It’s Grammy nominations time again, in advance of January’s awards for the best in recorded music.
In some circles, the relevance of the Grammys is beyond question—as in there’s no question that they are irrelevant. In part that’s because of their being behind the times and missing the mark at various points. Of course awards are matters of disagreement and controversy, so it does come with the territory.
Still, there have been some infamously wild choices. Most celebrated, and the emblematic botched call, was Jethro Tull’s winning the 1988 Grammy for Hard Rock/Heavy Metal, over Metallica among others. (When asked about this today, as he always is, Jethro Tull leader Ian Anderson simply notes that he presumes the band got the award for being “nice guys’ who had never won.)
It takes literally an hour to read the entire list of nominations and probably days to listen to all the nominated music. It might be fair and nice to acknowledge what Grammy got right, but that’s no fun. They don’t need anybody’s encouragement and way to gos/att boys. Instead it is more hopefully corrective to list some offbeat nominations or lack thereof.
Lorde is nominated for Record of the Year, Song of the Year (songwriting) and Best Popo Solo Performance for Royals. But she is somehow not in the running for Best New Artist. That single and the album (Pure Heroine) have been monstrously popular across a variety of audiences. By way of bonus, this is genuinely original and interesting music, and she wrote and recorded it when she was only sixteen. So if she shouldn’t win Best New Artist—there are some worthy competitors—she kind of deserved a shot at it.
On the other chronological end we have the oldsters. For that weirdness, you have to check out the Grammy history for Led Zeppelin. They were nominated as Best New Artist in 1970, but lost to Crosby, Stills and Nash (the other nominees were Chicago, Neon Philharmonic and Oliver. Oliver.). Then nothing, no nominations, nada. Even though all the major Zep albums sit somewhere in the all-time 100, not to mention some of the even-more iconic tracks. (To keep from singing Stairway, I listened to Neon Philharmonic’s big hit Morning Girl and Oliver’s Jean. That’ll keep you from getting too crazy heavy.)
The reunited Led Zeppelin performed at a benefit concert in 2007, and the soundtrack of the film of that concert was released, and has resulted in two Grammy nominations: Best Rock Performance for Kashmir and Best Rock Album for Celebration Day, the concert soundtrack.
That’s right. A band that broke up in 1980 (33 years ago), a band that reunited for one performance in 2007 (six years ago) to record a song it first released in 1975 (38 years ago) is up for two Grammys.
Take that you naysayers. Who says Grammy isn’t still “with it”? If that is what the kids are saying these days.