Bob Schwartz

One Direction of A Hard Day’s Night

This Is Us - A Hard Day's Night
This summer marks the anniversary of A Hard Day’s Night, released in July 1964. That isn’t exactly a round-numbered anniversary, but the upcoming release of One Direction’s This Is Us movie brings it to mind. According to the film’s producers:

ONE DIRECTION: THIS IS US is a captivating and intimate all-access look at life on the road for the global music phenomenon. Weaved with stunning live concert footage, this inspiring feature film tells the remarkable story of Niall, Zayn, Liam, Harry and Louis’ meteoric rise to fame, from their humble hometown beginnings and competing on the X-Factor, to conquering the world and performing at London’s famed O2 Arena. Hear it from the boys themselves and see through their own eyes what it’s really like to be One Direction.

The Beatles weren’t the first pop stars to create a movie to exploit and enhance their popularity and to satisfy the insatiable appetite of fans. Elvis had been doing if for years, with some decent creative results. But A Hard Day’s Night turned out to be something new and completely else. It combined great writing and direction with four young men who were personable, lovable, witty, and who were also the most artistically successful performer/songwriters of the 20th century (which wasn’t yet proven in 1964). In some ways, it couldn’t help but be at least okay (as for okay, see Help, the Beatles’ second movie). Instead it was outstanding, considered a great movie in it’s own right, and an inspiration for pop movies to come.

A Hard Day’s Night is not a documentary; it’s a non-documentary fictionalized chronicle of a television appearance. If you’re a movie fan, a pop music fan, or both, see it, even if you’re neutral on the Beatles. And if you’re a 1D fan, here are some of the critics’ takes on four British lads who’d never been in a movie before, but had knocked around in front of audiences for years, in some of the sleaziest dives in Europe. All these years later, A Hard Day’s Night is still on all-time lists (99% critics rating on Rotten Tomatoes)—as, of course, is the music.

“Not only has this film not dated, it may even look fresher than it did in 1964; the zigzag cutting and camera moves, the jaunty ironies and pop-celebrity playfulness, are all standard issue now on MTV and its offspring.”

“It’s a fine conglomeration of madcap clowning in the old Marx Brothers’ style, and it is done with such a dazzling use of camera that it tickles the intellect and electrifies the nerves.”

“To watch the final concert segment is to look back decades and realize, as you do seeing vintage footage of Duke Ellington or Frank Sinatra or John Coltrane, that it’s never really gotten any better.”

“The music video by which all other music videos must be judged. And none top it.”

“No previous rocksploitation film had ever done so splendid a job of selling its performers.”

“An hour and a half of pure, chaotic bliss.”

One Direction’s This Is Us opens on August 30. Your turn, lads.

Syria and Foreign Incoherence

Red Line
America may not have had a coherent foreign policy since the end of World War II. And the beat goes on.

Incoherence doesn’t mean that there haven’t been successes. It doesn’t mean that other countries have done better in that time. And it doesn’t mean that the era has been an easy one: the world is more complex and diffracted than ever.

Coherence means an open, intelligent discussion about principles, followed by an open, intelligent discussion about taking action or withholding, and about the consequences and aims of the paths we choose or avoid.

Our policy seems to be driven by overwhelming ideology, good intentions and self-interest—none of which are exceptional or indictable, but all of which should be expressed in a much bigger and more sensible and realistic context. We ought to know what we’re about and candidly tell our citizens what we’re about. And when we don’t know what we’re doing—hard as that is to admit—we ought to say so.

Harry Truman was the last President to have a foreign policy named after him, in that case the Truman Doctrine. In 1947 he warned that the U.S. and the free world could not stand for Greece and Turkey falling into Communist hands (though he never used the word Communism):

It is necessary only to glance at a map to realize that the survival and integrity of the Greek nation are of grave importance in a much wider situation. If Greece should fall under the control of an armed minority, the effect upon its neighbor, Turkey, would be immediate and serious. Confusion and disorder might well spread throughout the entire Middle East….

It would be an unspeakable tragedy if these countries, which have struggled so long against overwhelming odds, should lose that victory for which they sacrificed so much. Collapse of free institutions and loss of independence would be disastrous not only for them but for the world. Discouragement and possibly failure would quickly be the lot of neighboring peoples striving to maintain their freedom and independence.

