Bob Schwartz

Category: Literature

Aesop’s Fables: Defending a Demagogue

Aesop's Fables

I just began reading Laura Gibb’s excellent and highly recommended Aesop’s Fables. With almost 600 fables, beautifully translated, that’s less than a penny a fable. Please read it for fun, education and enlightenment.

You may or may not have grown up on these tiny tales from this famous real or apocryphal Greek storyteller, but they have been streaming through civilization for millennia. You certainly know some of them from our common culture: the tortoise and the hare, the ant and the grasshopper. Each includes a moral (e.g., slow but steady wins the race), which is how they came to be seen as lessons for children, but they were originally for adults, and you might look to their value as teaching stories for everyone. Also, if you are a writer or other creative, they can provide instant inspirational spark.

When I read this fable of the fox and the hedgehog (Fable 29 in the Gibbs numbering), I couldn’t help thinking of current events:

Aesop was defending a demagogue at Samos who was on trial for his life, when he told this story: ‘A fox was crossing a river but she got swept by the current into a gully. A long time passed and she couldn’t get out. Meanwhile, there were ticks swarming all over the fox’s body, making her quite miserable. A hedgehog wandered by and happened to see the fox. He took pity on her and asked if he should remove the ticks, but the fox refused. The hedgehog asked the reason why, and the fox replied, “These ticks have taken their fill of me and are barely sucking my blood at this point, but if you take these ticks away, others will come and those hungry new ticks will drink up all the blood I have left!” And the same is true for you, people of Samos: this man will do you no harm since he is already wealthy, but if you condemn him to death, others will come who do not have any money, and they will rob you blind!’

A Heschel Haggadah

 

Heschel Stamp

Each Passover is an opportunity to craft a special theme and text for the seder meal and celebration. The haggadah is the guide to the seder. It always incorporates the traditional order and elements that have been a part of the seder for centuries—most especially the retelling of the exodus story. Beyond that, one can follow the same exact text year after year, or can get creative. In recent years, creativity has been a hallmark of Passover and the haggadah.

It is a happy struggle for me to determine which haggadah to use for seder. Happy because it is a way to deeply consider Passover, the seder, and the group of guests joining us at the table. Our library has haggadot from years past, both those in published book form and those made up of pages printed and compiled ourselves. (I am a little partial to the one that includes scenes from The Ten Commandments movie.)

After weeks of study, and with a previous suggestion about using FDR’s Four Freedoms as a possible theme, I’ve decided to make this a seder featuring the words of Abraham Joshua Heschel. I’ve mentioned Heschel a few times in this blog (and mentioned his daughter, Professor Susannah Heschel, too). I’ve run out of superlatives to recommend his work. So as I’ve said before, he is the great Jewish thinker and writer of the 20th century, and that is only the start. He is also a model of enlightened religious thought in action. He marched with Dr. King in Selma—as can be seen in the famous photo, Heschel looking every bit the bearded biblical figure. And it was to Heschel’s seder that Dr. King planned to go in April 1968, when he was gunned down in Memphis.

In that same vein, here is a message that Heschel sent to President Kennedy in 1963:

To President John F. Kennedy, The White House, June 16, 1963

I look forward to privilege of being present at meeting tomorrow at 4 p.m. Likelihood exists that Negro problem will be like the weather. Everybody talks about it but nobody does anything about it. Please demand of religious leaders personal involvement not just solemn declaration. We forfeit the right to worship God as long as we continue to humiliate Negroes. Church synagogues have failed. They must repent. Ask of religious leaders to call for national repentance and personal sacrifice. Let religious leaders donate one month’s salary toward fund for Negro housing and education. I propose that you Mr. President declare state of moral emergency. A Marshall Plan for aid to Negroes is becoming a necessity. The hour calls for high moral grandeur and spiritual audacity.

