Bob Schwartz

Surrealism: An Appropriate Response to Now

Sometime during the news today, the word surreal came to mind. Again.

Andre Breton, one of the founders of the Surrealist art movement in the 1920s, defined it this way:

SURREALISM, n. Pure psychic automatism, by which it is intended to express, verbally, in writing, or by other means, the real process of thought. Thought’s dictation, in the absence of all control exercised by the reason and outside all aesthetic or moral preoccupations.

I think that now and then I may be turning to surrealist art and literature—not to explain things, just because it seems like an appropriate response to now. To things that turn up in the news, for example.

Anyway, surrealism may find its way into these posts once in a while. A work of art, a bit of literature.

Above you will see Juan Miro’s Potato (1928). When you recognize that as possibly/certainly a potato/the potato/no potato/one potato/many potatoes/the idea of potato, you will be on your way to understanding what is going on. In the news, for example. Probably better than me.

The Warmth of Zen

One of the descriptions—it might be a criticism—of Zen is that it is cold and severe. That the core practice of “just sitting” (shikantaza) and thinking non-thinking/beyond thinking is too intellectual and does not include elements of feeling and humanity found in other practices and traditions, including some Buddhist ones.

Not to refute something that doesn’t ask for refutation, but here is a thought. Zen is like building the best fireplace in which the best fires can be set to burn the most cleanly and warmly. Yes, stone and bricks are cold. And you can build fires in the middle of your room or outside, and you may. But it is also good to have a well-constructed place to bring your wood and flame. It may seem impossible to build a fireplace just by sitting. But ultimately, it is actually very warm.

Faster than Flowers

Faster than Flowers

These poems grow
Faster than flowers.
They must be weeds.