Should we fail to aid Greece and Turkey in this fateful hour, the effect will be far reaching to the West as well as to the East.

March 12, 1947

(A digression: The reason Greece was considered vulnerable to insidious forces in 1947 is that it was broke and falling apart. Presumably, without a Communist threat looming, Greece 2013 is no longer considered as significant.)

That black-and-white view was in some ways a vestige of the black-and-white war we had just finished—and won. But soon after that speech, global gray was the new black-and-white. Empires were crumbling, new nations were being made. In the year of the Truman Doctrine alone, two of the world’s most populous nations changed course: India became independent, Mao won a revolution in China—events representing more than a third of the world population. The following year, the Middle East (and history) came unglued forever with the creation of Israel. We could pretend that all this was part of some simple monolithic history, but that really made no sense.

And yet we proceeded with a dyadic us-versus-them model for decades, mostly inexplicably and unquestioningly. Korea was supposed to stop the Communism; the military result was a bloody stalemate and status quo, the economic result a Chinese hegemon. Vietnam was supposed to stop Communism; we lost the war, and Southeast Asia is a geopolitical hodgepodge. Soviet Communism crumbled, partly because of a changing world and culture, partly because being a Russian non-Communist economic and political oligarch is much more lucrative than being a party apparatchik.

When we were attacked by the Muslim Middle East, our policy was to strike back, just as we had after Pearl Harbor. Never mind that the policy was sixty years old, and that the complexities of the world could not possibly be much affected by those approaches. Sadaam Hussein is dead, and Iraq is descending at some speed into chaos. Afghanistan is or soon will be about where we found it. Osama Bin Laden is dead, but just as with the Taliban, even if Al Qaeda is diminishing, movements with other names are already rising up to take its place.

All that is preface to our incoherence in Syria.

It is easy to see why the chemical weapon “red line” matters and why proving that it has been crossed matters.

The brutality of World War I made us rethink just far we would go and where as a ‘civilized” world we would draw the line. The Geneva Protocol of 1925 prohibits their use. The community of nations has, more or less, stood behind this and its successors.

(Another digression: If the world had considered the real possibility of atomic weapons in this period between the wars, would these also have been put in the same prohibited category as chemical and biological weaons?)

The reason for taking such care about making sure the line is actually crossed of course goes back to Iraq. Having cried wolf so recently, the U.S. could not stand having its credibility questioned, internally or externally, on the issue of weapons of mass destruction.

But as the drumbeat for “doing something” gets louder in the wake of the U.S. now being completely confident that chemical weapons were used by the Assad regime, so many questions are not being asked, and if asked, not discussed or answered.

If we are already confident that thousands are killed, tens of thousands injured, hundreds of thousands displaced, and a nation is being destroyed from inside, why was the imperative waiting for this line at all? There is a global political answer, of course, which is that chemical weapons are a bigger and less assailable common ground upon which most or all can agree. That is indeed a pragmatic strategy, but we also have to talk about moral imperatives, no matter which way the discussion goes.

What exactly can and should we do? And if we do act, what do we expect and hope will be the result? And if we do act, what are the potential consequences?

Our leaders can talk about the red line in Syria, but they should stop pretending that this amounts to coherent and deep consideration. The three questions of actions, expectations and consequences should be the topic that consumes us. If we have principles and doctrines, let’s put them on the table and inspect them and see how aspirational and practical they are. If we believe in sovereignty in some cases but not others, let’s make sure that we know what the cases are and why the distinctions matter. If we do or don’t intervene in foreign political matters or insurrections or civil wars, let’s talk about it and how we act or react.

Instead, what we get are red lines and, in the case of Egypt, the sight of the U.S. being unwilling to call a coup a coup, and otherwise being paralyzed in figuring out what to do or say, so that “subtle” back channel goings on can go on.

Subtle goings on or silence can also may mean that you don’t know what to do or say, or that you don’t want the greater citizenry to hear what you are actually thinking. Maybe our leaders really aren’t very good at being statesmen. Maybe that citizenry isn’t up to the task of having discussions about what we believe, what we can accomplish and what we can’t. The only way to know this is to have it out in the open.