Now begins my review of Heschel’s volumes, looking for small excerpts that will convey the essence of Heschel and the holiday, but won’t make the seder too long. For me, if we just took part in the seder, ate a great meal, and read Heschel aloud all night, it would be fine. Let’s see how that goes.

For an introduction to the words and works of Abraham Joshua Heschel:

The Wisdom of Heschel

Abraham Joshua Heschel: Essential Writings

I Asked For Wonder: A Spiritual Anthology

“Never once in my life did I ask God for success or wisdom or power or fame. I asked for wonder, and he gave it to me.”

Record Store Day

Record Store Day 2016

Today is Record Store Day.

Record Store Day was conceived in 2007 at a gathering of independent record store owners and employees as a way to celebrate and spread the word about the unique culture surrounding nearly 1400 independently owned record stores in the US and thousands of similar stores internationally. The first Record Store Day took place on April 19, 2008. Today there are Record Store Day participating stores on every continent except Antarctica.

This is a day for the people who make up the world of the record store—the staff, the customers, and the artists—to come together and celebrate the unique culture of a record store and the special role these independently owned stores play in their communities. Special vinyl and CD releases and various promotional products are made exclusively for the day. Festivities include performances, cook-outs, body painting, meet & greets with artists, parades, DJs spinning records,  and on and on. In 2008 a small list of titles was released on Record Store Day and that list has grown to include artists and labels both large and small, in every genre and price point. In 2015, 60% of the Record Store Day Official Release List came from independent labels and distributors. The list continues to include a wide range of artists, covering the diverse taste of record stores and their customers.

Next to Independent Bookstore Day —coming up on April 30—this the most important cultural retail event on the calendar.

Independent Bookstore Day

Find your local record store and buy something—CD, vinyl, or whatever format you play that they sell.

And in two weeks, find your local indie bookstore and buy something there too.

 

Hey kid, rock and roll
Rock on, ooh, my soul
Hey kid, boogie too, did ya

Hey shout, summertime blues
Jump up and down in my blue suede shoes
Hey kid, rock and roll, rock on

And where do we go from here
Which is the way that’s clear

Still looking for that blue jean, baby queen
Prettiest girl I ever seen
See her shake on the movie screen, Jimmy Dean

(James Dean)

Jimmy Dean
Rock on

David Essex, Rock On

Baseball: The Green Fields of the Mind

The Major League Baseball season begins this weekend.

I’ve read, written and talked about baseball almost as passionately as about anything else in my life. Baseball people understand. Others may not.

Looking for something else to say besides what I’ve said before, including in this blog, I’ve decided instead to repeat myself. Or, to be precise, to repeat my repeating what somebody else said.

The fifth post on this blog was four years ago, just as that baseball season was beginning. The post, replicated here, speaks for itself. Even if you’re just a fan of life and not of baseball, there is something for you here.


A. Bartlett Giamatti was the president of Yale University and, for a brief time until his untimely death in 1989, the Commissioner of Major League Baseball.

Besides his commitment to baseball, Giamatti was a man of letters who left behind some remarkable writing about the game. None is more moving and famous than his short essay The Green Fields of the Mind.

On the occasion of a new baseball season, here is an excerpt. Whoever you root for, whatever the season or the game – baseball, politics, art, religion, business, love, life – it offers hard to accept wisdom and the semi-sweet opposite of comfort:

It breaks your heart. It is designed to break your heart. The game begins in the spring, when everything else begins again, and it blossoms in the summer, filling the afternoons and evenings, and then as soon as the chill rains come, it stops and leaves you to face the fall alone. You count on it, rely on it to buffer the passage of time, to keep the memory of sunshine and high skies alive, and then just when the days are all twilight, when you need it most, it stops…

It breaks my heart because it was meant to, because it was meant to foster in me again the illusion that there was something abiding, some pattern and some impulse that could come together to make a reality that would resist the corrosion; and because, after it had fostered again that most hungered-for illusion, the game was meant to stop, and betray precisely what it promised…

And there are others who were born with the wisdom to know that nothing lasts. These are the truly tough among us, the ones who can live without illusion, or without even the hope of illusion. I am not that grown-up or up-to-date. I am a simpler creature, tied to more primitive patterns and cycles. I need to think something lasts forever, and it might as well be that state of being that is a game; it might as well be that, in a green field, in the sun.

