Bob Schwartz

David Lynch died this week. Praise and appreciation have been profuse.

Among his many wonderful creations is the TV series Twin Peaks.

Phil Hoad in the Guardian ranked Lynch’s films and TV shows:

The great American film-maker died this week, leaving behind a body of work unmatched in its seductive strangeness and transcendent mystery. We put it in order.

While these kinds of rankings can be controversial, there is little doubt—for me at least—that Twin Peaks is at the top. Hoad wrote:

1. Twin Peaks S1 & 2 (1990-91)

A damn fine cup of coffee. A girl wrapped in plastic. A log-carrying oracle. Grief expressed through novelty song. Thumbs up from Dale Cooper. Canada as the source of all corruption. Backwards talk from dwarves and dames. Traffic lights in the night. The leering demon behind the sofa. Like a fish in a percolator, the original Twin Peaks was where the Lynchian sensibility filtered irreversibly into the zeitgeist.

Audiences had never seen anything like it: an ostensible homage to the comforts of daytime soap opera, none of it facile or ironic, but cut with Lynch’s habitual 1950s pop-culture references, dadaist skits and appalling sexual brutality. Not only did it expand the parameters of television but it amounted to the fullest and most seductive statement of the director’s worldview; his great American cosmology, in which the forces of good and evil warred for the souls of small-town prom queens and FBI agents alike.

Yes, the second season dips badly after Laura Palmer’s killer is revealed, and Lynch was occupied with Wild at Heart and other things. But his collaborators’ flailing attempts to replicate Lynchian weirdness in his absence only served to highlight his inimitable talent for finding the offbeat route to overwhelming emotion. Every time the series called for revelatory violence or charged metaphysics (“It is happening again!”), he returned to the director’s chair and unfailingly delivered. Thanks for warning us about the Black Lodge, Mr Lynch – and see you in the White one.

By 1990, some of us had already watched thousands of hours of TV, and had already seen the dazzling strangeness of Lynch films like Blue Velvet. We had also seen some interesting and inspiring experiments in television programs. But as Hoad wrote, and is worth repeating, “Audiences had never seen anything like it.”

(On a personal note, in the midst of Season 1, I organized a viewing party for friends and printed up a little Twin Peaks booklet to follow along.)

Before Lynch’s death, I was already in the process of rewatching Twin Peaks. The moment Episode 1 began, when I heard the unforgettable theme music, and watched the opening credits, I was reminded of a central message that the experience of Twin Peaks, and other Lynch creations, reflects: Things are strange, everything is strange, and that is wonderful.

The original Twin Peaks series is streaming on Paramount+ and available on other services.