We seem to be more comfortable in the black and white and red line world of the Truman Doctrine. That wasn’t even a true picture of the world seventy years ago, and it definitely isn’t today. Can we talk, without slogans, without the fairy tale that the world of 2013 is a place that will resolve to our political and moral satisfaction soon—or ever? Before we make one more mistake, we have to find out.

Lee and Nancy: Summer Wine and Some Velvet Morning

Phedre - Alexandre Cabanel
When Lee Hazlewood and Nancy Sinatra got together in the 1960s to create pop music (he to write and produce, she to perform and record), who could know that this very day, music fan, you would discover one of those tracks and go “pretty cool”, while the other would elicit “what the heck is that?”

Nancy Sinatra was firstly famous as Frank Sinatra’s daughter, and then as the singer of a string of big hits, most notably These Boots Are Made for Walking. She was never a great singer, but her voice did have an appealing quality (genes count for something), and the material and production were often irresistible.

Lee Hazlewood was the source of many of those hit songs. And then he began performing and recording some of his songs as duets with Nancy Sinatra. If you think that Boots or Sugar Town are all there is to Nancy Sinatra, a couple of these duets just have to be heard.

Summer Wine – Hazlewood’s songs leaned toward country pop, and Summer Wine was a duet in the vein of Jackson from Johnny Cash and June Carter, and scores of other such duets. His pop sensibilities make this work, as does the contrast between his gruff baritone and Sinatra’s sweet not quite innocence. How good is the song? Good enough for it to be well covered even now, including a 2010 collaboration between Andrea Coors and Bono.

Some Velvet Morning – If Summer Wine is cool pop, Some Velvet Morning is something else. Hazlewood is sometimes identified as Cowboy Psychedelic, and the accent here is on psychedelic—in the best possible way. To this day, people argue about whether the song means something or nothing. As usual, reading lyrics don’t do songs justice. But if you want to think about it and listen, consider this:

Lee:
Some velvet morning when I’m straight
I’m gonna open up your gate
And maybe tell you ’bout Phaedra
and how she gave me life
and how she made it in
Some velvet morning when I’m straight

Nancy:
Flowers growing on the hill
Dragonflies and daffodils
Learn from us very much
Look at us but do not touch
Phaedra is my name

Lee:
Some velvet morning when I’m straight
I’m gonna open up your gate
And maybe tell you ’bout Phaedra
and how she gave me life
and how she made it in
Some velvet morning when I’m straight

Nancy:
Flowers are the things we knew
Secrets are the things we grew
Learn from us very much
Look at us but do not touch
Phaedra is my name

Lee:
Some velvet morning when I’m straight
Nancy:
Flowers growing on the hill
Lee:
I’m gonna open up your gate
Nancy:
Dragonflies and daffodils
Lee:
And maybe tell you ’bout Phaedra
Nancy:
Learn from us very much
Lee:
And how she gave me life
Nancy:
Look at us but do not touch
Lee:
and how she made it in

(Phaedra, by the way, is a tragic figure of Greek mythology, in love with her husband’s son—which probably has nothing to do with the song. Or does it? Who can tell with a highly educated psychedelic cowboy?)

In 2003 The Telegraph named this the best pop duet ever:

1. Lee Hazlewood and Nancy Sinatra
Some Velvet Morning, 1968

Most pop music is quickly forgotten. All too rare are the songs that endure, whose sheer otherness takes your breath away, even 30-odd years after they were conceived. Some Velvet Morning belongs in that company. Around the time that Frank Sinatra sang Somethin’ Stupid with his daughter Nancy, she was making other duets which brought a hipper, bolder edge to the format, and which would influence countless subsequent pairings. Nancy conducted these with Lee Hazlewood, a laconic Oklahoman who had masterminded her kitsch anthem of women’s liberation, These Boots Are Made for Walkin’.