Dim Dusty Mirror

For now we see in a mirror, dimly, but then we will see face to face. Now I know only in part; then I will know fully, even as I have been fully known.
1 Corinthians 13:12 (New Revised Standard Version)

Can you keep your crescent soul from wandering
can you make your breath as soft as a baby’s
can you wipe your dark mirror free of dust
can you serve and govern without effort
can you be the female at Heaven’s Gate
can you light the world without knowledge
can you give birth and nurture
but give birth without possessing
raise without controlling
this is Dark Virtue
Verse 10, Lao-tzu’s Taoteching
Translated by Red Pine

“Our spirit dwells in our eyes. When the eyes see something, the spirit chases it. When we close our eyes and look within, everything is dark. But within the dark, we still see something. There is still dust. Only by putting an end to delusions can we get rid of the dust.”
Commentary on Verse 10 by Wu Ch’eng (1249–1333)

A Visual Vacation in Fun and Relevant History: WPA Posters

WPA - Shall the Artist Survive

In case you think that government has no positive role to play in our lives, society or culture, especially in times of national stress, please have a look at the WPA posters from 1936 to 1943.

The Library of Congress has the largest collection:

The Work Projects Administration (WPA) Poster Collection consists of 907 posters produced from 1936 to 1943 by various branches of the WPA. Of the 2,000 WPA posters known to exist, the Library of Congress’s collection of more than 900 is the largest. The posters were designed to publicize exhibits, community activities, theatrical productions, and health and educational programs in seventeen states and the District of Columbia, with the strongest representation from California, Illinois, New York, Ohio, and Pennsylvania. The results of one of the first U.S. Government programs to support the arts, the posters were added to the Library’s holdings in the 1940s.

Here is a description of the WPA:

Of all of Roosevelt’s New Deal programs, the Works Progress Administration (WPA) is the most famous, because it affected so many people’s lives. Roosevelt’s vision of a work-relief program employed more than 8.5 million people. For an average salary of $41.57 a month, WPA employees built bridges, roads, public buildings, public parks and airports.

Under the direction of Harry Hopkins, an enthusiastic ex-social worker who had come from modest means, the WPA would spend more than $11 million in employment relief before it was canceled in 1943. The work relief program was more expensive than direct relief payments, but worth the added cost, Hopkins believed. “Give a man a dole,” he observed, “and you save his body and destroy his spirit. Give him a job and you save both body and spirit”….

When federal support of artists was questioned, Hopkins answered, “Hell! They’ve got to eat just like other people.” The WPA supported tens of thousands of artists, by funding creation of 2,566 murals and 17,744 pieces of sculpture that decorate public buildings nationwide. The federal art, theater, music, and writing programs, while not changing American culture as much as their adherents had hoped, did bring more art to more Americans than ever before or since.

It would be lovely to include dozens of the posters here. Instead, here are just a few more. Please visit and enjoy the entire collection.

WPA - Yellowstone

WPA - Mural Studies

WPA - Letter Writing

WPA - Music Project

WPA - Lack of Funds

Translators May Be Traitors

If you read important books that are written in a language other than your own, you are at a disadvantage. You are depending on the kindness or brilliance of strangers. On translators.

That is doubly complicated if the original text is ancient, and the original language itself is a mystery, even for those who are expert.

The Bible, both First and Second Testaments, not to mention collatral ancient scriptural books and fragments, are a well-known example. The same problem arises with Asian texts such as the Tao Te Ching, the I Ching, or early Buddhist discourses.

