Bob Schwartz

Category: Uncategorized

Trump: Iranian negotiators are “very different and ‘strange’”

Different and strange Iranian negotiator

In an attempt to explain why nothing is going well and everything is going wrong with his Iran War, including negotiations with Iran that aren’t actually happening, Trump wrote on Truth Social that the Iranian negotiators are “very different and ‘strange’”.

Even for an absurdist yet deadly powerful comic like Trump, this is a statement worth analyzing.

“Different” than whom?

“Strange” in what way?

Different than other Iranians he knows? Different than other negotiators, real or pretend, he has dealt with?

Stranger than what or whom? It is safe to say that nothing and no one around Trump is anything but strange.

Of course, it is possible that in Trump’s mind, which is already challenged and now more challenged by a war he started but can’t control, everything is different and strange. Which might be acceptable and survivable, except if it is the mind of someone capable of setting the world on fire. That would be different and strange.

Melania

Juan Peron became the strongman dictator of Argentina. The driving force that got him there was Eva Peron, a political and cultural figure unlike any in modern history. This inspired one of the great contemporary musicals.

Melania seems to lack many of the characteristics that made Evita so compelling and successful. But what if we have gotten this all wrong? What if Melania is the power behind the throne?

Something to think about as we await the next Melania movie. A New America? Maybe a musical?

Here is a sample of lyrics from A New Argentina, the showstopping number from Evita:


PERÓN
It’s annoying that we have to fight elections for our cause
The inconvenience, having to get a majority
If normal methods of persuasion fail to win us applause
There are other ways of establishing authority…

Then again, I could be foolish not to quit while I’m ahead
I can see me many miles away, inactive
Sipping cocktails on a terrace
Taking breakfast in bed
Sleeping easy
Doing crosswords
It’s attractive

EVA
Don’t think I don’t think like you
I often get those nightmares too
They always take some swallowing
Sometimes it’s very difficult to keep momentum
If it’s you that you are following
Don’t close doors
Keep an escape clause
Because we might lose the Big Apple
But would I have done what I did
If I hadn’t thought
If I hadn’t known, we would take the country


No yesterday no tomorrow no today

I’ve been looking through boxes of old photos. Not just from our lifetime, but back to the days when our grandparents were younger, and their parents and families too.

I shared a photo with a friend I’ve known a long time. He appreciated it and wished me luck with the photo “rabbit hole”.

He’s right. It is easy to get lost in these images from the past.

One view of the philosophy of time comes from various Buddhist perspectives. From the eighth century Zen text, Xin Xin Ming/Trust in Mind:


Words!
The Way is beyond language
for in it there is
no yesterday
no tomorrow
no today


There is no yesterday, tomorrow, today. There is apparently yesterday, tomorrow, today. Are we attached to any of them? Are we liberated from any of them?

The TV series Mad Men is about a charming and successful man, advertising executive Don Draper, who is lost in time. He has adopted the identity of a dead man, buries his true past, is in the business of fooling people, including himself.

The final episode of the first season is called “The Wheel”. The client is Kodak, who has asked the firm to advertise their new slide projector, then called the Wheel, but ultimately becomes known, in the story and in the real world, as the Carousel.

The episode is considered one the greatest in TV history. The following scene is the penultimate moment.

Don comes up with a client pitch that involves slides from his own early family life, and a story that is clearly made up about his first boss in advertising. Do the photos represent the actual past, or just some elements of a more whole and complex past? Which is an illusion? Is there yesterday? Is there tomorrow?

Birds remind us when we upset the grace of living

This morning, like some other mornings, the bird songs are so plentiful and overwhelming that I try to identify the birds singing. Above is this morning’s roster.

What I learned was this: The birds remind us when we upset the grace of living. They do this by being in their own ways with their own songs the grace of living. As we are and can be.

Grandpa Harry: Sharp dressed man

I was very close to my grandparents. Literally, since we lived all together until I was eight. The three-generation living situation is still common in lots of places and circumstances, though not for many the ideal. For me it was so positively formative that I can’t imagine missing it. But that’s just me.

When I knew my Grandpa Harry, it was decades later than this photo, which I guess was taken in the 1930s when he was in his thirties. By that time he was older and a little grizzled, though as loving and lovable as a bear. But this Harry was someone else. Sharp dressed man doesn’t begin to cover it.