In 1967, he recorded songs with her for possible inclusion in her first TV Special, Movin’ With Nancy. One, incredibly, was Some Velvet Morning – one of the strangest, druggiest, most darkly sexual songs ever written. Somehow, perhaps as a sop to the new demographic opening up during the Summer of Love, it made it on to the show. There are “flowers” and “daffodils”, but it’s hardly Sonny and Cher. Hazlewood’s sonorous, old-manly tones tell of “Phaedra, and how she gave me life, and how she made it end”, the reverberating bass sounds surrounding his echoey voice like storm clouds.

The music changes to a skipping, childish rhythm, and Nancy chimes in as Phaedra, innocent but ever more menacing as the verses are intercut more regularly. It’s a song whose mysteries have occasioned numerous covers, most recently by Primal Scream, with Kate Moss “doing” Nancy. None, though, can rival the macabre atmosphere of the original – ambitious, beautiful and unforgettable.

As always, those are just words. The music is in the tracks. Please listen.

How to Innovate: Hit ‘Em Where They Ain’t

Willie Keeler

Here’s a bit of advice on innovation from baseball great Willie Keeler, who played in the majors from 1892 to 1910.

Batters usually hit to the field on the side of the plate they bat from. Right-handed batters stand on the left side of the plate and usually hit to left field. This is known as pull hitting. Some batters can time their swing so that they can hit to the opposite field—that is, right handers to right field—and this is appropriately known as hitting to the opposite field. In either case, when fielders know the tendency of the batter, they can be positioned to best catch the ball.

The greatest batters can hit the ball wherever they want, leaving fielders having to guess and work for every out, and leaving those hitters with awesome statistics.

Keeler was one of those greats. He was called “Wee Willie” because he was only 5’4-1/2” tall and weighed 140 pounds. That did not stop him from compiling a .341 career batting average (14th all time), hitting over .300 16 times in 19 seasons, and hitting over .400 once. If you’re not a baseball person, just trust that this is really good.

How did he do it?

He advised keeping the ball away from opposing fielders. “Keep your eye clear, and hit ’em where they ain’t.”

So if you are starting or renewing a business, starting or renewing a career, no matter how “wee” you think you are, take it from someone who knew. Hit ‘em where they ain’t.

Education Epic: The ACT Chapter

ACT College Readiness 2013
The epic of American education goes on, success and failure, part triumph, part tragedy. Today’s chapter is the release of a report from ACT about the college readiness of American high school students. The ACT, along with the SAT, is the test used by colleges to determine admission of individual students. In various states, one or the other test predominates; college-bound or college-aspiring students take at least one, at least once.

States and school districts are increasingly using these scores as a standardized measure of just how well (or poorly) they are doing—so much so that some states are now paying for and requiring all students, college track or not, to take the tests.

Today’s ACT report could generously be characterized as equivocal (the ACT press release headlines: “ACT Points to Improvement Efforts and Calls for More Action”) but that is sugar coating. You will see the report covered both nationally and locally; you can read the state numbers and see whether and how they are being spun or faced head on. You can also read the report yourself.

You will come across a small collateral matter that is meant to explain, not excuse, the drop in scores in some places. Previously, those students that had been granted extra time to take the test as an accommodation for disabilities (10% of ACT takers) were not included in the aggregate score; now they are. ACT had not revealed this before, and it is now a mini-tempest of its own. States, districts and disability advocates call this previous exclusion discriminatory and inappropriate. For whatever reason, the fact is that this cohort did score lower than average, something—one might speculate—that ACT knew, and kept out of the statistics so that they would not look quite so bad.

They look bad. Here are some highlights from the ACT press release:

ACT Points to Improvement Efforts and Calls for More Action, Especially for Underserved Students

IOWA CITY, Iowa—College and career readiness problems persist among U.S. high school graduates, with the majority ill-prepared for success at the next level, according to the latest edition of nonprofit ACT’s yearly report, The Condition of College & Career Readiness 2013. ACT, however, points to solutions and ongoing efforts that could help improve student readiness in the future.

Only 39 percent of ACT-tested 2013 graduates met three or more of the four ACT College Readiness Benchmarks. Conversely, 31 percent of graduates did not meet any of the benchmarks. ACT research suggests that students who don’t meet the benchmarks are likely to struggle in relevant first-year courses at two- and four-year colleges, which increases their risk of not succeeding in college. “Once again, our data show that high school success and college readiness are not necessarily the same thing,” said Jon Whitmore, ACT chief executive officer. “Too many students are likely to struggle after they graduate from high school. As a nation, we must set ambitious goals and take strong action to address this consistent problem. The competitiveness of our young people and of our nation as a whole in the global economy is at stake.”