So you see the challenge. Jesus or the Buddha said great things in their native language. Nobody transcribed them when spoken. The thoughts and words were remembered and kept accurately alive, as accurately as possible, in oral transmission and storage. Then they were set down in writing, in a language related to the original speech, maybe, but later in entirely different languages. And as the words migrated, the texts were overlaid and transformed, even as there was a sincere attempt to preserve the original.

Finally, they come to you, in the language you speak, read and understand. Which is far removed from the original.

When the French had the audacity to translate Dante into their own language, the Italians came up with a harsh accusation: Traduttore, traditore. Translator, traitor.

Consider that when you read translations, you are someone who cannot read yourself, or even see. You are in the dark. You depend on those who read to you. And hope that they are good and true readers themselves.

Hasidic Tales of the Holocaust

Hasidic Tales of the Holocaust

For International Holocaust Remembrance Day, this story from Hasidic Tales of the Holocaust by Yaffa Eliach.

 

Good Morning, Herr Müller

Near the city of Danzig lived a well-to-do Hasidic rabbi, scion of prominent Hasidic dynasties. Dressed in a tailored black suit, wearing a top hat, and carrying a silver walking cane, the rabbi would take his daily morning stroll, accompanied by his tall, handsome son-in-law. During his morning walk it was the rabbi’s custom to greet every man, woman, and child whom he met on his way with a warm smile and a cordial “Good morning.” Over the years the rabbi became acquainted with many of his fellow townspeople this way and would always greet them by their proper title and name.

Near the outskirts of town, in the fields, he would exchange greetings with Herr Müller, a Polish Volksdeutsche (ethnic German). “Good morning, Herr Müller!” the rabbi would hasten to greet the man who worked in the fields. “Good morning, Herr Rabbiner!” would come the response with a good-natured smile.

Then the war began. The rabbi’s strolls stopped abruptly. Herr Müller donned an S.S. uniform and disappeared from the fields. The fate of the rabbi was like that of much of the rest of Polish Jewry. He lost his family in the death camp of Treblinka and, after great suffering, was deported to Auschwitz.

One day, during a selection at Auschwitz, the rabbi stood on line with hundreds of other Jews awaiting the moment when their fates would be decided, for life or death. Dressed in a striped camp uniform, head and beard shaven and eyes feverish from starvation and disease, the rabbi looked like a walking skeleton. “Right! Left, left, left!” The voice in the distance drew nearer. Suddenly the rabbi had a great urge to see the face of the man with the snow-white gloves, small baton, and steely voice who played God and decided who should live and who should die. He lifted his eyes and heard his own voice speaking:

“Good morning, Herr Müller!”

“Good morning, Herr Rabbiner!” responded a human voice beneath the S.S. cap adorned with skull and bones. “What are you doing here?” A faint smile appeared on the rabbi’s lips. The baton moved to the right—to life. The following day, the rabbi was transferred to a safer camp.

The rabbi, now in his eighties, told me in his gentle voice, “This is the power of a good-morning greeting. A man must always greet his fellow man.”

Based on my conversation with an elderly Hasidic personality.

 

In the literature of the Holocaust, Hassidic Tales of the Holocaust stands alone. As the publisher describes it, “Derived by the author from interviews and oral histories, these eighty-nine original Hasidic tales about the Holocaust provide unprecedented witness, in a traditional idiom, to the victims’ inner experience of “unspeakable” suffering. This volume constitutes the first collection of original Hasidic tales to be published in a century.”

As the author writes in her Foreword:

The Hasidic tale of the Holocaust is rooted in the Auschwitz reality, yet it soars to heaven and higher. It can carry the faithful above pits filled with bodies. Despite Auschwitz, the tale still expresses belief that man is good and capable of improvement; it can restore order to a chaotic world and offer unlimited freedom to the creative mind attempting to come to terms with the Holocaust. Its rich Jewish heritage and European tradition make it a unique genre of modern literature. The tales in this collection completed a full cycle from documentation to art to documentation and back to art. For in the beginning there was a tale.

