Bob Schwartz

Tag: E. E. Cummings

Making breakfast for one: one’s not half two

It is one of those days unusually when I am making breakfast just for myself. e.e. cummings came to mind.


one’s not half two. It’s two are halves of one:

by e.e. cummings

one’s not half two. It’s two are halves of one:
which halves reintegrating,shall occur
no death and any quantity;but than
all numerable mosts the actual more

minds ignorant of stern miraculous
this every truth-beware of heartless them
(given the scalpel,they dissect a kiss;
or,sold the reason,they undream a dream)

one is the song which fiends and angels sing:
all murdering lies by mortals told make two.
Let liars wilt,repaying life they’re loaned;
we(by a gift called dying born)must grow

deep in dark least ourselves remembering
love only rides his year.
All lose,whole find

Always the beautiful answer

Always the beautiful answer who asks a more beautiful question
E. E. Cummings, Introduction to New Poems (1938)

If you are a teacher or a student, it is the time of year to ask and answer questions. Actually, any time is the time for anyone to ask and answer questions.

The best line about questions comes from poet E. E. Cummings. Interestingly, it is not from one of his many poems. It is from the Introduction to his volume New Poems (1938), though the Introduction (see below) is pretty poetic and very Cummings.

Always the beautiful answer who asks a more beautiful question

It is easy to ask questions, harder to ask good and beautiful questions. Bad questions hardly generate good and beautiful answers. Good and beautiful questions ask for—demand—better and more beautiful answers.

I considered completing this post without an E. E. Cummings poem. But no:

you shall above all things be glad and young
For if you’re young,whatever life you wear

it will become you;and if you are glad
whatever’s living will yourself become.
Girlboys may nothing more than boygirls need:
i can entirely her only love

whose any mystery makes every man’s
flesh put space on;and his mind take off time

that you should ever think,may god forbid
and (in his mercy) your true lover spare:
for that way knowledge lies,the foetal grave
called progress,and negation’s dead undoom.

I’d rather learn from one bird how to sing
than teach ten thousand stars how not to dance


E. E. Cummings
Introduction to New Poems (1938)

The poems to come are for you and for me and are not for mostpeople– it’s no use trying to pretend that mostpeople and ourselves are alike. Mostpeople have less in common with ourselves than the squarerootofminusone. You and I are human beings;mostpeople are snobs. Take the matter of being born. What does being born mean to mostpeople? Catastrophe unmitigated. Socialrevolution. The cultured aristocrat yanked out of his hyperexclusively ultravoluptuous superpalazzo,and dumped into an incredibly vulgar detentioncamp swarming with every conceivable species of undesirable organism. Mostpeople fancy a guaranteed birthproof safetysuit of nondestructible selflessness. If mostpeople were to be born twice they’d improbably call it dying–

you and I are not snobs. We can never be born enough. We are human beings;for whom birth is a supremely welcome mystery,the mystery of growing:which happens only and whenever we are faithful to ourselves. You and I wear the dangerous looseness of doom and find it becoming. Life,for eternal us,is now’and now is much to busy being a little more than everything to seem anything,catastrophic included.

Life,for mostpeople,simply isn’t. Take the socalled standardofliving. What do mostpeople mean by “living”? They don’t mean living. They mean the latest and closest plural approximation to singular prenatal passivity which science,in its finite but unbounded wisdom,has succeeded in selling their wives. If science could fail,a mountain’s a mammal. Mostpeople’s wives could spot a genuine delusion of embryonic omnipotence immediately and will accept no substitutes.

-luckily for us,a mountain is a mammal. The plusorminus movie to end moving,the strictly scientific parlourgame of real unreality,the tyranny conceived in misconception and dedicated to the proposition that every man is a woman and any woman is a king,hasn’t a wheel to stand on. What their synthetic not to mention transparent majesty, mrsandmr collective foetus,would improbably call a ghost is walking. He isn’t a undream of anaesthetized impersons, or a cosmic comfortstation,or a transcedentally sterilized lookiesoundiefeelietastiesmellie. He is a healthily complex,a naturally homogenous,citizen of immorality. The now of his each pitying free imperfect gesture,his any birth of breathing,insults perfected inframortally milleniums of slavishness. He is a little more than everything,he is democracy;he is alive:he is ourselves.

Miracles are to come. With you I leave a remembrance of miracles: they are somebody who can love and who shall be continually reborn,a human being;somebody who said to those near him,when his fingers would not hold a brush “tie it to my hand”–

nothing proving or sick or partial. Nothing false,nothing difficult or easy or small or colossal. Nothing ordinary or extraordinary,nothing emptied or filled,real or unreal;nothing feeble and known or clumsy and guessed. Everywhere tints childrening,innocent spontaneaous,true. Nowhere possibly what flesh and impossibly such a garden,but actually flowers which breasts are amoung the very mouths of light. Nothing believed or doubted;brain over heart, surface:nowhere hating or to fear;shadow,mind without soul. Only how measureless cool flames of making;only each other building always distinct selves of mutual entirely opening;only alive. Never the murdered finalities of wherewhen and yesno,impotent nongames of wrongright and rightwrong;never to gain or pause,never the soft adventure of undoom,greedy anguishes and cringing ecstasies of inexistence;never to rest and never to have;only to grow.

Always the beautiful answer who asks a more beautiful question

“there is some shit I will not eat”

It may not be my favorite E. E. Cummings poem, but i sing of Olaf glad and big is a special one. It is about someone who suffers for his moral beliefs (in this case, about war and mindless patriotism), and who is punished by a range of Americans, from fellow soldiers to the president. Someone, writes Cummings, who is “more brave than me:more blond than you.” It contains the one line of poetry I probably recite the most in non-poetry contexts, to epitomize those who take a stand.

i sing of Olaf glad and big
whose warmest heart recoiled at war:
a conscientious object-or

his wellbelovéd colonel(trig
westpointer most succinctly bred)
took erring Olaf soon in hand;
but–though an host of overjoyed
noncoms(first knocking on the head
him)do through icy waters roll
that helplessness which others stroke
with brushes recently employed
anent this muddy toiletbowl,
while kindred intellects evoke
allegiance per blunt instruments–
Olaf(being to all intents
a corpse and wanting any rag
upon what God unto him gave)
responds,without getting annoyed
“I will not kiss your fucking flag”

straightway the silver bird looked grave
(departing hurriedly to shave)

but–though all kinds of officers
(a yearning nation’s blueeyed pride)
their passive prey did kick and curse
until for wear their clarion
voices and boots were much the worse,
and egged the firstclassprivates on
his rectum wickedly to tease
by means of skilfully applied
bayonets roasted hot with heat–
Olaf(upon what were once knees)
does almost ceaselessly repeat
“there is some shit I will not eat”

our president,being of which
assertions duly notified
threw the yellowsonofabitch
into a dungeon,where he died

Christ(of His mercy infinite)
i pray to see;and Olaf,too

preponderatingly because
unless statistics lie he was
more brave than me:more blond than you.