The research-based ACT College Readiness Benchmarks specify the minimum score students must earn on each of the four subject tests that make up the ACT® college readiness assessment (English, math, reading, and science) to have about a 75 percent chance of earning a grade of C or higher in a typical credit-bearing first-year college course in that subject area. ACT research suggests that students who meet the benchmarks are more likely than those who do not to persist in college and earn a degree….

Largest, Most Diverse Group of Test Takers Ever

The ACT report examines the ACT scores of a record 1.8 million students, 54 percent of the U.S. graduating class. It was the largest and most diverse group of graduates ever to take the ACT, the nation’s leading college entrance exam, and also likely the broadest in terms of academic preparation. This is due in part to an increase in the number of states and districts that administer the ACT to all students, not just those who were preparing to go to college. This year’s report includes 29 states in which 50 percent or more of graduates took the ACT and 12 states in which 90 percent or more took the assessment. As more students take the ACT, the data obtained from scores better reflect the entire U.S. graduating class, providing a glimpse of the emerging educational pipeline.

The national college-readiness level of 39% is, like most national aggregates, a bit misleading. In some states, that readiness level according to the ACT is about 18%.

Aside from the “steps are being taken” happy mantra, there is something good to say. In state after state, for the first time since standardized test scores have been the centerpiece of our education policy, the tests are being made appropriately stringent, playing scholastic hardball rather than softball or T-ball. This has caused scores to drop, even in some of the most sought-after school districts. Admitting you have a problem may be the first step, but admitting the actual depth of the problem is the second. As today’s ACT report indicates, we are indeed in deep.

Analogies to Egypt

Rosetta Stone

Who doesn’t love analytical analogies—situations past that bear a resemblance to current circumstances and might offer at least a little usable insight.

The current state of Egypt, like many situations in the new global age, is a bit sui generis—a unique thing of its own that we neither know how to classify or handle. For some, it is like going to watch a sports competition where you don’t exactly understand the game, don’t know nearly enough about the teams, and yet are being expected to choose sides—to root for somebody.

Here are a few of what we might call impressionistic analogies: examples from recent history that won’t withstand close scrutiny as directly related scenarios, but do have a certain similarity that at least gives us food for thought.

Iran – The impending release of Mubarek by the military government—ostensibly because the fraud case leading to his arrest would not hold up—brings to mind Iran and the last Shah. The Iranian Revolution of 1979 deposed the Shah and ended the West-friendly dynasty that the U.S. had long supported. One of the small but historically high-profile early incidents was President Jimmy Carter allowing the very ill Shah to seek medical help here in 1980—a factor in the subsequent hostage-taking, that in turn was (just one) of the reasons that Carter was not re-elected.

The U.S. is not alone in having to bet on somebody in turbulent times. Leaders are both real and symbolic in these contests. In Iran, our betting on the Shah—who was like us, who we understood, and who wss not like “them”—has proven disastrous. In the case of Mubarek in Egypt, what we wanted with him all those years was stability and moderation, but when it became apparent during the Arab Spring that we were looking decidedly anti-democratic, we opted to cut him loose and hope for democracy to follow. When that democracy started looking theocratic, possibly militantly so (Muslim Brotherhood), we were very confused and concerned—and so were the remnants of Mubarekism still in or near power. Military and stability or democracy and “adventure”. The Egyptian military made their decision, but we seem unable to decide. Will the military try to re-install Mubarek, or just leave him as a symbol of better days. Do we wish that we had handled Iran better, maybe helping to ease out the Shah and autocratic rule? It probably would not have prevented theocracy, but we didn’t try.

Iraq – Iraq, like Egypt, is another example of wanting to act strategically, while looking like the “good guy” and trying to figure out what a good guy looks like or acts like in these times. We supported Saddam Hussein, we refused to topple him, we toppled him, we executed him. All hell broke loose, and that fire may burn for generations. Whatever our skill at playing a real-world version of Risk globally, our track record in the Middle East is atrocious. At this point, we may want to consider where we stand relative to the historic record of the British and the French. (Note: We seem to have a bizarre predilection for following in their footsteps with little more, or even less, success than they had. See, e.g, Vietnam, Afghanistan, etc.)