Love you grandpa.

Meditation and illusion

I’ve previously posted this illustration about meditation drawn by Zen master Kōshō Uchiyama. Whatever type of meditation you practice or are thinking about practicing, Zen or otherwise, this says it all.


Actually, zazen is not just being somehow glued to line ZZ’. Doing zazen is a continuation of this kind of returning up from sleepiness and down from chasing after thoughts. That is, the posture of waking up and returning to ZZ’ at any time is itself zazen. This is one of the most vital points regarding zazen. When we are doing zazen line ZZ‘, or just doing zazen, represents our reality, so it is essential to maintain that line. Actually, ZZ’ represents the reality of the posture of zazen, but the reality of our life is not just ZZ’. If it were only ZZ’, we would be as unchanging and lifeless as a rock! Although we aim at the line ZZ’, we can never actually adhere to it, because it (ZZ’) does not exist by itself. Nevertheless, we keep aiming at ZZ‘, because it is through clinging to thoughts that we keep veering away from it. The very power to wake up to ZZ’ and return to it is the reality of the life of zazen.

Kōshō Uchiyama, Opening the Hand of Thought


Meditation looks like this sometimes, and that’s fine. My humble annotation to Kōshō Uchiyama is that when you return from a or b or c, like thinking about some person or breakfast or “I’ve got to write this down now!”, you may realize that what you are thinking about is an illusion. Not that the floor and the cushion and all the situations that await you after meditation are illusions, but if they are illusions, maybe you can return from them just as you returned from a or b or c.

“Calling actions WAR CRIMES is WOKE!”

Nobody said or wrote that. At least it hasn’t been reported. But it would not be surprising if that was thought or said by some U.S. leaders. Two of the closest American allies, Russia and Israel, have regularly committed war crimes in recent years, yet the U.S. has stood by silent or supportive.

The U.S. has made clear that it doesn’t support the concept or fact of international law. Just as it doesn’t support the concept or fact of American law when it comes to judges who try to stop its illegal or unconstitutional actions.

“Woke” is the overall characterization of anything that seems too tolerant, sensitive or soft, weak initiatives that get in the way of exercising real muscular strength and power. So just because something like international law says that destroying civilian power plants—Trump’s latest in an incoherent series of threats to Iran—is a war crime, that is no reason not to do it. Because those so-called international laws are just too WOKE.

Next up: More pardons for war criminals and genocidal leaders, contemporary and historic. He can do that, he thinks.

Rabindranath Tagore

Rabindranath Tagore


Take a break with Rabindranath Tagore (1861-1941).

He was a Bengali poet, essayist, dramatist, composer and philosopher, and is the most esteemed creative artist of modern India. He was the first non-European to win the Nobel Prize in Literature in 1913.

A brief introduction is Stray Birds (1916), which consists of 326 very short verses—each one usually one or two sentences. Below is a selection of them. Among the many online items by and about Tagore there is a 1961 documentary about Tagore by Satyajit Ray, India’s most celebrated film director.

These literary stray birds may seem at first glance to be mere poetic aphorisms. Taken together, though, this is a worldview of inspired simplicity.

From Stray Birds by Rabindranath Tagore

1
Stray birds of summer come to my window to sing and fly away.
And yellow leaves of autumn, which have no songs, flutter and fall there with a sigh.

2
O troupe of little vagrants of the world, leave your footprints in my words.

6
If you shed tears when you miss the sun, you also miss the stars.

28
O Beauty, find thyself in love, not in the flattery of thy mirror.

35
The bird wishes it were a cloud. The cloud wishes it were a bird.

36
The waterfall sings, “I find my song, when I find my freedom.”

40
Do not blame your food because you have no appetite.

43
The fish in the water is silent, the animal on the earth is noisy, the bird in the air is singing,
But Man has in him the silence of the sea, the noise of the earth and the music of the air.

