Bob Schwartz

Tag: radio

Radio: Rosko

”When are we going to learn that controlling something does not take it out of the minds of people?”
Rosko

I was going to write today about radio. How it was a social medium for a generation, how formative it was for me.

I listened today to recordings of radio shows and personalities that I listened to growing up in New York, first thing in the morning to last thing doing homework and falling asleep. Today I touched base with some of the radio stations (found at http://www.nyradioarchive.com).

One standout station was WNEW-FM. In the late 1960s, it reformed from mainstream music to progressive anything and everything. The station personalities changed too. Among them was Alison Steele, the Nightbird. And then there was Rosko.

It wasn’t just Rosko’s inimitable voice at night. It was his sensibility, musical and otherwise. As the New York Times obituary below reflects.

Listen to an hour of Rosko from November 27, 1967. If this is distant history for you, listen without prejudice, and you will hear great music and a radically humane radio personality.


Rosko Is Dead
By Jon Pareles
New York Times
Aug. 6, 2000

William Roscoe Mercer, known for decades to New York radio listeners simply as Rosko, died on Tuesday. He was 73 and lived in New York.

The cause was cancer, according to his daughter Valerie J. Mercer.

Mr. Mercer was the first black news announcer on WINS in New York and, as Rosko, the first black disc jockey on KBLA in Los Angeles. He went on to become a pioneer of free-form FM radio in New York City. On WOR-FM in 1966 and on WNEW-FM from 1967 to 1970, his calm, husky voice with its hint of Southern drawl and his wide-ranging programming made him an authoritative companion amid the musical ferment of the late 1960’s.

He delved into rock, soul, folk and jazz; he read poetry and conversed with his unseen listeners in almost fatherly monologues. In one set during the late 1960’s, he recited antiwar poetry by Yevgeny Yevtushenko to the Mormon Tabernacle Choir singing the Lord’s Prayer, then played Richie Havens’s antiwar song ”Handsome Johnny” as a lead-in to a news report about bombing in Vietnam.

Mr. Mercer was born on May 25, 1927, in New York City and attended a Catholic boarding school in Pennsylvania as a charity student. His first jobs were as a government clerk and then a men’s-room attendant at the Latin Casino in Cherry Hill, N.J. He began his radio career as a jazz disc jockey at WHAT in Chester, Pa., moved to WDAS in Philadelphia, and then to WBLS in New York, playing jazz in live broadcasts from Palm Cafe in Manhattan. He played rhythm-and-blues on WNJR in Secaucus, N.J., in the late 1950’s, but after refusing to cross a picket line at the station during an effort to create a union for disc jockeys, he was blacklisted for six months.

He became the first black announcer for WINS, and was then hired as a disc jockey by KDIA in Oakland, Calif. Radio station KGFJ in Los Angeles sought to hire him away, leading to a precedent-setting lawsuit that changed the way disc-jockey contracts were written. For a time in the early 1960’s, Rosko was heard live on KGFJ and on tape in Oakland six nights a week; he spent the seventh in Oakland, live on KDIA. Then he was hired by KBLA, playing rock and rhythm-and-blues at a formerly all-white station.

He returned to New York to work at WBLS. In 1966, the Federal Communications Commission required radio stations to broadcast separate content on AM and FM stations, and rock music beyond the Top 40 rushed to fill the new air time. The disc jockeys Murray the K and Scott Muni, along with Rosko, moved to WOR-FM to introduce a new style, with disc jockeys freely choosing the music and speaking conversationally to listeners.

But in October 1967, WOR-FM decided to change to a restrictive format. On his last show, without warning the station’s management, Rosko spoke for five minutes about why he was resigning, saying, ”When are we going to learn that controlling something does not take it out of the minds of people?” and declaring, ”In no way can I feel that I can continue my radio career by being dishonest with you.” He added that he would rather return to being a men’s-room attendant.

But within the month, he was hired for an evening shift by WNEW-FM, which picked up WOR-FM’s format; soon afterward, WNEW-FM also hired Mr. Muni. Rosko stayed at WNEW until 1970, then moved to France for five years; there, he worked for the Voice of America. He returned to the United States and was heard during the 1980’s on the dance-music station WKTU in New York; he also did voice-over work for commercials. Most recently, his voice was heard in announcements for CBS Sports. In 1992, when he learned he had cancer, he refused chemotherapy, turning instead to alternative medicine.

A tablet is just a transistor radio with a big screen and quad speakers

My first portable music device was a transistor radio. AM radio, tuner dial, 2-inch speaker, audio jack. It may amaze you to know that you can still buy a similar radio from Sony, Panasonic and others (see above), relatively cheap, now including AM and FM.

Today I listen to music on a tablet, millions of tracks on demand instead of a dozen stations, touch screen, pictures of artists and albums, quad speakers, infinite information.

The thought I had this morning is that with all the significant differences, the tablet is just a transistor radio. Or to be precise, it is and it isn’t. If you don’t understand that, you might.

Happy listening, however you do.

© 2023 by Bob Schwartz

Jack Cristil: The Voice of God is Gone

Jack Cristil Biography

There are two ways you might know Jack Cristil, who died this weekend at the age of 88. But maybe not.

If you’re from Mississippi, or an SEC sports fan, you know him as the The Voice of Mississippi State football and basketball for almost sixty years, until his retirement in 2011.

If you are a member of the Tupelo Jewish community, where Jack was an essential part of Temple B’nai Israel for almost that long, you know him, more or less, as The Voice of God. In addition to his leadership roles in the congregation, Jack frequently led services. Most of us have heard clergy and lay people at the pulpit with some memorable voices and presences. Jack stood above them all. That perfectly modulated baritone, driven by his deep and unshakable faith, gave us all the play-by-play for a different sort of game, season after season.

That extraordinary voice would mean nothing without the man behind it—just a trick of vocal cords and breath. But Jack’s mind and heart were even bigger than that voice. Which is why when he spoke on the radio or at services, or in the more intimate setting of a meeting or conversation, you listened. Some people get our attention by the way they say things, and Jack could get anybody’s attention. But others keep our attention because of what they say, and even more, who they are.

In case you still think that Jack was not so well-known or important, see the above book cover from a biography of him. You may not have heard of Jack or of the author, veteran Mississippi journalist Sid Salter. But the man who wrote the Foreword to Jack’s biography is a little more familiar—a Memphis-based writer named John Grisham.

And if that’s not famous enough, here’s a photo of Jack interviewing Elvis:

Jack Cristil and Elvis

Jack is gone, but anyone who has heard that voice, even once, will hear it forever. One of Jack’s favorite bits in services was to ask the congregation to turn to a particular page in the prayer book and to indicate having done so by being seated. Today, we indicate our love and respect by standing up. We hear you, Jack.