Latin America – Our experiences in Latin America may serve as the most interesting of these tenuous analogies. The policy and history is easy to understand. We feared (still do) the incursion of Communism into the continent. We would support just about anybody who promised to keep the threat of socialism/Communism down. This put us in bed with a very bad lot, alliances that have had two lasting impacts. American fingerprints are all over the legacy of some despicable regimes. And now that many of those regimes are in the dustbin of history, residual anti-Americanism lingers on.

None of these alone, or even taken together, may offer much guidance in figuring out what to do in Egypt. Maybe a general lesson is that being powerful is not the same as being smart or being right. Maybe it’s that America is not as powerful as it thinks—back then, or even more so now—in a world it does not fully understand (again, ask the British and the French).

Egypt today is not that different from Egypt two years ago, or Syria now, or Iran or Iraq or Latin America. America has to expressly define and transparently decide how to stack our values and principles. Do we want American-style democracy or are we willing to settle for one of its other versions? Do we want democracy no matter what the results, or are we willing to trade democracy for authoritarian rule? Is authoritarian rule better than democratic or quasi-democratic Islamism, socialism or Communism? What is regional or global stability worth? What is peace worth? What is a Syrian or Egyptian or American life worth? Could billions in Egyptian aid, aside from whether or not we continue or suspend it, be better used to help Americans in an age of sequestration and austerity?

Grown up questions for grownups at the table.

Obama Must Renounce His Hawaiian Citizenship

Ted Cruz Birth Certificate

Now that we’ve (mostly) agreed that Barack Obama was born in Hawaii, there’s one final step: he must renounce his Hawaiian citizenship to legitimately serve as President of the United States.

That’s actually not right. Hawaii was a state when Obama was born there, and before that, it was an American territory (remember Pearl Harbor?).

But it is a splashy way to introduce the latest chapter in the story of Ted Cruz as possible presidential candidate.

Ted Cruz, U.S. Senator from Texas, was born in Calgary, Alberta, Canada to an American mother. The question of whether he is qualified to be President arises from Article Two, Section 1 of the U.S. Constitution, which restricts the presidency to “natural born Citizen[s]”. Even though there has been a colloquial understanding that this means “born in the U.S.A.”, the point has never been litigated, and there is a growing sense that it simply means born American, rather than naturalized.

There is no dispute that Cruz was an American citizen at birth, being born of an American citizen, even if abroad. But after he released his birth certificate this weekend (see above), to answer speculation that he might not be qualified, a new wrinkle has cropped up. As indisputably as he is an American citizen, it now appears that he is—at this very moment—also a Canadian citizen. A number of experts on Canadian law are making it clear that when you are born in Canada, citizenship is automatic. You can renounce it later on if you choose, as some do. But right now, Cruz is both an American and Canadian citizen, able to vote in Canadian elections and even run for office there. (Note how weirdly complicated this would have been had he been born there before 1947, when his birth would have made him both an American citizen and a British subject: God Save the Queen.)

It isn’t clear whether Cruz has long known he was also a Canadian citizen, whether he secretly participates in Canadian ceremonies, whether he privately exhibits the legendary Canadian civility and sensibility, whether his support of the XL Pipeline was specially motivated, whether his plan to bring the U.S. government to a halt is meant to make his Canadian homeland look better by comparison, whether he still has feelings for Her Royal Highness, given that he is a citizen of the Commonwealth, if not the United Kingdom.

There is a political issue here, though one that Cruz might be able to turn to his advantage. He might be able to continue his Senate role as a dual citizen (at least it’s Canada, not Russia), but the presidency is another matter. If he does choose to renounce, he could do it on an ideological basis, pointing out how the socialist leanings of his homeland to the north have left it far behind the achievements of free market America, and how, unless America is careful, it will end up exactly like Canada—the land he chose to leave at the age of four, precisely because he knew that America was the true land of freedom and opportunity. Not to mention a whole lot warmer, particularly in Texas.

