everywhere all the time.

Handled right, we might even find infinity.

He needs Buddhism and we need him to follow it

There may be a bit of confusion about the above image, so a clarification.

No, this is not him as the Buddha, unlike images that appear to claim that he is Jesus. This is an image of him in Buddhist meditation.

No, he is not sleeping, although meditation has been known to lead to that, and he is known for spontaneous sleeping. This is an image of him in Buddhist meditation.

It would be good for America and the world if he followed any of beneficent traditions. By his own admission (sometimes) he is not much of a Christian or anything else. Whatever faith he may hold seems to include heaven and hell, since he has said he does not expect to go to heaven.

If he doesn’t want to adopt an entire Buddhist view, just sitting in meditation daily could do wonders for him and for all of us.

Music: The Avalanches


The Avalanches
By Andy Kellman
AllMusic

The Avalanches are bent on filtering their all-encompassing record collections through sampling and original instrumentation that owes most to hip-hop. The Australian group truly arrived in 2000 with Since I Left You. An expansive suite in the lineage of sample-based landmarks such as Public Enemy’s It Takes a Nation of Millions to Hold Us Back, the Beastie Boys’ Paul’s Boutique, and DJ Shadow’s Endtroducing….., the album distinguished itself with an unbridled sense of joy — exemplified not only by the sound of whinnying horses — and minimal original vocal content, left to ingeniously recontextualized voices from disparate sources. Even in the wake of numerous awards, sales certifications, and the attainment of a global following, its stature continued to heighten through the release of the group’s long-anticipated 2016 follow-up, Wildflower, a more collaborative effort that offered new shades of psychedelia and topped the Australian album chart. We Will Always Love You, another wide-ranging set filled with imaginative pairings of featured artists, returned the group to the Top Ten. They reappeared in 2026 with “Together,” an ecstatic dancefloor collaboration with Nikki Nair, Jessy Lanza, and Prentiss.

Before the Avalanches took shape in 1997, core members Robbie Chater and Toni Di Blasi, along with fellow founding member Darren Seltmann, were in the Melbourne-based noise-punk band Alarm 115. The deportation of drummer Manabu Etoh prompted a new project, the making of a sample-based demo — utilizing scores of used records…

In the works for over two years, a period lengthened by sample clearances and other business matters, Since I Left You, the Avalanches’ first album, was issued first in Australia in November 2000. A continuous hour-long collage pieced together with thousands of samples, it received a response from critics and the public similar to its glowing quality. The group even had the blessing of Madonna, who allowed them to use the bass line from her early hit “Holiday.” Beggars Banquet offshoot XL issued the album in the U.K. in May 2001, and a U.S. edition on Sire followed that November. “Frontier Psychiatrist” and the title track charted in Australia and were Top 20 hits in the U.K., where the album reached number eight. Remixes from the select likes of formative inspiration Prince Paul, Stereolab, and Cornelius enhanced the Avalanches’ image. The album led to four ARIA awards and was eventually certified platinum in Australia.

Admiration for Since I Left You seemed to intensify with each year that passed without a follow-up. What early supporters and converts got instead was a handful of scattered remixes for the likes of Belle and Sebastian, Wolfmother, and Franz Ferdinand until 2007, when the group seemed to disappear entirely, leaving only rumors of a potential second album. In truth, they had started banking material that over time grew to 40 songs. Nothing resembling an album was ever finished, though, as the Avalanches devoted surplus energy to other projects, like scoring a King Kong musical and working on an animated film that never saw the light of day.

The silence ended in July 2016 when the Avalanches — essentially Chater, Di Blasi, and De La Cruz — made their proper return with Wildflower. The trippy album drew from their interim projects, and while it boasted its own lengthy list of sample sources, it also featured numerous guest instrumentalists and vocalists across the fields of left-field rap and underground rock, from MF Doom and Danny Brown to Jennifer Herrema and David Berman. Warmly received by listeners and critics, Wildflower topped the Australian chart, went Top Ten in the U.K., and entered the Billboard 200 at number 27….We Will Always Love You, was released in December 2020 and entered the Australian chart in 2020.


It is never too late to discover previously unknown-to-you creators and creations, whether you’ve missed them for decades or centuries. Where there’s life there’s listening.

I just discovered The Avalanches, their first album released twenty-six years ago. It is like unwrapping a gift that has been under the tree all this time.

Above is a good description, though reading about music you haven’t heard is a poor substitute, especially when it is a kind of music you have little reference for. When The Avalanches music emerged, not just using samples but mostly composed of samples, the term “plunderphonics” was used. (However, the samples are all cleared, not stolen.) Like creating a mosaic out of found objects, it could be a mess, but if you are artists, it could be a masterpiece.

I know this music is good, not just because I like it or because of the reviews and regard, but because when it was playing this morning, a very discriminating and picky listener passed by and said, “good music.” It is. Up. Lifting. Listen.