If Trump is trying to break America, he is doing a good job.
Republicans in Congress could try to stop him. They haven’t and there is no indication they will.
Trump’s reason for breaking America is, appropriately for him, simple and primal. He is the boss and would be boss of a broken America, so he could reshape and rebuild it any way he wanted, to the advantage of himself and his friends.
Republicans in Congress are in part scared of losing their jobs and their power, such as it is. But many of them may also believe that current America is just too far gone for conventional reformation. It is, they believe, in need of a total tear down and new construction—with Trump, his circle and his party as architects.
Far-fetched? If that once had any meaning in imagining American governance, it doesn’t right now.
“We know that the dreams of adults often contain images of forbidden acts in which one of the participants belongs to a group of people considered socially inferior by the dreamer. In this way the forbidden act itself can break through the psychic censorship. Through such psychological mechanisms comic books give children a feeling of justification for violence, and sadism, frequently in fantasy and sometimes in acts. They supply a rationalization for these impulses. A large part of the violence and sadism in comics is practiced by individuals or on individuals who are depicted as inferior, sub-human beings. In this way children can indulge in fantasies of violence as something permissible.” Fredric Wertham, Seduction of the Innocent
It may seem that colleges now under attack have nothing to do with or learn from the history of comic books in America. They do.
Comic books have been a major cultural force for decades. In the 1950s, between a million and a million-and-a-half copies were being sold each month in America, mostly to young people.
Then in 1954, psychiatrist Fredric Wertham published a book, Seduction of the Innocent. His treatment of young people and his observation of juvenile delinquency in America convinced him that the culprit was comic books.
His book and his analysis were a national sensation, reaching Congress and a series of damning hearings. The comic book industry, seeing its sales fall, established a self-policing Comics Code, assuring that horror, violence and weirdness were eliminated.
Senate Hearing (1954)
We know that comic books came back from this as a major multimedia cultural force. A force so overwhelming that it has generated not one but two huge media universes—the DC Universe (DCU) and the Marvel Universe. Generations of extraordinary crowd-pleasing creativity has been let loose, not to mention billions of dollars.
Colleges take heart. It would be better if colleges weren’t asked to compromise their freedom and independence, just as it would have been better for the comic book industry. The colleges may choose to self-police, just as the comic book publishers did. But there is a tomorrow where your greater, freer, more independent days are ahead. It worked for comic books. It can work for you.
I could not resist looking back at how colleges were being handled in the comic books of that era. The good news is that college was not a place of horror, violence and weirdness. Campus was apparently a place of love and romance. No nightmares there.
Bob Schwartz 