Bowie and Gaga: The Shoulders of Giants

Bowie Gaga
If I have seen further, it is by standing on the shoulders of giants.
Isaac Newton

Scroll below today’s news about Egypt or the NSA or dozens of other significant stories and you will come to the contest between the new singles from Katy Perry (Roar) and Lady Gaga (Applause). Which is Number 1? Which is better? Listen if you want, or don’t. Life goes on either way. But music and excellence matter, so a related note.

Depending on whether you want to go back centuries or decades, we are now in the nth generation of popular music. Individual songs or entire genres, music and the styles that go with it are invented, perfected, synthesized, inspired by, borrowed; there is some balance between the entirely new and the entirely old.

The question is whether a listener can take a current artist at face value, without reference to what came before, without knowing (in Newtonian terms) what giant shoulders are stood on, or whether a listener should be aware of the influences, precursors, originators. This becomes particularly important when the earlier or original version was, once it is experienced by comparison, simply better art.

David Bowie’s extraordinary artistry can be summed up in two points.

He has six albums among the Rolling Stone 500 Greatest Albums of All Time. And each of these is created in a different style than the others.

Which brings us to the second point. Aside from creating superb music, Bowie devised the process of total artistic reinvention in pop—not only in musical style, but in performing personality. Up to that time, the assumption was that fans wanted a degree of continuity in their stars. The Beatles had broken through this assumption with a few changes during their short career, but Bowie smashed artistic continuity entirely: Ziggy Stardust, The Thin White Duke, etc. A review of his album covers is a roster of these personas.

Above is an image of Bowie as Ziggy Stardust. Next to it is an image of Lady Gaga from her current ARTPOP album period (all caps from her; it’s that important).

All artistically painted faces are not related, of course. But Gaga acknowledges David Bowie as an artistic influence. This presumably explains the various Gagas during her brief career: the artist dressed in meat, the artist emerging from a plastic womb, etc. Change all the clothes and makeup you want, and say all the right things that make you seem like an artist (Bowie, by the way, let his style do his talking), and it still comes down to music.

So, Gaga fans, if you are reading this, listen up, literally. While she may be copying only his approach to style and not his music, nothing she has done measures up artistically to Bowie. This isn’t a song-by-song, style-by-style comparison. It is a reminder, not just about Gaga but about music new and old, that tastes vary, but excellence doesn’t. With the release of the rest of ARTPOP, maybe there will be some artistic gems. Gaga is actually a talented singer and performer, so it is possible.

But for the moment, and pending further developments: Gaga, we’ve seen David Bowie, we’ve heard David Bowie, and you are no David Bowie. Or Isaac Newton.

(For fans of Isaac Newton, who may be wondering why his picture isn’t included, below is something from his CALCULUS period.)

newton

The Republican Health Care Plan Is Obamacare

National Health System for America - Heritage Foundation (1989)

Say something once, why say it again?
Talking Heads, Psycho Killer

Sometimes making a point means repeating yourself and not saying you’re sorry.

The current situation is that Newt Gingrich yesterday criticized attempts by some Republicans to repeal the Affordable Care Act, saying that the party had to offer alternative plans and unfortunately had not one idea.

He is of course wrong. As pointed out in an earlier post Heritagecare, the Republicans at one time did have a big idea about health care reform. It was developed at the conservative Heritage Foundation in 1989, as a market-based alternative to any sort of single-payer national health plan. The centerpiece of this reform was a national mandate requiring everybody to have insurance. With some refinement, this Heritage plan is at the heart of the Affordable Care Act. Obamacare is a version of Heritagecare.

Following the development of the Heritage plan, this is what happened.

Bill Clinton was elected President. First Lady Hillary Clinton promoted the adoption of national single-payer universal health care. This proved to be a political disaster and embarrassment. Health care was taken off the table for years.

Mitt Romney was elected Governor of Massachusetts. He used the Heritage plan—a Republican idea— as the basis for a state health care program. By all accounts, it was a success.

Barack Obama was elected President. He made health care reform a priority, but with single-payer dead in the water—maybe forever—he promoted a program based on the Heritage plan. As proof of concept for the Affordable Care Act, he could point to Massachusetts, where such an idea had worked.