45
He has made his weapons his gods. When his weapons win he is defeated himself.

48
The stars are not afraid to appear like fireflies.

52
Man does not reveal himself in his history, he struggles up through it.

58
The sparrow is sorry for the peacock at the burden of its tail.

62
The Perfect decks itself in beauty for the love of the Imperfect.

75
We read the world wrong and say that it deceives us.

88
He who wants to do good knocks at the gate; he who loves finds the gate open.

121
I carry in my world that flourishes the worlds that have failed.

123
The bird thinks it is an act of kindness to give the fish a lift in the air.

128
To be outspoken is easy when you do not wait to speak the complete truth.

130
If you shut your door to all errors truth will be shut out.

141
When I travelled to here and to there, I was tired of thee, O Road, but now when thou leadest me to everywhere I am wedded to thee in love.

146
I have my stars in the sky,
But oh for my little lamp unlit in my house.

156
The Great walks with the Small without fear.
The Middling keeps aloof.

158
Power takes as ingratitude the writhings of its victims.

161
The cobweb pretends to catch dew-drops and catches flies.

166
The canal loves to think that rivers exist solely to supply it with water.

169
Thought feeds itself with its own words and grows.

178
It is the little things that I leave behind for my loved ones, –great things are for everyone.

184
He who is too busy doing good finds no time to be good.

193
A mind all logic is like a knife all blade.
It makes the hand bleed that uses it.

207
Praise shames me, for I secretly beg for it.

208
Let my doing nothing when I have nothing to do become untroubled in its depth of peace like the evening in the seashore when the water is silent.

210
The best does not come alone. It comes with the company of the all.

235
Do not say, “It is morning,” and dismiss it with a name of yesterday. See it for the first time as a new-born child that has no name.

243
The stream of truth flows through its channels of mistakes.

248
Man is worse than an animal when he is an animal.

258
The false can never grow into truth by growing in power.

280
Let the dead have the immortality of fame, but the living the immortality of love.

296
Blessed is he whose fame does not outshine his truth.

317
Man’s history is waiting in patience for the triumph of the insulted man.

319
I long for the Island of Songs across this heaving Sea of Shouts.

323
I have suffered and despaired and known death and I am glad that I am in this great world.

No Pharaohs

No Kings protests are scheduled across America on March 28, 2026. These protests are essential.

It is also Passover season, which begins on the evening of April 1, 2026.

Along with No Kings, we may also add No Pharaohs. Trump does not want to just be the ruler of America. He wants to be emperor of a global empire. Just as Pharaoh did. And just like Pharaoh, Trump considers himself, as do some of his followers, a divine ruler.

This Passover: No Pharaohs.

Let’s Get Beat

The Last Gathering of the Beats, City Lights Bookstore, San Francisco’s North Beach, December 1965

Pictured:
Allen Ginsberg: Poet, left-center, holding a cigarette.
Lawrence Ferlinghetti: Poet, publisher, owner of City Lights Bookstore, behind Ginsberg, umbrella.
Michael McClure: Poet, standing to the left of Ginsberg, vest and cross necklace.
Robert Duncan: Poet, front row toward the center-right, wearing glasses and beret.
Richard Brautigan: Poet and writer, toward the right, behind the stretcher, light hat and glasses.
Shigeyoshi Murao: Manager of City Lights, seated in the front with wide-brimmed hat.

Note: The title of this post is a version of the title Let’s Get Lost, a jazz standard from the 1940s made famous in the 1950s by legendary West Coast trumpeter and singer Chet Baker. Not exactly a beat guy, but immeasurably cool.

The Beat movement, its heyday in the 1950s and into the 1960s, has been viciously caricatured.

Two things defy and belie this mockery.

First, this was an earnest response to a country and world gone mad. Just years from World War II, Hitler, the spawning of the atomic bomb. Living in an America intent on repressing dissidence and killing attempts to (re)introduce humanity. The beats were the first postwar counterculture, but not the last.

Second, the next counterculture, which included hippies, was also caricatured and mocked (“get a haircut”, “get a job”). This was the natural evolution of the beat counterculture, and there were a number of crossovers. “Freaks” was a term of self-identification that proudly encapsulates what the dominant culture thought of those living and believing differently.

“Let’s get beat” is not a call for cool cats or chicks to grow a beard or learn to play bongos—though beards are again back and playing bongos is fun. It is a reminder that counterculture has a heritage that is just as important as whatever distorted heritage is going to be pushed on us in 2026 as part of the 250th anniversary of America’s declaring its independence. Celebrate the beats, the hippies, the freaks, and all the other cultural free birds. Let’s declare our independence. Let’s get beat!