Bob Schwartz

Tag: poetry

Artificial Tears

Artificial Tears

Tears won’t come naturally.
The eyes dry out
Like rainless desert,
Lids in rhythmic arc
Abrade instead of soothe and cleanse.
Tears in a bottle.
Actors cry on demand
Artificial tears instead of flowing
From single or shared sorrow
Or joy or the rough reality of days
Rubbing and scratching
The solitude of morning.
This is no act.

©

Proof of Dreams

Proof of Dreams

The dreams of last night’s sleep
Are as real and present
As this morning’s coffee.
Otherwise how could they
Poke and tug and shake
As we move on and say
They are over.

©

Always the beautiful answer

Always the beautiful answer who asks a more beautiful question
E. E. Cummings, Introduction to New Poems (1938)

If you are a teacher or a student, it is the time of year to ask and answer questions. Actually, any time is the time for anyone to ask and answer questions.

The best line about questions comes from poet E. E. Cummings. Interestingly, it is not from one of his many poems. It is from the Introduction to his volume New Poems (1938), though the Introduction (see below) is pretty poetic and very Cummings.

Always the beautiful answer who asks a more beautiful question

It is easy to ask questions, harder to ask good and beautiful questions. Bad questions hardly generate good and beautiful answers. Good and beautiful questions ask for—demand—better and more beautiful answers.

I considered completing this post without an E. E. Cummings poem. But no:

you shall above all things be glad and young
For if you’re young,whatever life you wear

it will become you;and if you are glad
whatever’s living will yourself become.
Girlboys may nothing more than boygirls need:
i can entirely her only love

whose any mystery makes every man’s
flesh put space on;and his mind take off time

that you should ever think,may god forbid
and (in his mercy) your true lover spare:
for that way knowledge lies,the foetal grave
called progress,and negation’s dead undoom.

I’d rather learn from one bird how to sing
than teach ten thousand stars how not to dance


E. E. Cummings
Introduction to New Poems (1938)

The poems to come are for you and for me and are not for mostpeople– it’s no use trying to pretend that mostpeople and ourselves are alike. Mostpeople have less in common with ourselves than the squarerootofminusone. You and I are human beings;mostpeople are snobs. Take the matter of being born. What does being born mean to mostpeople? Catastrophe unmitigated. Socialrevolution. The cultured aristocrat yanked out of his hyperexclusively ultravoluptuous superpalazzo,and dumped into an incredibly vulgar detentioncamp swarming with every conceivable species of undesirable organism. Mostpeople fancy a guaranteed birthproof safetysuit of nondestructible selflessness. If mostpeople were to be born twice they’d improbably call it dying–

you and I are not snobs. We can never be born enough. We are human beings;for whom birth is a supremely welcome mystery,the mystery of growing:which happens only and whenever we are faithful to ourselves. You and I wear the dangerous looseness of doom and find it becoming. Life,for eternal us,is now’and now is much to busy being a little more than everything to seem anything,catastrophic included.

Life,for mostpeople,simply isn’t. Take the socalled standardofliving. What do mostpeople mean by “living”? They don’t mean living. They mean the latest and closest plural approximation to singular prenatal passivity which science,in its finite but unbounded wisdom,has succeeded in selling their wives. If science could fail,a mountain’s a mammal. Mostpeople’s wives could spot a genuine delusion of embryonic omnipotence immediately and will accept no substitutes.

-luckily for us,a mountain is a mammal. The plusorminus movie to end moving,the strictly scientific parlourgame of real unreality,the tyranny conceived in misconception and dedicated to the proposition that every man is a woman and any woman is a king,hasn’t a wheel to stand on. What their synthetic not to mention transparent majesty, mrsandmr collective foetus,would improbably call a ghost is walking. He isn’t a undream of anaesthetized impersons, or a cosmic comfortstation,or a transcedentally sterilized lookiesoundiefeelietastiesmellie. He is a healthily complex,a naturally homogenous,citizen of immorality. The now of his each pitying free imperfect gesture,his any birth of breathing,insults perfected inframortally milleniums of slavishness. He is a little more than everything,he is democracy;he is alive:he is ourselves.

Miracles are to come. With you I leave a remembrance of miracles: they are somebody who can love and who shall be continually reborn,a human being;somebody who said to those near him,when his fingers would not hold a brush “tie it to my hand”–

nothing proving or sick or partial. Nothing false,nothing difficult or easy or small or colossal. Nothing ordinary or extraordinary,nothing emptied or filled,real or unreal;nothing feeble and known or clumsy and guessed. Everywhere tints childrening,innocent spontaneaous,true. Nowhere possibly what flesh and impossibly such a garden,but actually flowers which breasts are amoung the very mouths of light. Nothing believed or doubted;brain over heart, surface:nowhere hating or to fear;shadow,mind without soul. Only how measureless cool flames of making;only each other building always distinct selves of mutual entirely opening;only alive. Never the murdered finalities of wherewhen and yesno,impotent nongames of wrongright and rightwrong;never to gain or pause,never the soft adventure of undoom,greedy anguishes and cringing ecstasies of inexistence;never to rest and never to have;only to grow.

Always the beautiful answer who asks a more beautiful question

Strands

Strands

Separate the strands of spring song
From these ten thousand birds.
Sweet and strident
Simple and symphonic.
Follow just one
I am already lost
Follow them all
I am gladly ready
To listen and disappear.

©

Dream Butterfly

Did I dream the butterfly last night
Or remember yesterday gazing at it
Or both? Either way
Remembering the dream or the butterfly
Was a sweet syrup shot into my heart,
Which lightly fluttered.
As bad as dreams or days may get
There is a butterfly and a flower to feed from
In the heat of the sun
Or the cool mists of phantasmagoric sleep.

Cold Coffee

Cold Coffee

The longer this coffee sits
The colder it gets.
Heat it
To make it warmer
Add ice
To make it colder
Cream makes it lighter
Sugar sweeter
Drink up.

©

Field

Field

Beyond the trees
That lace my window
There is the field
That young I woke to.
But out the door
Past those trees
No such place.
Without moving
I have gone
Ten thousand miles
To here and nowhere.

©

Perpetual Adoration

Perpetual Adoration

“It is with great sadness we had to make the decision to close our beautiful monastery in Tucson, Arizona as of February 26, 2018. Our sisters have relocated to the motherhouse in Clyde, Missouri.”

In hoc signo:
No Trespassing.
Benedictine Monastery of the
Sisters of Perpetual Adoration.
The sisters have left the building
St. Benedict Jesus God too.
The sisters to Missouri
The rest homeless for now.
Carved wooden doors locked
Bushes for the butterflies
Cut back and soon gone.
Who by fire
Who by water
Who by sledgehammer
Wrecking ball dynamite.
After the noisy dusty struggle
Mountains abide.

©

Note: For an earlier post about this building, sold to be replaced by something residential or commercial, see Houses of Worship As Reminders on the Street.

Dish of Dice

Dish of Dice

“I am going to build a church someday. It will have a holy of holies and a holy of holy of holies, and in that ultimate box will be a random number table.”
Gregory Bateson

Different dice
On the altar
Four six eight sides
Ten and twenty
Sleeping in the dish
Awake and rolling
Prophets with a message
Plan and prepare
To laugh cry and play
The numbers rise up
See their beauty and wisdom
Listen to
The last lesson you need

©

Bird Talk

Bird Talk

In China
Chinese food is just food
In the yard
Bird song is just
Morning chatter

©