Republicans intent on eviscerating Obama and his presidency used what they called “Obamacare” as a prime example of totalitarian socialism in action. They ignored the conservative origins of the plan. These Republicans were aghast when the Supreme Court narrowly allowed the plan to proceed as constitutional, but continue to do whatever they can to thwart it, including the dozens of attempts to repeal it—the same useless attempts that Gingrich criticized.

Mitt Romney ran for President. He could no longer embrace Heritagecare/Romneycare/Obamacare. He explained that while the plan might be good for Massachusetts, it is no good for America. He was never directly confronted with a version of the question: Are you serious?

Newt Gingrich is a very complicated man and politician, but he should be given his due. He is joining a chorus of mostly old-school Republicans trying to tell the Young Turks to get real. In this case, getting real could actually work to the Republican advantage, though they seem to be too ideology-blinded (and Obama-hate blinded) to see it.

People really do have some serious and legitimate qualms about the Affordable Care Act, and its implementation is bound to be a rocky road. If the Republicans looked back to their own Heritage plan, and if they took seriously the lip service of “compassionate conservatism”, they might actually be able to offer some constructive, earnest and enlightened adjustments—all for the sake of the general welfare of the country. As it is, that won’t be happening now or anytime soon.

Bandon by the Sea and Living Forever

Continuum Center
This is about a beach town and the possibility of living forever.

Bandon is a small beach town (about 3,000 people) on the southern coast of Oregon. It is special because of its beauty and spirit, including extraordinary rock outcroppings and stacks of bleached drift logs that hover in the sun and occasional fog. It is also special because few know about it. It is far enough from anywhere—248 miles south of Portland, 465 north of San Francisco—that there are other tourist stops better known and, to some, more exciting.

Bandon 4

The New Age is an ignored topic that deserves more than this brief discussion. In the 1970s, the movement toward a new consciousness coalesced around the concept of a New Age, a new era of human enlightenment and evolution that would move us forward, leaving some of the darkest aspects of our sometimes-sorry history behind. This included not only spirituality and religion, but psychology, art, music, mythology, earth, food, sex—anything that could help transform us and the way we live. By name, “New Age” has fallen into disuse; but as a matter of fact, many of the ideas and expressions are now part of our cultural fabric.

In 1979, philanthropist Hugh Harrison visited the Continuum Exhibit at JFK University in California. The exhibit showcased the Immortality Principle, the possibility of consciousness continuing after death. He was impressed and put the exhibit on tour, and also established a home for it in Bandon, in a building on Main Street called the Continuum Center. It was a splendid multimedia exhibit, state of the art for its time.

Continuum Book
One of faces of the New Age movement that is powerful though sometimes mocked is its music. New Age music was once a common category, though it has fallen into disuse. No good cultural development goes untortured. New Age music at its start and at its best is an attempt to coax, drag, push, pull and otherwise move your consciousness by the ear. In less talented hands it has been oversimplified and underpowered, but no different than with any other musical genre.

When I walked into the Continuum Center in Bandon years ago, I saw the oversized graphics and read about a vision of consciousness. But the very first thing I noticed was the music playing. It was, it turned out, the sublime Angel’s Flight by Shadowfax, and it was the first New Age music I had ever heard. The pictures and text of that visit are a little indistinct in memory, but that song isn’t, maybe because I’ve listened to it a few hundred times since.

A recent visit to Bandon, for the first time in a long time, revealed that not much had changed, a good thing. Maybe it was not a surprise that the Continuum Center as an exhibit is gone. But the building is still there, transformed into a small shopping plaza, but as you’ll see above, the name remains. Spirit abides.

So if any of this is interesting, here’s what to do. Listen to Angel’ Flight and other transportive music by Shadowfax and other worthy New Age artists. Learn a little more about the possibilities of consciousness and change, if you aren’t already doing so. Does consciousness survive death? Who knows, but what a beautiful question.

Last but not least, if your travels take you to the Pacific coast, visit Bandon. Unlike the Continuum Center exhibit, which lasted a few years, the beach and rocks and waves go on and on and on, waiting for you. They will wait forever.