There are many other books that will tell you about the history of the Holocaust. There are few other books that so deeply and creatively offer its soul.

ITUNES TERMS AND CONDITIONS: The Graphic Novel

iTunes Graphic Novel

Masterful comic artist R. Sikoryak has created one of the most unique works ever. Ever. ITUNES TERMS AND CONDITIONS: The Graphic Novel.

Sikoryak is known for his ability to faithfully reproduce the style and characters of many famous comic book and graphic novel creators. What he has now done is take the entire long, dense and absurdly legalistic mandatory iTunes Terms and Conditions and made it the text of a graphic novel. One new page a day is being released on Tumblr.

Each page is done in a different style (from Chester Gould (Dick Tracy) to Herge (Tintin) to Mort Walker (Beetle Bailey) to Charles Schulz (Peanuts) to Dan DeCarlo (Archie) to Todd McFarlane (Spawn) to Scott Adams (Dilbert) and on and on). The featured “hero” of each page is, naturally, Steve Jobs.

iTunes Graphic Novel - Heck and Romita

You can read an interview with Sikoryak in The New Yorker.

It is an astonishingly simple idea to the point of genius. All it takes to turn the ridiculous (such as the iTunes T&C) into the sublime is artistic vision and talent. Thanks to Sikoryak for gifting us with his.

New Beginnings: The Torah and the I Ching

Bet

In Jewish congregations, the annual Torah reading cycle begins again this week with the first chapters of the Bible. In Hebrew it begins with the word b’reishit, and in its best-known translation, the first verse goes like this:

In the beginning, God created the heavens and the earth.

And with that comes a puzzle.

If B’reishit is the beginning of a very big and consequential story, and if the creators of the Torah were sensitive to the mystical meanings of the Hebrew alphabet and language, why does the Torah begin with the second letter bet (B) rather than the first letter alef (A)?

Looking at a bigger picture, this connects to a related puzzle and an unlikely source: the I Ching.

The I Ching is a classic of Chinese literature and philosophy, a text as ancient as the Torah and just as influential.

Richard J. Smith writes in The I Ching: A Biography:

The Changes first took shape about three thousand years ago as a divination manual, consisting of sixty-four six-line symbols known as hexagrams. Each hexagram was uniquely constructed, distinguished from all the others by its combination of solid (——) and/or broken (— —) lines. The first two hexagrams in the conventional order are Qian and Kun; the remaining sixty-two hexagrams represent permutations of these two paradigmatic symbols….

The operating assumption of the Changes, as it developed over time, was that these hexagrams represented the basic circumstances of change in the universe, and that by selecting a particular hexagram or hexagrams and correctly interpreting the various symbolic elements of each, a person could gain insight into the patterns of cosmic change and devise a strategy for dealing with problems or uncertainties concerning the present and the future.

The first intriguing note is that the I Ching (pronounced Yi Jing) begins with those hexagrams Qian and Kun—known generally in English as Heaven and Earth. The cosmos of change and the I Ching begin then with Heaven and Earth.

It is at the close of the 64 hexagrams that the conundrum appears. Hexagram 63, the penultimate one, is Ji Ji—After Completion. This should be the end of the story. But it isn’t. The final hexagram, Hexagram 64, is Wei Jei—Before Completion. In the end, it doesn’t stop. It begins again. The Book of Changes emphasizes that the changes never end.

This is an explanation of why the Torah does not begin with the beginning of the alphabet. If it starts with A, that presumes a Z, A to Z, or in Hebrew, alef to tav. Creation would thus be represented as a finite element of a finite cosmos. In the text it starts instead, as the Latin phrase goes, in media res—in the middle of things. Just as the Torah will end in the middle of things, after completion of a journey, but with Moses never allowed to experience what is yet to happen, before the next completion. On and on, always beginning, never done. Just like the I Ching. Just like the Torah itself.